· Private foundation
Jack & Sandra Guthman Fdn
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2025.
Where the money goes
Your grants by size, and where they go.
| Recipient | Amount |
|---|---|
| Rush University Medical Center | $7,000 |
| Chicago Architecture Biennial | $5,000 |
| Museum of Contemporary Art | $4,200 |
| Chicago Sinai Congragation | $4,070 |
| WTTW | $2,335 |
| Harris Theater for Music and Dance | $1,377 |
| Hubbard Street Dance Chicago | $835 |
| Jewish United Fund | $800 |
| Joffrey Ballet | $675 |
| Experimental Station | $600 |
| Northwestern University | $500 |
| Timeline Theatre Company | $500 |
| Albany Park Theater Project | $500 |
| Art Insitute of Chicago | $500 |
| Arts Alliance Illinoi | $500 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY21–25, $5k) land where the poverty rate runs at 14%, against an area that typically sits at 10%. 98% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
28 repeat relationships — 21 still active in FY2025, 7 since wound down; 5 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 69% of grant dollars renewed an existing relationship; $10k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- MAMUSIC AND DANCE THEATER CHICAGO INC3× · 2020–2025 · $17k · revenue +22%
- RURush University Medical Center2× · 2022–2025 · $15k · revenue +6%
- WTWINDOW TO THE WORLD COMMUNICATIONS INC5× · 2020–2025 · $12k · revenue +16%
Funded once
- IGIndividual grant recipientone grant, 2020 · $4k
- WCWTTW Channel 11one grant, 2021 · $2k
- HTHarris Theaterone grant, 2023 · $2k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Chicago opera theater expands the tradition of opera as a living art form by engaging lovers of music and storytelling through innovative experiences, predominantly of new and rarely performed works.
The organization's mission is to educate students for creative occupations in diverse fields of arts and media.
The chicago theatre group is committed to producing both classic and contemporary works giving full voice to a wide range of artists and visions. by dedicating itself to three guiding principles - quality, equity, and community - the…
The Chicago History Museum strives to be a destination for learning, inspiration, and civic engagement. Through dynamic exhibitions, tours, programs, digital resources, and special events, the Museum connects people to Chicago's history…
The Auditorium Theatre of Roosevelt University ("The Auditorium"), an Illinois not-for-profit corporation, is committed to presenting the finest in international, cultural, community and educational programming to Chicago and to the…
Cultivates new and emerging Chicago artists, and aims to benefit artists by exploring art and learning. Through exhibitions, artist residencies, classes/workshops and community building, we are dedicated to cultivating new voices, ideas,…
We believe in the life-changing, transformational, revelatory power of great art and opera. Lyric Opera of Chicago exists to provide a broad, deep, and relevant cultural service to the Chicago region and the nation, and to advance the…
The chicago academy for the arts transforms emerging artists through a curriculum and culture which connect intellectual curiosity, critical thinking, and creativity to impart the skills to lead and collaborate across diverse communities.
The arts club of chicago was formed as a means to encourage, foster, and develop higher standards of arts craftsmanship, and to maintain the city of chicago facility for the housing of galleries and exhibitions open to the public and free…
To promote public appreciation, understanding and support of the humanities through festivals and educational programs.
For reference, the grantee most central to the portfolio’s shape is Hyde Park Art Center and the most unlike its peers is Whitney Museum of American Art. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 48 years old; the field is 17. You back the established end — and your money leans older still.
The field is 21% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 16% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
41 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 41 of the 61 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds MUSIC AND DANCE THEATER CHICAGO INC ↗
- Who funds MUSEUM OF CONTEMPORARY ART ↗
- Who funds Rush University Medical Center ↗
- Who funds WINDOW TO THE WORLD COMMUNICATIONS INC ↗
- Who funds Wellesley College ↗
- Who funds Northwestern University ↗
- Who funds TIMELINE THEATRE COMPANY ↗
- Who funds HUBBARD STREET DANCE CHICAGO ↗
- Who funds CHICAGO ARCHITECTURE BIENNIAL INC ↗
- Who funds Yale University ↗
- Who funds THE ART INSTITUTE OF CHICAGO ↗
- Who funds JEWISH UNITED FUND OF METROPOLITAN CHICAGO ↗
- Who funds STEPPENWOLF THEATRE COMPANY ↗
- Who funds THE CHICAGO HIGH SCHOOL FOR THE ARTS ↗
- Who funds ChiArts Foundation ↗
- Who funds Society for Contemporary Art C-O The Art Institute of Chicago ↗
- Who funds HYDE PARK ART CENTER ↗
- Who funds THE EXPERIMENTAL STATION ↗
- Who funds Albany Park Theater Project ↗
- Who funds CHICAGO PUBLIC LIBRARY FOUNDATION ↗
- Who funds University of Chicago ↗
- Who funds Chicago Jazz Philharmonic ↗
- Who funds Chicago Architecture Foundation ↗
- Who funds ILLINOIS ARTS ALLIANCE ↗
- Who funds THE JOFFREY BALLET ↗
- Who funds Design Museum of Chicago ↗
- Who funds United States Artists Inc ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds MUSIC OF THE BAROQUE ↗
- Who funds Chicago Artists Coalition ↗
- Who funds MUSIC INSTITUTE OF CHICAGO ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Polk Bros Foundation Inc · John D and Catherine T Macarthur Foundation · Lloyd a Fry Foundation · The Chicago Community Trust · Arie and Ida Crown Memorial · Circle of Service Foundation · The Irving Harris Foundation · Jewish Federation of Metropolitan Chicago · Metzner Family Foundation · The Bluhm Family Foundation · Prince Foundation · Builders Vision Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Jack & Sandra Guthman Fdn funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Yale University — 12% of income from government
- Wellesley College — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Jack & Sandra Guthman Fdn?
Find your warmest path to Jack & Sandra Guthman Fdn through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.