· Private foundation
Red Ribbon Charitable Foundation Inc
Its FY2025 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k2 grants · $10k
- $10k–50k2 grants · $22k
- $50k–250k1 grant · $112k
| Recipient | Amount |
|---|---|
| OKALOOSA AIDS SUPPORT AND INFORMATIONAL SERVICES INC - OASIS | $111,587 |
| PENSACOLA LGBT FILM FESTIVAL | $12,000 |
| TOGETHER WE WEATHER | $10,000 |
| PENSACOLA OPERA | $9,000 |
| SUNDAYS CHILD INC | $1,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY21–25, $36k) land where the poverty rate runs at 16%, against an area that typically sits at 12%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
8 repeat relationships — 4 still active in FY2025, 4 since wound down; 1 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 94% of grant dollars renewed an existing relationship; $9k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- OAOKALOOSA AIDS SUPPORT AND INFORMATIONAL SERVICES INC- OASIS6× · 2020–2025 · $542k · revenue +63%
- DSDel Shores Foundation2× · 2022–2023 · $10k · revenue +16%
TREVOR PROJECT INC2× · 2021–2022 · $240 · revenue +64%
Funded once
- IMINTERFAITH MINISTRIESone grant, 2020 · $23k
- IGIndividual grant recipientone grant, 2020 · $13k
- IGIndividual grant recipientone grant, 2020 · $13k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To Facilitate a welcoming environment for members and allies of the LGBTQ+ community through education , support and recognition.
To provide the citizenry of southwest florida with a positive image of gay, lesbian, bisexual, and transgender people and to create functions and events throughout the year promoting educational, civic, and cultural activities that further…
Come out st pete parade & festival
Triad pride performing arts consists of lgbtq and their allies, who perform to entertain, enlighten and enrich while promoting equality and social justice for all people regardless of sexual orientation or gender identity - fostering…
Suicide prevention awareness an
The Out Arts and Culture is committed to promoting awareness of the diversity of experiences contributions and needs of people who are lesbian gay bisexual transgender and or queer.
Nu Sass Productions promotes marginalized genders in all aspects of theater especially in those roles traditionally dominated by cis-men. We explore how disregarding prescribed gender norms can alter the audiences overall experience. We…
Its primary focus is to foster a sense of community among the LGBTQ community and to bridge the divide within all aspects of our lives The Space Coast Pride Festival Parade is the pinnacle of our efforts Space Coast Pride is committed to…
Renovation & performances of the seminole theatre
The purpose of macon pride is to advance unity, visibility and self-esteem among lgbtqia+ persons and our allies, and to promote a positive image in the middle georgia area through community activities and service. macon pride will educate…
Support lgbtq art and academics
Celebrating the transformational power of theatre, entertaining and engaging with bold, cuting edge theatrical events that give voice to the lgbtq+ experience.
For reference, the grantee most central to the portfolio’s shape is Pensacola Little Theatre Inc and the most unlike its peers is Mother Wit Institute Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
9 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 9 of the 14 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds OKALOOSA AIDS SUPPORT AND INFORMATIONAL SERVICES INC- OASIS ↗
- Who funds PENSACOLA LGBT FILM FESTIVAL INC ↗
- Who funds Together We Weather ↗
- Who funds PENSACOLA LITTLE THEATRE INC ↗
- Who funds Del Shores Foundation ↗
- Who funds PENSACOLA OPERA INC ↗
- Who funds SUNDAY'S CHILD INC ↗
- Who funds MOTHER WIT INSTITUTE INC ↗
- Who funds TREVOR PROJECT INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Perry Family Foundation · The Bear Family Foundation Inc · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Red Ribbon Charitable Foundation Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
- Pensacola Little Theatre Inc — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.