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· Private foundation

The Bagby Foundation for the Musical Arts Inc

Its FY2025 filing reports that it accepted unsolicited grant applications.

$60k
Granted FY2025still arriving
18
Grants FY2025still arriving
3
States reached
$9k
Largest
01What it funds
0170% classified

What it funded, over time

Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.

Arts & Culture$181kOther$0
02FY2025 · 18 grants

Where the money goes

Grants by size, and the largest recipients.

$3,000
Median grant
3
States reached
$2.3M
Total assets
Largest grants
RecipientAmount
Individual grant recipient$8,750
Individual grant recipient$6,555
Individual grant recipient$6,000
Individual grant recipient$6,000
Individual grant recipient$6,000
Individual grant recipient$6,000
Individual grant recipient$6,000
Individual grant recipient$4,500
Individual grant recipient$3,000
Individual grant recipient$3,000
MUSIC BEFORE 1800$500
YOUNG CONCERT ARTISTS$500
GLIMMERGLASS OPERA$500
MANHATTAN SCHOOL OF MUSIC$500
OPERA COLORADO$500
02The need
03

Does the money reach high-need areas?

Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.

show:

Dollar for dollar, its grants (FY17–25) land where the poverty rate runs at 16%, against an area that typically sits at 10%. 82% of its dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.

area typical 10%SOOBEEN LEE: $9k → 16%MARCO D CAMMAROTA: $9k → 22%BRUCE BURROUGHS: $8k → 14%ROSE-MARIE JOHNSON: $6k → 7%GLIMMERGLASS OPERA: $500 → 13%MASTERVOICES: $500 → 17%SIENNA LICHT MILLER: $3k → 12%VIRGINIA GORDON: $3k → 9%OPERA COLORADO: $500 → 8%CHARLIE ALBRIGHT: $9k → 9%EDWARD BLICKSTEIN: $500 → 7%JAMEZ MCCORKLE: $2k → 23%MARCO D CAMMAROTA: $8k → 8%SOO-BEEN LEE: $7k → 16%MARCO D CAMMAROTA: $9k → 22%BRUCE BURROUGHS: $8k → 14%ROSE-MARIE JOHNSON: $6k → 7%GLIMMERGLASS OPERA: $500 → 13%TESIA KWARTENG: $3k → 17%EDWARD BLICKSTEIN: $500 → 7%SOO-BEAN LEE: $2k → 16%JAMEZ MCCORKLE: $8k → 22%BRUCE BURROUGHS: $7k → 14%ROSE-MARIE JOHNSON: $6k → 7%GLIMMERGLASS OPERA: $500 → 13%MASTERVOICES: $500 → 17%JAMEZ MCCORKLE: $8k → 22%GLIMMERGLASS FESTIVAL: $500 → 13%SANG-EUN LEE: $7k → 22%SANG-EUN LEE: $5k → 22%ROBERT KUEHN: $6k → 17%ROBERT KUEHN: $6k → 17%ZHU WANG: $2k → 17%JEFFREY DOOLEY: $3k → 17%ROBERT KUEHN: $3k → 17%NIMROD DAVID PFEFFER: $6k → 17%JEFFREY DOOLEY: $1k → 17%JEFFREY DOOLEY: $1k → 17%RANDALL GOOSBY: $4k → 17%MICAH MCLAURIN: $9k → 17%MICAH JAMES MCLAURIN: $6k → 17%DR ROBERT BREWSTER: $2k → 17%DR ROBERT BREWSTER: $2k → 17%DR ROBERT BREWSTER: $1k → 17%GERALD GOODMAN: $3k → 17%GERALD GOODMAN: $3k → 17%CHARLIE ALBRIGHT: $8k → 17%CHARLIE ALBRIGHT: $8k → 17%0%20%40%50%more need →
grant to an above-average-need area below average· circle size = grant amount
How this is measured
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty line in the grantee’s ZIP, averaged from the tracts in that ZIP.

Which US states its grants reach

WA
NY
MA
OR
PA
NJ
CT
CA
CO
MD
LA
How this is measured
US grants placed by each grantee’s ZIP, which can differ from where services are delivered. Need from public data (U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA), shown as context about the area, never attributed to the funder’s giving.
03Its grantees
repeat funding

Who it funds again

Organizations funded in more than one year, against those funded once.

76%of every dollar goes to organizations it has funded before.
$211k · 19 repeat orgs$66k to everyone else

19 repeat relationships: 9 still active in FY2025, 10 since wound down; 9 grantees were first funded in FY2025 (too recent to call).

