· Private foundation
Stockton Rush Bartol Foundation
Its FY2024 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k40 grants · $151k
- $10k–50k1 grant · $11k
| Recipient | Amount |
|---|---|
| ACTING WITHOUT BOUNDARIES (AWB) | $11,000 |
| DANCE IQUAIL | $7,500 |
| ARTS WITHOUT BOUNDARIES | $7,500 |
| PHILADELPHIA CLEF CLUB OF JAZZ | $7,500 |
| LIL FILMMAKERS INC | $7,500 |
| ELEONE DANCE THEATRE | $7,500 |
| PHOTOGRAPHY WITHOUT BORDERS | $7,500 |
| REBEL ARTS MOVEMENT | $7,500 |
| DANSE4NIA | $6,000 |
| ARTWELL | $6,000 |
| POWER STREET THEATRE | $6,000 |
| JUNTOS | $6,000 |
| PHONKPHILLY | $6,000 |
| 2CENTS INC | $6,000 |
| MUSEUM OF BLACK JOY | $6,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–24, $17k) land where the poverty rate runs at 22%, against an area that typically sits at 16%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +41% since the first grant, against +5% for the ones you funded once.
47 repeat relationships — 11 still active in FY2024, 36 since wound down; 30 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 49% of grant dollars renewed an existing relationship; $83k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TBTHE BIG PICTURE ALLIANCE INC5× · 2017–2022 · $33k · revenue ×11
- PCPHILADELPHIA CHINESE OPERA SOCIETY INC4× · 2021–2024 · $29k · revenue +17% · 33% of their budget
- RTROCK TO THE FUTURE INC5× · 2017–2022 · $28k · revenue +265%
Funded once
- SQSpiral Q of Culture Trustone grant, 2021 · $11k
URBAN AFFAIRS COALITIONgraduatedone grant, 2017 · $10k · revenue +176%
FRACTURED ATLAS INCone grant, 2023 · $8k · revenue +5%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Education, arts and culture.
To promote the cultural richness of philadelphia and to bring the most distinguished work in the arts to audiences in the philadelphia region
Students wrote produced and performed an original musical Bridges The musical follows students as they navigate their racial identities address issues of race at their suburban school and challenge a music education system in need of…
To be an advocate for dance in philadelphia by presenting stimulating performances, workshops, classes, dialogs and forums for artists, aspiring artists, students, and a broad-based audience.
Boldly leverage the power of the performing arts to catalyze social change, challenge bias, and create spaces for dialogue and understanding by presenting culturally diverse voices that celebrate and affirm our shared humanity.
Shakespeare in Clark Park produces cultural events which bridge the gap between audiences and artists by inviting community members to take part in making and shaping our productions. Our productions are rooted in the people of…
Provide high quality low cost performing arts classes to underserved children in Harlem and the surrounding neigborhoods.
Twelve gates arts, established in 2011, is a non-profit organization based in philadelphia, pennsylvania. the "gates" refer to the fortified gates that walled many ancient cities- inside which lay the heart of each city's art and culture.…
Balletx expands the vocabulary of contemporary ballet for all audiences through innovative performances, world premiere choreography, dance education, and community programs.
To cultivate an enduring appreciation for dance through world-class performances, to inspire the next generation with exceptional education and professional training, and to connect with the community through meaningful and inclusive…
Play on philly provides underserved children in philadelphia, a transformative music education experience that develops and inspires the behaviors and personal skills needed for a successful life.
The arts nonprofit offers free dance and theatre training and shows to hundreds local children and teenagers in Paterson, NJ and low-cost events and presentations to the community. Our focus is on Arts, Cultural, Education, Shows &…
For reference, the grantee most central to the portfolio’s shape is Arts in Schools Collaborative and the most unlike its peers is Juntos. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 25 years old; the field is 14. You back the established end — and your money leans older still.
The field is 23% startups (under 5 years old) — 6% of your grantees by number, and just 4% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 16% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
49 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 49 of the 184 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE BIG PICTURE ALLIANCE INC ↗
- Who funds PHILADELPHIA CHINESE OPERA SOCIETY INC ↗
- Who funds ROCK TO THE FUTURE INC ↗
- Who funds Artistas y Musicos Latino Americanos ↗
- Who funds PHOTOGRAPHY WITHOUT BORDERS INC ↗
- Who funds CENTRO NUEVA CREACION NEW CREATION COMMUNITY CENTER ↗
- Who funds SCRIBE VIDEO CENTER INC ↗
- Who funds Artwell Collaborative Inc ↗
- Who funds PHILADELPHIA FOLKLORE PROJECT ↗
- Who funds AL-BUSTAN SEEDS OF CULTURE ↗
- Who funds SCENE-N-ACTION PRODUCTIONS COMPANY INC ↗
- Who funds ELEONE INC dba ELEONE DANCE THEATRE ↗
- Who funds BEYOND THE BARS INC ↗
- Who funds THE UNSCRIPTED PROJECT ↗
- Who funds ACTING WITHOUT BOUNDARIES ↗
- Who funds Philadelphia Dance Company ↗
- Who funds ART SPHERE INC ↗
- Who funds ALLENS LANE ART CENTER ↗
- Who funds ARTREACH INC ↗
- Who funds CULTURETRUST GREATER PHILADELPHIA ↗
- Who funds DANCE IQUAIL INC ↗
- Who funds KULU MELE AFRICAN DANCE AND DRUM ENSEMBLE ↗
- Who funds THEATRE EXILE COMPANY ↗
- Who funds MAMADELE FOUNDATION ↗
- Who funds UNIVERSITY CITY ARTS LEAGUE INC ↗
- Who funds WAGNER FREE INSTITUTE OF SCIENCE ↗
- Who funds PHILADELPHIA YOUNG PLAYWRIGHTS ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Philadelphia Cultural Fund Inc · Henrietta Tower Wurts Memorial Foundation · The Philadelphia Foundation · The William Penn Foundation · Rosenlund Family Foundation Inv Mgr · Henry Dolfinger 2 Trust Uw · The Barra Foundation Inc · Ludwick Fdn · Adam and Maria Sarah Seybert Institution for Poor Boys and Girls · Lindback Cr & Mf Foundation Tw Main · The Allen Hilles Fund · Independence Public Media of Philadelphia Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Stockton Rush Bartol Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.