· Public charity
Greater Philadelphia Cultural Alliance
We lead, strengthen, and amplify the voices of greater philadelphia's cultural community.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 25 grants below total $288,500 — the rows itemised in this filing. The $874,474 headline is the total grant expense reported on the return, so the remaining $585,974 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- Under $10k13 grants · $90k
- $10k–50k12 grants · $199k
| Recipient | Amount |
|---|---|
| WOMEN'S COALITION FOR EMPOWERMENT | $29,500 |
| 5 SHORTS PROJECT | $27,000 |
| PENN MUSEUM | $22,000 |
| THE ACADEMY OF NATURAL SCIENCES | $18,000 |
| TEAM SUNSHINE PERFORMANCE CORPORATION | $17,500 |
| THINKER MAKERS SOCIETY | $16,500 |
| INLIQUID | $13,500 |
| CROWN PUBLICATIONS | $11,000 |
| PHILASH ENTERTAINMENT GROUP & SOULFUL SOUNDS | $11,000 |
| HISTORIC GLORIA DEI PRESERVATION CORPORATION | $11,000 |
| MINISTRY OF AWE | $11,000 |
| SAMUEL S FLEISHER ART MEMORIAL | $11,000 |
| PENNSYLVANIA ACADEMY OF THE FINE ARTS | $9,000 |
| MUTTER MUSEUM AND HISTORICAL MEDICAL LIBRARY | $8,500 |
| MAGUIRE ART MUSEUM SAINT JOSEPH'S UNIVERSITY | $8,500 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–25, $86k) land where the poverty rate runs at 11%, against an area that typically sits at 11%. 32% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Where the work is directed
The same grants, placed two ways — where each recipient sits, and where its stated purpose earmarks the money.
About 5% of Greater Philadelphia Cultural Alliance’s grant dollars are earmarked, by their stated purpose, for a different county than the recipient’s own address — money that lands at a nonprofit in one place but is meant to do its work in another. Read by recipient address, 99% of the giving stays in PA; read by stated purpose it is 92% — less of the work is directed home than the recipients' locations suggest.
Recipient view: each grant at its grantee’s ZIP, mapped to a county. Directed view: each grant at the county its stated purpose names, falling back to the recipient’s county when the purpose names no place; US grants only. A county shows only if it carries the top 95% of that view’s dollars. Purposes are read from the foundation’s own 990 grant descriptions.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
13 repeat relationships — 6 still active in FY2025, 7 since wound down; 18 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 31% of grant dollars renewed an existing relationship; $185k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- PCPIDC COMMUNITY CAPITAL2× · 2020–2021 · $653k · revenue +105%
- CGCULTURETRUST GREATER PHILADELPHIA2× · 2020–2023 · $162k · revenue +23%
- TSTEAM SUNSHINE PERFORMANCE CORP2× · 2024–2025 · $40k · revenue +137%
Funded once
- P2PHILADELPHIA 2016 HOST COMMITTEEone grant, 2017 · $95k
- PYPHILADELPHIA YOUNG PLAYWRIGHTSone grant, 2022 · $23k · revenue -5%
FRACTURED ATLAS INCgraduatedone grant, 2020 · $14k · revenue +63%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
We connect the people and places of philadelphia through art and partnership. the organization is a free-standing platform that endeavors to show forward-thinking, high-quality contemporary visual and performance art in the city. the…
To promote the cultural richness of philadelphia and to bring the most distinguished work in the arts to audiences in the philadelphia region
Balletx expands the vocabulary of contemporary ballet for all audiences through innovative performances, world premiere choreography, dance education, and community programs.
