· Private foundation
The Antinori Foundation Inc
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k1 grant · $5k
- $10k–50k2 grants · $53k
- $50k–250k4 grants · $375k
- $250k+1 grant · $550k
| Recipient | Amount |
|---|---|
| MUSEUM OF CONTEMPORARY ART OF GEORGIA | $550,000 |
| THE NATURE CONSERVANCY | $100,000 |
| PIEDMONT PARK CONSERVANCY | $100,000 |
| HAMBIDGE | $100,000 |
| ATLANTA OPERA | $75,000 |
| ALLIANCE THEATRE | $40,000 |
| HISTORIC OAKLAND FOUNDATION | $12,500 |
| FRANKLIN POND CHAMBER MUSIC | $5,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY20–24) land where the poverty rate runs at 13%, against an area that typically sits at 9%. 97% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
10 repeat relationships — 7 still active in FY2024, 3 since wound down.
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 100% of grant dollars renewed an existing relationship; $0 went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TMTHE MUSEUM OF CONTEMPORARY ART OF GEORGIA INC5× · 2020–2024 · $708k · revenue +568%
- TATHE ATLANTA OPERA INC4× · 2020–2024 · $185k · revenue +684%
- PPPiedmont Park Conservancy Inc2× · 2023–2024 · $105k · revenue +96%
Funded once
- EVENSEMBLE VIMgraduatedone grant, 2023 · $61k · revenue +37% · 75% of their budget
- RWROBERT W WOODRUFF ARTS CENTER INCgraduatedone grant, 2020 · $50k · revenue +62%
- SCSTAR C CORPORATIONone grant, 2020 · $50k · revenue -54%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To shape the future of classical music by energizing, modernizing, and personalizing the concert experience.
The American Chamber Ensemble is a consortium of distinguished musicians whose concerts explore the music for piano with strings, woodwinds and/or voice, presenting both great standard repertoire and living American composers.
The Georgia Symphony Orchestra GSO is a non-profit corporation organized for the purposes of providing significant cultural and educational value to the north-metro Atlanta community. The organization performs public concerts through our…
Dedicated to the creation, presentation and advancement of contemporary art through its exhibitions, educational programming and studio art program.
Whole World is a non-profit improv theatre founded in 1994 providing an artistic home for people of all ages who wish to be educated and grow through this artistic expression all while cultivating actors to compete
To enrich the Twin Cities community by sharing distinctive and engaging chamber orchestra performances. We are committed to inclusivity and strive to provide all people in our community with opportunities to connect with our music.
Metropolis Ensemble is a Grammy-nominated nonprofit organization dedicated to commissioning and producing ambitious creative projects in contemporary music. With a particular focus on expanding opportunities for emerging professional…
Cincinnati Chamber Orchestra (CCO) creates intimate, transformative experiences that connect the musically curious.
The organization is an ethnically diverse collective of professional musicians dedicated to bringing high caliber, affordable and accessible live classical music to people in the Harlem community and beyond.
To be a sustainable musical institution that brings the intimate experience of a world-class chamber orchestra performance to the greater philadelphia area,enriching the musical life of the city and region by the integrity and excellence…
High quality professional chamber-music concerts.
For reference, the grantee most central to the portfolio’s shape is Piedmont Park Conservancy Inc and the most unlike its peers is Ansley Park Beautification Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
14 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 14 of the 20 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE MUSEUM OF CONTEMPORARY ART OF GEORGIA INC ↗
- Who funds THE ATLANTA OPERA INC ↗
- Who funds Piedmont Park Conservancy Inc ↗
- Who funds THE NATURE CONSERVANCY ↗
- Who funds Piedmont Healthcare Foundation Inc ↗
- Who funds ENSEMBLE VIM ↗
- Who funds HORIZON THEATRE COMPANY INC ↗
- Who funds ROBERT W WOODRUFF ARTS CENTER INC ↗
- Who funds STAR C CORPORATION ↗
- Who funds Historic Oakland Foundation Inc ↗
- Who funds ATLANTA CHAMBER PLAYERS INC ↗
- Who funds Franklin Pond Chamber Music Inc ↗
- Who funds ANSLEY PARK BEAUTIFICATION FOUNDATION ↗
- Who funds GEORGIA COMMITTEE OF THE NATIONAL MUSEUM OF WOMEN ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Community Foundation for Greater Atlanta Inc · The Imlay Foundation Inc · The Arthur M Blank Family Foundation · The Gable Foundation Inc · The Columbia Foundation · Charles Loridans Foundation Inc · Charities Aid Foundation America · The Bank of America Charitable Foundation Inc · Vanguard Charitable Endowment Program · National Philanthropic Trust · American Online Giving Foundation Inc · Donor Advised Charitable Giving Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Antinori Foundation Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.