How the two cohorts compare

Re-uppedFunded once

Organizations

19
9

Total granted

$211k
$36k

Still filing today

32%
0%

New vs renewed · share of each year

In FY2025, 50% of grant dollars renewed an existing relationship; $30k went to new ones.

50%100%’17’18’19’25
RenewedFirst-time
How this is measured
First-time means a grantee’s first year in the filing window; renewed means funded in an earlier year too. The renewed share climbs naturally as a portfolio matures, so the signal is a year that bucks it (a wave of new grantees). The earliest year is left-censored: relationships that predate the data read as new. Theme is the grantee’s IRS cause.

Backed again, and grew

  • MS
    MANHATTAN SCHOOL OF MUSIC
    4× · 2017–2025 · $2k · revenue +47%
  • MB
    MUSIC BEFORE 1800 INC
    4× · 2017–2025 · $2k · revenue +34%
  • TH
    The Harlem Chamber Players Inc
    4× · 2017–2025 · $2k · revenue +534%

Funded once

  • IG
    Individual grant recipient
    one grant, 2019 · $9k
  • IG
    Individual grant recipient
    one grant, 2017 · $6k
  • IG
    Individual grant recipient
    one grant, 2018 · $6k
How this is measured

Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.

04Its field

Closest unfunded matches

The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.

1
Foundation for Modern Opera
—
2
Chamber Opera of Chicago
—
3
American Chamber Ensemble Inc

The American Chamber Ensemble is a consortium of distinguished musicians whose concerts explore the music for piano with strings, woodwinds and/or voice, presenting both great standard repertoire and living American composers.

—
4
Cantata Profana Inc

Cantata Profana, Inc. (www.cantataprofana.com) is a vocal and instrumental chamber ensemble that presents concerts of classical and chamber music ranging from the Baroque to modern eras with a unique narrative style. Our purpose is to…

Arts & Culture
5
Vanguard Concerts
—
6
San Francisco Opera Association

We believe opera is a uniquely compelling, entertaining and emotionally thrilling art form. our mission is to bring together growing audiences to experience opera's transformative power.

Arts & Culture
7
Center for Contemporary Opera

Based in ny city the company focuses on producing and developing new opera and music theater works and rviving rarely seen american operas written after world war. teh center for contemporary operas ha sstaged the premiers of over seventy…

—
8
Queens Opera Theatre

To educate the general public of new york on all aspects of opera through opera productions, lectures, classes, camps, social media, newsletters, etc. while emphasizing the need to make opera accessible and affordable to all people, no…

Arts & Culture
9
Opera At Florham Inc

To provide all sectors of the community with affordable, accessible operatic and related musical performances

Arts & Culture
10
The New York Festival of Song Inc

NYFOS is dedicated to creating intimate song concerts of great beauty and originality, weaving music, poetry, history and humor into unforgettable evenings of compelling theater, entertaining, educating and creating community among…

—
11
Turkish American Orchestra Inc
Arts & Culture
12
Oratorio Society of New York

Our mission is to contribute to the cultural fabric of new york city through public performance of both classical and contemporary choral works at the highest musical standards. we are committed to the musical development of members,…

—
How this is measured
The grantee most central to the portfolio’s shape is Mastervoices Inc; the most unlike its peers is Manhattan School of Music. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
04the grantee network

9 grantees tracked through their own filings, 2017–2025.

Each grant beside the grantee’s revenue from every source, year by year.

How this is measured

Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 9 of the 37 grantees resolved in that span have returns of their own we could reconcile.

Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.

0
Load-bearing (≥25% of a budget)
2
Early backer (in before they grew)
9/9
Grantees still filing
6/9
Grew since first funded

Where the money sits, by cause and then by grantee

Individual grant recipient: $32,450 · OtherIndividual grant recipientIndividual grant recipient: $26,276 · OtherIndividual grant recipientIndividual grant recipient: $25,650 · OtherIndividual grant recipientIndividual grant recipient: $21,450 · OtherIndividual grant recipientIndividual grant recipient: $18,900 · OtherIndividual grant recipientIndividual grant recipient: $18,000 · OtherIndividual grant recipientIndividual grant recipient: $13,800 · OtherIndividual grant recipient: $12,525 · OtherIndividual grant recipient: $12,100 · OtherIndividual grant recipient: $8,850 · Other+18 more: $74,788 · Other+18 moreMANHATTAN SCHOOL OF MUSIC: $2,000 · Arts & CultureMUSIC BEFORE 1800 INC: $2,000 · Arts & CultureThe Harlem Chamber Players Inc: $2,000 · Arts & CultureThe Metropolitan Opera Guild Inc: $1,500 · Arts & CultureMASTERVOICES INC: $1,500 · Arts & CultureGLIMMERGLASS OPERA THEATRE INC: $1,500 · Arts & CultureTeatro Nuovo Inc: $500 · Arts & CultureYOUNG CONCERT ARTISTS INC: $500 · Arts & CultureOPERA COLORADO: $500 · Arts & Culture
Other$264,789Arts & Culture$12,000

