· Private foundation
Charles Scott Riley III Foundation
Its FY2025 filing reports that it accepted unsolicited grant applications.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- Under $10k33 grants · $82k
- $10k–50k2 grants · $49k
| Recipient | Amount |
|---|---|
| TAFT MUSEUM OF ART | $37,000 |
| CINCINNATI BALLET | $12,000 |
| CINCINNATI MUSEUM CENTER | $5,000 |
| CINCINNATI PUBLIC RADIO | $5,000 |
| NKU FOUNDATION -CHASE LAW SCHOOL | $5,000 |
| PYRAMID HILL SCULPTURE PARK | $5,000 |
| WCET | $5,000 |
| Individual grant recipient | $5,000 |
| FAITH FREEDOM LIFE | $4,500 |
| KNOW THEATRE | $2,500 |
| CINCINNATI SYMPHONY ORCHESTRA | $2,500 |
| CINCINNATI ASSOCIATION FOR BLIND | $2,500 |
| CINCINNATI ART MUSEUM | $2,500 |
| CITY GOSPEL MISSION | $2,500 |
| CINCINNATI OPERA | $2,500 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY17–25, $69k) land where the poverty rate runs at 15%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
60 repeat relationships: 24 still active in FY2025, 36 since wound down; 11 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 81% of grant dollars renewed an existing relationship; $25k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- TMTAFT MUSEUM OF ART8× · 2017–2025 · $162k · revenue +48%
SPRINGER SCHOOL AND CENTER9× · 2017–2025 · $43k · revenue +104%- OVOHIO VALLEY VOICES9× · 2017–2025 · $35k · revenue +68%
Funded once
- IGIndividual grant recipientone grant, 2017 · $60k
- TMTAFT MUSEUMone grant, 2022 · $10k
- COCINCINNATI OPERSone grant, 2020 · $8k
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
Cincinnati Chamber Orchestra (CCO) creates intimate, transformative experiences that connect the musically curious.
The mission of The Children's Theatre of Cincinnati (TCT) is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming. Our vision is to awaken a lifelong love of…
We are Cincinnati's national theater - committed to bringing diverse, engaging works of great artistry to our community, and to putting Cincinnati's artistic excellence in the national spotlight.
Unlocking the self-worth and potential of at-risk teens through the transformative power of art, a first-class environment and a character-building culture. Equipping at-risk teens with skills, credentials and pathways to employment.…
To create community driven public art and launch careers for youth and artists.
To build broad based private/public partnerships supporting the conservation and enhancement of our City's parks and greenspaces.
Know Theatre is a small professional theatre showcasing voices, new works, & plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic…
To resolve serious legal problems of low income people, to promote economic and family stability, and reduce poverty through effective legal assistance.
Residential & Habilitative Svs. Provide residential and habilitative services to adults with developmental disabilities
The Greater Cincinnati Film Commission is dedicated to maximizing the area's economic potential by attracting, promoting and cultivating film, television, and commercial production throughout Greater Cincinnati. Once filmmakers choose…
To offer children and young adults a top quality program that develops, trains and competes as competitive swimmers year-round in a supportive and motivating enviroment that respects, challenges and nurtures them as athletes, students, and…
The Cincinnati Arts Association (CAA), a not-for-profit, was founded in 1990 to serve as a manager, presenter and educator. CAA's mission is to present a broad range of high quality performing and visual arts programs, develop diverse…
How this is measured
66 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 66 of the 100 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds TAFT MUSEUM OF ART ↗
- Who funds CINCINNATI MUSEUM ASSOCIATION ↗
- Who funds SPRINGER SCHOOL AND CENTER ↗
- Who funds CINCINNATI MUSEUM CENTER ↗
- Who funds OHIO VALLEY VOICES ↗
- Who funds CINCINNATI NATURE CENTER ↗
- Who funds The Cincinnati Ballet Company Inc ↗
- Who funds Cincinnati Association for the Blind and Visually Impaired ↗
- Who funds CITY GOSPEL MISSION AND AFFILIATES ↗
- Who funds Cancer Family Care Inc ↗
- Who funds INNER CITY YOUTH OPPORTUNITIES ↗
- Who funds CINCINNATI SYMPHONY ORCHESTRA ↗
- Who funds CINCINNATI SHAKESPEARE COMPANY ↗
- Who funds MAY WE HELP INC ↗
- Who funds LIGHTHOUSE YOUTH SERVICES ↗
- Who funds THE DRAGONFLY FOUNDATION ↗
- Who funds Cincinnati Institute of Fine Arts ↗
- Who funds Cincinnati Soccer Club Ltd ↗
- Who funds ProKids ↗
- Who funds Faith Freedom Life ↗
- Who funds Shelterhouse Volunteer Group Inc ↗
- Who funds PRO BONO PARTNERSHIP OF OHIO ↗
- Who funds CISE ↗
- Who funds Living Arrangements for the Developmentally Disabled Inc ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: Robert a & Marian K Kennedy Charitable Trust · The Greater Cincinnati Foundation · Carol Ann and Ralph V Haile Jr Foundation · Charles H Dater Foundation Inc · Andrew Jergens Foundation · Elsa M Heisel Sule Charitable Trust 2005 · Marge & Charles J Schott Foundation · The Thomas J Emery Memorial · John a Schroth Family Char Tr · Josephine S Russell Charitable · Johnson Charitable Gift Fund · Louise Taft Semple Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization Charles Scott Riley III Foundation funds: left to right is the share of its income from government, bottom to top the share from Charles Scott Riley III Foundation. Bigger dots raise more.
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to Charles Scott Riley III Foundation?
Find your warmest path to Charles Scott Riley III Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
Play a game based on Charles Scott Riley III’s filings →