· Public charity
Chorus America
CHORUS AMERICA strengthens singing communities with the advocacy, connections, and resources they need to be a vital part of society.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2022–2025.
Where the money goes
Your grants by size, and where they go.
The 21 grants below total $452,500 — the rows itemised in this filing. The $509,500 headline is the total grant expense reported on the return, so the remaining $57,000 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
| Recipient | Amount |
|---|---|
| B-NATIONAL ARTS INSTITUTE | $25,000 |
| COMMUSICATION | $25,000 |
| AUGUST HERITAGE CENTER INC | $25,000 |
| REFUGEE CHOIR PROJECT | $22,500 |
| ABQ CORO LUX | $22,500 |
| COMPAS INC | $22,500 |
| MONTGOMERY COUNTY COUNCIL FOR THE ARTS | $22,500 |
| SNS CHOIRS | $22,500 |
| LINCOLN MEMORIAL UNIVERSITY | $22,500 |
| BORDER CROSSING | $22,500 |
| MOUNTAIN EMPIRE CHILDRENS CHORAL ACADEMY | $20,000 |
| VOCALESSENCE | $20,000 |
| SURRY ARTS COUNCIL | $20,000 |
| PHOENIX CHILDRENS CHORUS | $20,000 |
| THE HARMONY PROJECT | $20,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY22–25) land where the poverty rate runs at 14%, against an area that typically sits at 11%. 99% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
18 repeat relationships — 7 still active in FY2025, 11 since wound down; 14 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Still filing today
New vs renewed · share of each year
In FY2025, 33% of grant dollars renewed an existing relationship; $303k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- CICOMPAS INC4× · 2022–2025 · $98k · revenue +43%
- BCBORDER CROSSING4× · 2022–2025 · $98k · revenue +77%
- SPSeattle Pro Musica3× · 2022–2024 · $76k · revenue +12%
Funded once
- OUOCEANSIDE UNIFIED SCHOOL DISTRICTone grant, 2022 · $30k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The Esoterics is a Seattle-based vocal ensemble, dedicated to performing and perpetuating contemporary choral music from around the world.
MUSE is an inclusive and feminist choral community advocating for peace and social justice. We unite our voices to raise awareness and inspire change in ourselves, our audiences, and our world through partnerships that honor the humanity…
The Lanier Chamber Singers, lnc. is a community chorus that promotes choral singing in Gainesville and Hall County, Georgia. The organization is committed to enhancing the cultural lives of citizens in our area by performing classical and…
Promote Contemporary Choral Music
Educate chorus members and perform concerts
We are a Chamber Chorus performing music from all musical periods to develop and expand performing arts in the Greater Eastside of the Seattle Area
Chicago Choral Artists endeavor to heighten appreciation of the choral art form through outstanding presentation of classical masterworks and music of the world's many cultures and by commissions. The ensemble seeks to nurture the artistic…
To enrich and inspire a broad community through music.
Community Music / Arts Organization
For reference, the grantee most central to the portfolio’s shape is Phoenix Childrens Chorus Inc and the most unlike its peers is Lincoln Memorial University. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 29 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
29 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 29 of the 33 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds BI-NATIONAL ARTS INSTITUTE ↗
- Who funds COMPAS INC ↗
- Who funds BORDER CROSSING ↗
- Who funds THE PHOENIX BOYS CHOIR ASSOCIATION ↗
- Who funds VOCALESSENCE ↗
- Who funds SURRY ARTS COUNCIL ↗
- Who funds Seattle Pro Musica ↗
- Who funds LEAF GLOBAL ARTS ↗
- Who funds Tucson Girls Chorus Association Inc ↗
- Who funds BLUEFIELD ARTS AND REVITALIZATION CORPORATION ↗
- Who funds DAVIS & ELKINS COLLEGE ↗
- Who funds WISCONSIN CONSERVATORY OF MUSIC INC ↗
- Who funds GRAND VISION FOUNDATION ↗
- Who funds VOICES IN THE LAUREL INC ↗
- Who funds PACIFIC YOUTH CHOIR ↗
- Who funds DESERT SOUNDS PERFORMING ARTS INC ↗
- Who funds VOX FEMINA LOS ANGELES ↗
- Who funds COMMUSICATION ↗
- Who funds MONTGOMERY COUNTY COUNCIL FOR THE ARTS ↗
- Who funds LINCOLN MEMORIAL UNIVERSITY ↗
- Who funds Refugee Choir Project ↗
- Who funds ABQ Coro Lux ↗
- Who funds LA CROSSE CHAMBER CHORALE INC ↗
- Who funds PHOENIX CHILDRENS CHORUS INC ↗
- Who funds San Diego Children's Choir ↗
- Who funds LOS ANGELES MASTER CHORALE ASSOCIATION ↗
- Who funds Quintessence A Community of Singers ↗
- Who funds Harmony Project ↗
- Who funds MOUNTAIN EMPIRE CHILDRENS CHORAL ACADEMY ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Mardag Foundation · Fr Bigelow Foundation · Saint Paul & Minnesota Foundation · Ibm International Foundation · Mightycause Charitable Foundation · Charities Aid Foundation America · The Pfizer Foundation Inc · American Online Giving Foundation Inc · The Bank of America Charitable Foundation Inc · Vanguard Charitable Endowment Program · Network for Good · Donor Advised Charitable Giving Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Chorus America funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Pacific Youth Choir — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.