· Public charity
Hold on to Your Music Inc
Expand awareness and increase understanding of the history of the holocaust, the ethical implications of world events, the power of the arts, especially music, and the strength of the human spirit in the face of adversity.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2020 to 2024.
Where the money goes
Grants by size, and the largest recipients.
How this is measured
| Recipient | Amount |
|---|---|
| ELLA ALTSHULER | $8,500 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY20–21, $10k) land where the poverty rate runs at 10%, against an area that typically sits at 11%. 0% of those dollars go to grantees based in above-average-need neighborhoods. Its grants skew toward lower-need ZIPs.
How this is measured
Grants abroad, by region: $43k on the FY2025 return
Schedule F, as filed: 2 regions, $38k to organizations and $6k to individuals. The IRS asks for region and purpose, not the recipient, so no country or grantee can be named here.
Stated purpose: SCHOLARSHIP (TUITION) ROYAL MUSIC ACADEMY · SCHOLARSHIP (TUITION)
Stated purpose: GIFTING STUDENT BOOKS IN THEIR NATIVE LANGUAGE
How this is measured
Where the work is directed
The same grants placed two ways: where each recipient sits, and where its stated purpose sends the money.
About 64% of Hold on to Your Music Inc’s grant dollars are earmarked for a different county than the recipient’s own address. By recipient address, 64% of the giving stays in CA; by stated purpose, 43%.
How this is measured
7 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: Good Sports Inc · Round It Up America Inc · For Inspiration and Recognition of Science and Technology (FIRST) · The George W Bush Foundation · Undies for Everyone · Project Lead the Way Inc · Project Lead the Way Inc · GenYOUTH Incorporated · Dick's Sporting Goods Foundation · Share Our Strength · Foundation for Inspiration & Recognition of Scienc · The Mr Holland's Opus Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization Hold on to Your Music Inc funds: left to right is the share of its income from government, bottom to top the share from Hold on to Your Music Inc. Bigger dots raise more.
How this is measured
Play a game based on Hold on to Your Music’s filings →