· Private foundation
Chris and Francesca Beale Private Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2024.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2024
- Under $10k4 grants · $15k
- $10k–50k1 grant · $12k
- $50k–250k1 grant · $66k
| Recipient | Amount |
|---|---|
| FILM SOCIETY OF LINCOLN CENTER | $65,900 |
| PESTALOZZI US CHILDREN CHARITY INC | $12,000 |
| BALLET THEATRE FOUNDATION INC | $9,000 |
| SOUTHAMPTON HOSPITAL ASSOCIATION | $2,500 |
| ALIMA USA INC | $2,500 |
| AMERICAN SOCIETY FOR THE PREVENTION OF CRUELTY TO ANIMALS | $500 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Dollar for dollar, its grants (FY17–24) land where the poverty rate runs at 14%, against an area that typically sits at 9%. 85% of its dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Where the work is directed
The same grants placed two ways: where each recipient sits, and where its stated purpose sends the money.
About 97% of Chris and Francesca Beale Private Foundation’s grant dollars are earmarked for a different county than the recipient’s own address.
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
11 repeat relationships: 4 still active in FY2024, 7 since wound down; 2 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 97% of grant dollars renewed an existing relationship; $3k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- BTBALLET THEATRE FOUNDATION INC3× · 2022–2024 · $184k · revenue +10%
- FSFilm Society of Austin Inc3× · 2018–2023 · $100k · revenue +45%
- AFAMERICAN FRIENDS OF THE NATIONAL GALLERY OF AUSTRALIA INC4× · 2017–2023 · $39k · revenue +313%
Funded once
- FSFour Symbolic Lodges and Chaptersgraduatedone grant, 2020 · $50k · revenue +135%
- AFAustin Film Festival Incgraduatedone grant, 2019 · $25k · revenue +51%
Sundance Instituteone grant, 2017 · $22k · revenue +1%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
The american film institute ("afi") is a national institute providing leadership in screen education and the recognition and celebration of excellence in the art of film, television and digital media.
The Art of Brooklyn Film Festival is an annual event that brings Brooklyns celebrated film and media makers together with their peers across the country and around the world. AoBFF is a filmmaker-focused event, platform and showcase for…
The american federation of arts initiates and organizes a national and international program of art exhibitions, publications, and educational activities to benefit the museum community and enrich the public's experience and understanding…
The purpose of the corporation is to promote excellence in film through the public recognition of exceptional filmmaking achievements. the corporation annually screens over 250 feature films and over 60 student-made short films and…
The specific purposes for which bafta na is organized is to promote, maintain, improve and advance original and creative work among individuals employed professionally in film and television production and allied industries, to create and…
The american cinematheque believes that cinema is a communal experience with the power to entertain, enlighten and inspire. we build a diverse and engaged film community through immersive film curation, conversation, and presentation. we…
Founded in 1995, the american friends of the shanghai museum is a not-for-profit organization whose mission is to raise awareness and financial support for the shanghai museum, continuing a distinguished history of patron support for…
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
The berkshire international film festival (biff) is for filmmakers and film lovers alike to be entertained, educated and inspired. biff seeks to celebrate independent film and to recognize and pay tribute to accomplished artists on both…
See schedule omuseum of the moving image (momi) is the only museum in the u.s. that explores the central technology of the present moment.screens are all around us. we use them to educate, entertain, and communicate. the moving…
How this is measured
18 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 18 of the 26 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds AUSTRALIAN INTERNATIONAL SCREEN FOUNDATION INC ↗
- Who funds FILM AT LINCOLN CENTER INC ↗
- Who funds BALLET THEATRE FOUNDATION INC ↗
- Who funds Film Society of Austin Inc ↗
- Who funds PESTALOZZI US CHILDRENS CHARITY INC ↗
- Who funds Four Symbolic Lodges and Chapters ↗
- Who funds AMERICAN FRIENDS OF THE NATIONAL GALLERY OF AUSTRALIA INC ↗
- Who funds NATIONAL REVIEW INSTITUTE ↗
- Who funds Austin Film Festival Inc ↗
- Who funds Sundance Institute ↗
- Who funds NEW YORK CITY BALLET INC ↗
- Who funds THE ASIA SOCIETY ↗
- Who funds The Frick Collection ↗
- Who funds THE BREAST CANCER RESEARCH FOUNDATION INC ↗
- Who funds ALIMA USA INC ↗
- Who funds SOUTHAMPTON HOSPITAL ASSOCIATION ↗
- Who funds CITYMEALS-ON-WHEELS ↗
- Who funds THE AMERICAN SOCIETY FOR THE PREVENTION OF CRUELTY TO ANIMALS ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: National Philanthropic Trust · American Online Giving Foundation Inc · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization Chris and Francesca Beale Private Foundation funds: left to right is the share of its income from government, bottom to top the share from Chris and Francesca Beale Private Foundation. Bigger dots raise more.
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to Chris and Francesca Beale Private Foundation?
Find your warmest path to Chris and Francesca Beale Private Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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