· Private foundation
The Bagby Foundation for the Musical Arts Inc
Its FY2025 filing reports that it accepted unsolicited grant applications.
What you funded, over time
By grantee IRS cause code (NTEE).
A cause breakdown isn’t shown here: 96% of THE BAGBY FOUNDATION FOR THE MUSICAL ARTS INC’s grantee dollars fall outside its nine largest cause areas, whether because the recipient carries no IRS cause code or because its cause sits in the long tail. A chart would be mostly one residual band and misrepresent the portfolio.
Where the money goes
Your grants by size, and where they go.
| Recipient | Amount |
|---|---|
| Individual grant recipient | $8,750 |
| Individual grant recipient | $6,555 |
| Individual grant recipient | $6,000 |
| Individual grant recipient | $6,000 |
| Individual grant recipient | $6,000 |
| Individual grant recipient | $6,000 |
| Individual grant recipient | $6,000 |
| Individual grant recipient | $4,500 |
| Individual grant recipient | $3,000 |
| Individual grant recipient | $3,000 |
| MUSIC BEFORE 1800 | $500 |
| GLIMMERGLASS OPERA | $500 |
| THE HARLEM CHAMBER PLAYERS | $500 |
| YOUNG CONCERT ARTISTS | $500 |
| TEATRO NUOVO | $500 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–25) land where the poverty rate runs at 16%, against an area that typically sits at 10%. 82% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
19 repeat relationships — 9 still active in FY2025, 10 since wound down; 9 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Still filing today
New vs renewed · share of each year
In FY2025, 50% of grant dollars renewed an existing relationship; $30k went to new ones.
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- MSMANHATTAN SCHOOL OF MUSIC4× · 2017–2025 · $2k · revenue +47%
- THThe Harlem Chamber Players Inc4× · 2017–2025 · $2k · revenue +534%
- MBMUSIC BEFORE 1800 INC4× · 2017–2025 · $2k · revenue +34%
Funded once
- IGIndividual grant recipientone grant, 2019 · $9k
- IGIndividual grant recipientone grant, 2017 · $6k
- IGIndividual grant recipientone grant, 2018 · $6k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The American Chamber Ensemble is a consortium of distinguished musicians whose concerts explore the music for piano with strings, woodwinds and/or voice, presenting both great standard repertoire and living American composers.
Cantata Profana, Inc. (www.cantataprofana.com) is a vocal and instrumental chamber ensemble that presents concerts of classical and chamber music ranging from the Baroque to modern eras with a unique narrative style. Our purpose is to…
We believe opera is a uniquely compelling, entertaining and emotionally thrilling art form. our mission is to bring together growing audiences to experience opera's transformative power.
Based in ny city the company focuses on producing and developing new opera and music theater works and rviving rarely seen american operas written after world war. teh center for contemporary operas ha sstaged the premiers of over seventy…
To educate the general public of new york on all aspects of opera through opera productions, lectures, classes, camps, social media, newsletters, etc. while emphasizing the need to make opera accessible and affordable to all people, no…
To provide all sectors of the community with affordable, accessible operatic and related musical performances
NYFOS is dedicated to creating intimate song concerts of great beauty and originality, weaving music, poetry, history and humor into unforgettable evenings of compelling theater, entertaining, educating and creating community among…
Our mission is to contribute to the cultural fabric of new york city through public performance of both classical and contemporary choral works at the highest musical standards. we are committed to the musical development of members,…
For reference, the grantee most central to the portfolio’s shape is Mastervoices Inc and the most unlike its peers is Manhattan School of Music. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
9 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 9 of the 37 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds MANHATTAN SCHOOL OF MUSIC ↗
- Who funds The Harlem Chamber Players Inc ↗
- Who funds MUSIC BEFORE 1800 INC ↗
- Who funds MASTERVOICES INC ↗
- Who funds The Metropolitan Opera Guild Inc ↗
- Who funds GLIMMERGLASS OPERA THEATRE INC ↗
- Who funds YOUNG CONCERT ARTISTS INC ↗
- Who funds OPERA COLORADO ↗
- Who funds Teatro Nuovo Inc ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Vanguard Charitable Endowment Program · American Online Giving Foundation Inc · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Bagby Foundation for the Musical Arts Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.