The phillips collection is the oldest museum of modern and contemporary art in the u.s. in addition to presentation of works from the permanent collection and special exhibitions, the museum maintains active educational, academic,…
The mission of artphilly is to amplify philadelphia's arts and culture by commissioning, presenting, producing, and promoting art of all kinds for local audiences and the world. its vision is to spotlight(continued on schedule o)the city…
The performance art museum (pam) is the first u.s. institution exclusively dedicated to the presentation and preservation of live art. our mission is to facilitate the powerful impact of live experiences that can profoundly transform our…
To cultivate an enduring appreciation for dance through world-class performances, to inspire the next generation with exceptional education and professional training, and to connect with the community through meaningful and inclusive…
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
Philadelphia theatre company is a vital civic institution dedicated to the creation of extraordinary theatrical experiences that reflect the essential issues and ideas of our time, and which foster connection, understanding, and…
The association for public art (apa, formerly the fairmount park art association) commissions, preserves, interprets and promotes public art in philadelphia. dedicated to creating a museum without walls that informs, engages and inspires…
Curate free musical performances
Play on philly provides underserved children in philadelphia, a transformative music education experience that develops and inspires the behaviors and personal skills needed for a successful life.
For reference, the grantee most central to the portfolio’s shape is Culturetrust Greater Philadelphia and the most unlike its peers is Shakespeare in Clark Park. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 33 years old; the field is 14. You back the established end — and your money leans older still.
The field is 23% startups (under 5 years old) — 7% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 16% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
34 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 34 of the 39 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds PIDC COMMUNITY CAPITAL ↗
- Who funds CULTURETRUST GREATER PHILADELPHIA ↗
- Who funds The Womens Coalition for Empowerment Inc ↗
- Who funds TRUSTEES OF THE UNIVERSITY OF PENNSYLVANIA ↗
- Who funds TEAM SUNSHINE PERFORMANCE CORP ↗
- Who funds DANSE4NIA REPERTORY ENSEMBLE INC ↗
- Who funds PHILADELPHIA JEWISH FILM AND MEDIA ↗
- Who funds PENNSYLVANIA ACADEMY OF THE FINE ARTS ↗
- Who funds PHILADELPHIA YOUNG PLAYWRIGHTS ↗
- Who funds Inliquidcom Inc ↗
- Who funds CHORAL ARTS SOCIETY OF PHILADELPHIA ↗
- Who funds Pasion Y Arte ↗
- Who funds RELACHE INC ↗
- Who funds THE ACADEMY OF NATURAL SCIENCES OF PHILADELPHIA ↗
- Who funds GLEN FOERD CONSERVATION CORPORATION ↗
- Who funds The Fabric Workshop and Museum ↗
- Who funds FRACTURED ATLAS INC ↗
- Who funds YOUR AGENCY INCORPORATED ↗
- Who funds SAMUEL S FLEISHER ART MEMORIAL INC ↗
- Who funds HISTORIC GLORIA DEI PRESERVATION CORPORATION ↗
- Who funds THE COLLEGE OF PHYSICIANS OF PHILADELPHIA ↗
- Who funds SAINT JOSEPH'S UNIVERSITY ↗
- Who funds THE BARNES FOUNDATION ↗
- Who funds PHILADELPHIA MUSEUM OF ART ↗
- Who funds Temple University - Of The Commonwealth System of Higher Education ↗
- Who funds PHILADELPHIA MURAL ARTS ADVOCATES INC ↗
- Who funds FRINGEARTS ↗
- Who funds AFTER-SCHOOL ALL-STARS ↗
- Who funds Famfrequency Productions Inc ↗
- Who funds TINY WPA ↗
- Who funds OPERA PHILADELPHIA ↗
- Who funds THE ROCK SCHOOL FOR DANCE EDUCATION ↗
- Who funds TALLER PUERTORRIQUENO INC ↗
- Who funds SHAKESPEARE IN CLARK PARK ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Philadelphia Cultural Fund Inc · The William Penn Foundation · The Philadelphia Foundation · Independence Foundation · Wyncote Foundation · The University of the Arts · Lindback Cr & Mf Foundation Tw Main · The Barra Foundation Inc · Henry Dolfinger 2 Trust Uw · Victory Foundation · Ludwick Fdn · Studio in a School Association Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Greater Philadelphia Cultural Alliance funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.