· Private foundation
Schulzman-Neri Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k17 grants · $46k
- $10k–50k2 grants · $29k
| Recipient | Amount |
|---|---|
| RONALD MCDONALD HOUSE | $18,750 |
| AQUARIUM OF THE PACIFIC | $10,000 |
| PALM SPRING ART MUSEUM | $7,526 |
| MUSICAL THEATRE WEST | $5,500 |
| THE BASCOM | $5,000 |
| MEMORIAL MEDICAL CENTER FOUNDATION | $5,000 |
| GROUND EDUCATION | $4,500 |
| INTERNATIONAL CITY THEATRE | $4,250 |
| LONG BEACH SYMPHONY | $4,200 |
| Individual grant recipient | $3,820 |
| LITERACY LEARNING CENTER | $1,500 |
| CVRep | $1,000 |
| LONG BEACH PUBLIC LIBRARY FOUNDATIO | $1,000 |
| LAist | $1,000 |
| HONOLULU MUSEUM OF ART | $600 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–17, $3k) land where the poverty rate runs at 9%, against an area that typically sits at 10%. 0% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +50% since the first grant, against +31% for the ones you funded once.
19 repeat relationships — 14 still active in FY2024, 5 since wound down; 5 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 94% of grant dollars renewed an existing relationship; $5k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- MOMUSEUM OF LATIN AMERICAN ART3× · 2017–2023 · $44k · revenue +58%
- MTMUSICAL THEATRE WEST4× · 2017–2024 · $44k · revenue +21%
- AOAQUARIUM OF THE PACIFIC CORPORATION4× · 2017–2024 · $40k · revenue +50%
Funded once
- HCHIGHLAND CASHIERS HOSPITAL FOUNDATIone grant, 2018 · $25k
- AHANC HEALTHCARE INCone grant, 2018 · $10k · revenue -68%
- IGIndividual grant recipientone grant, 2017 · $3k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The museum of contemporary art san diego invites all audiences to experience our world, our region, and ourselves through the prism of contemporary art.
To collect, display and interpret objects in craft art and design.
The monterey museum of art cultivates curiosity in the visual arts and engages community with the diversity of california art - past, present, and future.
The los angeles conservancy is a nonprofit membership organization that works through education and advocacy to recognize, preserve, and revitalize the historic architectural and cultural resources of los angeles county.
California college of the arts educates students to shape culture and society through the practice and critical study of art, architecture, design, and writing. benefitting from its san francisco bay area location, the college prepares…
Amoca believes clay is magic. it is a simple yet extraordinary material from which artistic masterpieces are created and everyday products are made. from dinnerware to sculpture to cell phone chips and cosmetics, clay is a part of…
The hammer museum at ucla believes in the promise of art and ideas to illuminate our lives and build a more just world.
To serve the public through the collection, conservation, exhibition and interpretation of significant works of art from a broad range of cultures and historical periods, and through translation of these collections into meaningful…
The asian art museum celebrates, preserves, and promotes asian and asian american art and cultures for local and global audiences. we provide a dynamic forum for exchanging ideas, inviting collaboration, and fueling imagination to deepen…
To integrate art into the lives of people, fostering imagination, stimulating thought, and creating personally rewarding experiences.
Mission: the mission of san diego opera is to deliver exceptional performances and exciting, accessible programs to diverse audiences, focusing on community partnerships, and the transformative and expressive power of the human voice. as…
The museum of sonoma county engages and inspires our diverse community with art and history exhibitions, collections, and public programs that are inclusive, educational, and relevant.
For reference, the grantee most central to the portfolio’s shape is Memorial Medical Center Foundation and the most unlike its peers is Samaritan Counseling Center Hawaii. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 30 years old; the field is 12. You back the established end — and your money leans older still.
The field is 25% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 16% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
24 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 24 of the 44 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds MUSEUM OF LATIN AMERICAN ART ↗
- Who funds MUSICAL THEATRE WEST ↗
- Who funds The Bascom Corporation ↗
- Who funds AQUARIUM OF THE PACIFIC CORPORATION ↗
- Who funds HONOLULU MUSEUM OF ART ↗
- Who funds PALM SPRINGS ART MUSEUM ↗
- Who funds MEMORIAL MEDICAL CENTER FOUNDATION ↗
- Who funds INTERNATIONAL CITY THEATRE ↗
- Who funds LONG BEACH MUSEUM OF ART FOUNDATION ↗
- Who funds ANC HEALTHCARE INC ↗
- Who funds GROUND EDUCATION ↗
- Who funds MUSICA ANGELICA ↗
- Who funds AGUA HEDIONDA LAGOON FOUNDATION ↗
- Who funds CANCER SUPPORT COMMUNITY GREATER SAN GABRIEL VALLEY ↗
- Who funds SAMARITAN COUNSELING CENTER HAWAII ↗
- Who funds CASA YOUTH SHELTER ↗
- Who funds FRACTURED ATLAS INC ↗
- Who funds UNIVERSITY OF HAWAII FOUNDATION ↗
- Who funds SAN DIEGO COUNTY MEDICAL SOCIETY FOUNDATION DBA CHAMPIONS FOR HEALTH ↗
- Who funds LONG BEACH PUBLIC LIBRARY FOUNDATION ↗
- Who funds SOUTHERN CALIFORNIA PUBLIC RADIO ↗
- Who funds The Foundation at Hearst Castle ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Earl B & Loraine H Miller Foundation · California Community Foundation · Long Beach Community Foundation · Bess J Hodges Foundation · Keesal Young & Logan Charitable Foundation · The Rudolph J & Daphne a Munzer Foundation · Farmers & Merchants Bank Foundation · Sempra Foundation · The RuMBa Foundation of Long Beach · Public Corp for the Arts of the City of Long Beach · The Josephine S Gumbiner Foundation · The Kenneth T and Eileen L Norris Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Schulzman-Neri Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Schulzman-Neri Foundation?
Find your warmest path to Schulzman-Neri Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.