Each grantee by its size and the funder’s share of it; top left is load-bearing

25%50%75%100%$1.0M$10Mgrantee revenue →↑ funder's share of their budgetMANHATTAN SCHOOL OF MUSIC: $2,000 over 4y, 0.0% of budgetMUSIC BEFORE 1800 INC: $2,000 over 4y, 0.2% of budgetThe Harlem Chamber Players Inc: $2,000 over 4y, 0.4% of budgetThe Metropolitan Opera Guild Inc: $1,500 over 3y, 0.0% of budgetMASTERVOICES INC: $1,500 over 3y, 0.0% of budgetGLIMMERGLASS OPERA THEATRE INC: $1,500 over 3y, 0.0% of budgetYOUNG CONCERT ARTISTS INC: $500 over 1y, 0.0% of budgetOPERA COLORADO: $500 over 1y, 0.0% of budget
Grantee by grantee: a decade per organization, before and after funding

A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.

  • Who funds MANHATTAN SCHOOL OF MUSIC ↗
  • Who funds MUSIC BEFORE 1800 INC ↗
  • Who funds The Harlem Chamber Players Inc ↗
  • Who funds The Metropolitan Opera Guild Inc ↗
  • Who funds MASTERVOICES INC ↗
  • Who funds GLIMMERGLASS OPERA THEATRE INC ↗
  • Who funds Teatro Nuovo Inc ↗
  • Who funds YOUNG CONCERT ARTISTS INC ↗
  • Who funds OPERA COLORADO ↗

Co-funders

Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.

Vanguard Charitable Endowment ProgramPA8.8× affinity4 shared granteesties to 4 of 4Hover any node to trace its alignments.Compare side by side →

Open a dossier: Vanguard Charitable Endowment Program · American Online Giving Foundation Inc · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation

How this is measured
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. Overlap is association, not proof of shared intent.

How much its grantees rely on government

Each dot is one organization The Bagby Foundation for the Musical Arts Inc funds: left to right is the share of its income from government, bottom to top the share from The Bagby Foundation for the Musical Arts Inc. Bigger dots raise more.

2024
’20’21’22’23’24’25
no gov · 00%0%1%3%5%funder's share of their income ↑0%1%3%4%5%share of the org’s income from government →
    no gov moneyreceives it· size = income
    0get no government money at all
    7report government grants on their 990 we could not trace to a source (not plotted)
    0rely on government for over half their income
    ⤢ axis zoomed · 0–5%
    typical government reliance, FY20–25
    How this is measured
    Government income is each org’s traced federal awards (USASpending grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that a grant caused the public funding. Coverage is precision-first, a floor rather than a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12 to 24 months.

    On method. Every financial figure here is read from IRS e-file XML, the funder’s own 990/990-PF, and from the multi-year returns of the 37 grantees we resolved, each linked to its source. Grantee outcomes are each organization’s own program-service reporting (Form 990, Part III), read as association with funding, never as caused by it. Low-confidence name matches are suppressed rather than guessed. How we build these →

    How this is measured
    Each figure carries one of six labels. Filed is what the funder reported on its return. Official is another government record about an organization, such as a federal award or a charity register, joined by name where no shared identifier exists. Resolved is an identity we worked out where the filing named a recipient without an EIN, kept only above a measured confidence threshold. Computed is arithmetic over those, like themes, portfolio clusters and co-funder strength. Context is a statistic about a place rather than about an organization, which is what the need overlay is: it describes the area a grantee’s address sits in, not where its work lands. Inferred is drawn by a model from text, like the partnerships read out of public news and organization websites. Each is labeled where it appears.

    Generated from the IRS Form 990-PF e-file return for fiscal year 2025, released 2025. Filings run roughly 12 to 24 months behind; figures are dated accordingly.

    Source object · view filing

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