· Private foundation
Richard C Von Hess Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2019–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k1 grant · $1k
- $10k–50k2 grants · $55k
- $50k–250k7 grants · $737k
- $250k+3 grants · $2.6M
| Recipient | Amount |
|---|---|
| LOUISE STEINMAN VON HESS FOUNDATION | $2,000,000 |
| PENNSYLVANIA ACADEMY OF THE FINE ARTS | $314,600 |
| WOODMERE ART MUSEUM | $250,000 |
| WESTERN PENNSYLVANIA CONSERVANCY | $200,000 |
| ISABELLA STEWART GARDNER MUSEUM | $150,000 |
| HISTORICAL SOCIETY OF PENNSYLVANIA | $125,000 |
| PEABODY ESSEX MUSEUM | $100,000 |
| DELAWARE ART MUSEUM | $60,000 |
| DEMUTH FOUNDATION | $52,150 |
| HILLWOOD ESTATE MUSEUM & GARDENS | $50,000 |
| LANDIS VALLEY ASSOCIATES | $30,000 |
| FRIENDS OF THE MARYLAND STATE ARCHIVES INC | $25,000 |
| LONGWOOD GARDENS | $1,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY21–25) land where the poverty rate runs at 14%, against an area that typically sits at 10%. 65% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Where the work is directed
The same grants, placed two ways — where each recipient sits, and where its stated purpose earmarks the money.
About 16% of Richard C Von Hess Foundation’s grant dollars are earmarked, by their stated purpose, for a different county than the recipient’s own address — money that lands at a nonprofit in one place but is meant to do its work in another.
Recipient view: each grant at its grantee’s ZIP, mapped to a county. Directed view: each grant at the county its stated purpose names, falling back to the recipient’s county when the purpose names no place; US grants only. A county shows only if it carries the top 95% of that view’s dollars. Purposes are read from the foundation’s own 990 grant descriptions.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +13% since the first grant, against +6% for the ones you funded once.
32 repeat relationships — 9 still active in FY2025, 23 since wound down; 4 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 34% of grant dollars renewed an existing relationship; $2.2M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TRTHE ROYAL OAK FOUNDATION INC3× · 2021–2024 · $611k · revenue +48%
BALTIMORE MUSEUM OF ART2× · 2021–2024 · $600k · revenue +13%
ISABELLA STEWART GARDNER MUSEUM INC4× · 2019–2025 · $470k · revenue +69%
Funded once
- TVThe von Hess Foundationone grant, 2023 · $238k
- PMPHILADELPHIA MUSEUM OF ARTone grant, 2019 · $170k · revenue -15%
- RPRUBICON PRODUCTIONS INCone grant, 2024 · $150k · revenue 0%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The huntington library, art museum, and botanical gardens shares its world-renowned collections to support scholarship, foster learning, inspire creativity, and offer transformative experiences for diverse audiences.
The Morgan Library & Museum celebrates and shares the history and process of human creativity from antiquity to the present day through the preservation, study, and interpretation of a dynamic and growing collection.
Home to the art and legacy of the american painter clyfford still, we invite all to explore the potential of individual creative endeavor.
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
Nmoa mission statement is: we welcome everyone with inclusive experiences that spark curiosity and foster community.
The arnot art museum is an exhibiting and collecting fine arts museum, accredited by the american association of museums. the museum exhibits its permanent collection of 17th-19th century european paintings and sculpture; 19th century…
The metropolitan museum of art collects, studies, conserves, and presents significant works of art across all times and cultures in order to connect people to creativity, knowledge, and ideas.
The mission of the jewish museum is to collect, preserve, exhibit and interpret art and jewish culture. see schedule o for more information.
Tudor place historic house & garden preserves the stories of six generations of descendants of martha washington and the enslaved and free people who lived and worked at this georgetown landmark for nearly two centuries. by examining their…
The museum of fine arts, houston serves as a welcoming and inclusive place for all people, connecting the communities of houston with diverse histories of art spanning 6,000 years and six continents. through our permanent collections,…
The museum's mission statement is: "to discover, interpret, and disseminate - through scientific research and education - knowledge about human cultures, the natural world, and the universe."
For reference, the grantee most central to the portfolio’s shape is Frick Art & Historical Center Inc and the most unlike its peers is Andalusia Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 62 years old; the field is 19. You back the established end — and your money leans older still.
The field is 18% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 9% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
49 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 49 of the 62 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE LOUISE STEINMAN VON HESS FOUNDATION ↗
- Who funds PENNSYLVANIA ACADEMY OF THE FINE ARTS ↗
- Who funds THE ROYAL OAK FOUNDATION INC ↗
- Who funds BALTIMORE MUSEUM OF ART ↗
- Who funds WOODMERE ART MUSEUM ↗
- Who funds THE UNIVERSITY OF THE ARTS ↗
- Who funds PEABODY ESSEX MUSEUM INC ↗
- Who funds Historical Society of Pennsylvania ↗
- Who funds ISABELLA STEWART GARDNER MUSEUM INC ↗
- Who funds FRICK ART & HISTORICAL CENTER INC ↗
- Who funds MARYLAND HISTORICAL SOCIETY INC ↗
- Who funds HILLWOOD ESTATE MUSEUM & GARDENS ↗
- Who funds THE BARNES FOUNDATION ↗
- Who funds WESTERN PENNSYLVANIA CONSERVANCY ↗
- Who funds DELAWARE ART MUSEUM INC ↗
- Who funds CARNEGIE INSTITUTE ↗
- Who funds WALTERS ART MUSEUM FOUNDATION INC ↗
- Who funds The Henry Francis du Pont Winterthur Museum Inc ↗
- Who funds MUSEUM OF THE AMERICAN REVOLUTION ↗
- Who funds PHILADELPHIA MUSEUM OF ART ↗
- Who funds RUBICON PRODUCTIONS INC ↗
- Who funds Independence Seaport Museum ↗
- Who funds DEMUTH FOUNDATION ↗
- Who funds THE PHILLIPS COLLECTION ↗
- Who funds OAK SPRING GARDEN FOUNDATION ↗
- Who funds THE LEWES HISTORICAL SOCIETY INC ↗
- Who funds THE NATIONAL SOCIETY OF THE COLONIAL DAMES OF AMERICA ↗
- Who funds JAMES A MICHENER ART MUSEUM ↗
- Who funds WESTMORELAND MUSEUM OF AMERICAN ART ↗
- Who funds LANCASTERHISTORYORG ↗
- Who funds DREXEL UNIVERSITY ↗
- Who funds ROCK FORD FOUNDATION ↗
- Who funds ANDALUSIA FOUNDATION ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Philadelphia Foundation · Lancaster County Community Foundation · The Pew Charitable Trusts · Ibm International Foundation · Thomas a and Georgina T Russo Foundation · Willis and Elsie Shenk Foundation · Quaker City Foundation · High Foundation · Lindback Cr & Mf Foundation Tw Main · Henry Dolfinger 2 Trust Uw · Clark Associates Charitable Foundation · Connelly Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Richard C Von Hess Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
- Maryland Historical Society Inc — 9% of income from government
- Delaware Art Museum Inc — 8% of income from government
- The Lewes Historical Society Inc — 4% of income from government
- Baltimore Museum of Art — 4% of income from government
- Peabody Essex Museum Inc — 3% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Richard C Von Hess Foundation?
Find your warmest path to Richard C Von Hess Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.