· Private foundation
Peter Marino Charitable Foundation
Its FY2026 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2018–2026.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2026
- Under $10k11 grants · $32k
- $10k–50k15 grants · $305k
- $50k–250k1 grant · $50k
| Recipient | Amount |
|---|---|
| CARNEGIE HALL | $50,000 |
| VENETIAN HERITAGE INC | $40,000 |
| MYRIAD - INTL FRIENDS OF VAUS LE VICOMTE | $29,750 |
| Individual grant recipient | $25,000 |
| LES ARTS FLORISSANTS | $25,000 |
| VENETIAN HERITAGE INC | $25,000 |
| FRIENDS OF THE MUSEE DES ARTS DECORATIFS | $25,000 |
| CARNEGIE HALL | $25,000 |
| ANIMAL RESCUE FUND OF THE HAMPTONS | $25,000 |
| THE MORGAN LIBRARY | $24,150 |
| FRIENDS OF THE DOMAIN DE CHANTILLY | $11,400 |
| CHAPIN SCHOOL LTD | $10,000 |
| FRIENDS OF THE FOUNDATION OF FRANCE | $10,000 |
| THE METROPOLITAN OPERA | $10,000 |
| MAGAZZINO ITALIAN ART FOUNDATION | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY18–26) land where the poverty rate runs at 15%, against an area that typically sits at 7%. 80% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +13% since the first grant, against -7% for the ones you funded once.
17 repeat relationships — 12 still active in FY2026, 5 since wound down; 10 grantees were first funded in FY2026 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2026, 81% of grant dollars renewed an existing relationship; $74k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- VHVENETIAN HERITAGE INC9× · 2018–2026 · $337k · revenue +443%
- TCTHE CARNEGIE HALL CORPORATION3× · 2024–2026 · $105k · revenue +13%
- MMMETROPOLITAN MUSEUM OF ART2× · 2024–2026 · $92k · revenue +30%
Funded once
BALTIMORE MUSEUM OF ARTone grant, 2021 · $90k · revenue +13%- MLMorgan Lobrary & Museumone grant, 2023 · $65k
- TFThe Frick Collectionone grant, 2020 · $25k · revenue -27%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The huntington library, art museum, and botanical gardens shares its world-renowned collections to support scholarship, foster learning, inspire creativity, and offer transformative experiences for diverse audiences.
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
Organization's mission statement true to the ambitious vision of its founder and her spirit of creative risk-taking, the mission of the isabella stewart gardner museum is: - to bring to life and preserve the rich historic collection; - to…
The museum of fine arts, houston serves as a welcoming and inclusive place for all people, connecting the communities of houston with diverse histories of art spanning 6,000 years and six continents. through our permanent collections,…
The long island museum is dedicated to inspiring people of all ages with an understanding and enjoyment of american art, history and carriages as expressed through the heritage of long island and its diverse communities.
The philadelphia museum of art - in partnership with the city, the region, and art museums around the globe - seeks to preserve, enhance, interpret, and extend the reach of its great collection in particular, and the visual arts in…
Committed to innovation, the solomon r. guggenheim foundation (the "foundation") collects, (continued on schedule o)
Founded in 1881 the Staten Island Museum engages visitors with interdisciplinary exhibitions, public programs, and educational activities for all ages. It is the mission of the Staten Island Museum to spark curiosity and generate…
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
For reference, the grantee most central to the portfolio’s shape is The Frick Collection and the most unlike its peers is Magazzino Italian Art Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
20 grantees tracked through their own filings, 2017–2026.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2026, not grant rows in a single year — so this will not match the grant count on the cover. 20 of the 40 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds VENETIAN HERITAGE INC ↗
- Who funds ANIMAL RESCUE FUND OF THE HAMPTONS INC ↗
- Who funds FRIENDS OF THE MUSEES DES ARTS DECORATIFS INC ↗
- Who funds THE CARNEGIE HALL CORPORATION ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds BALTIMORE MUSEUM OF ART ↗
- Who funds AMERICAN FRIENDS OF LES ARTS FLORISSANTS INC ↗
- Who funds THE CHAPIN SCHOOL LTD ↗
- Who funds The Frick Collection ↗
- Who funds GUILD HALL OF EAST HAMPTON INC ↗
- Who funds DIA CENTER FOR THE ARTS INC ↗
- Who funds SCOA INC ↗
- Who funds FRIENDS OF THE DOMAINE DE CHANTILLY INC ↗
- Who funds MAGAZZINO ITALIAN ART FOUNDATION ↗
- Who funds SOUTHAMPTON ROSE SOCIETY ↗
- Who funds YOUNG CONCERT ARTISTS INC ↗
- Who funds SOUTHAMPTON HISTORY MUSEUM ↗
- Who funds The Pierpont Morgan Library ↗
- Who funds Old Westbury Gardens Inc ↗
- Who funds ST LUKES CHAMBER ENSEMBLE INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Bessemer Giving Fund · Jewish Communal Fund · Vanguard Charitable Endowment Program · Fidelity Investments Charitable Gift Fund · Donor Advised Charitable Giving Inc · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Peter Marino Charitable Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Baltimore Museum of Art — 4% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.