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· Private foundation

Barbara Bell Cumming Charitable Trust Co Herrick Feinstein LLP

Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.

$154k
Granted FY2025still arriving
19
Grants FY2025still arriving
2
States reached
$28k
Largest
01What it funds
0198% classified

What it funded, over time

Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.

Arts & Culture$1.1MHuman Services$233kHealth$33kOther$0
02FY2025 · 19 grants

Where the money goes

Grants by size, and the largest recipients.

By grant size · FY2025

  • Under $10k13 grants · $66k
  • $10k–50k6 grants · $88k
$5,000
Median grant
2
States reached
$1.9M
Total assets
Largest grants
RecipientAmount
TILLES CENTER$27,500
THE CLUBBED THUMB$15,000
KAUFMAN CENTER$15,000
MANHATTAN THEATRE CLUB$10,000
LINCOLN CENTER THEATRE$10,000
BUILDING FOR THE ARTS$10,000
KRAVIS CENTER$7,500
ATLANTIC THEATRE COMPANY$7,500
NEW DRAMATICS INC$6,000
ROUNDABOUT THEATER COMPANY$5,000
DANSPACE PROJECT$5,000
EXPLORING THE ARTS$5,000
CLASSIC STAGE COMPANY$5,000
THE JOYCE THEATER$5,000
PROSPECT THEATRE COMPANY$5,000
02The need
03

Does the money reach high-need areas?

Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.

show:

Dollar for dollar, its grants (FY17–25) land where the poverty rate runs at 15%, against an area that typically sits at 10%. 81% of its dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.

area typical 10%JACOB'S PILLOW: $8k → 12%TILLES CENTER: $50k → 6%KRAVIS CENTER: $8k → 11%TILLES CENTER: $28k → 6%TILLES CENTER: $28k → 6%TILLES CENTER: $28k → 6%TILLES CENTER: $25k → 6%TILLES CENTER: $25k → 6%ATLANTIC THEATRE COMPANY: $10k → 17%TILLES CENTER: $25k → 6%THE JOYCE THEATRE: $8k → 17%TILLES CENTER: $25k → 6%ATLANTIC THEATRE COMPANY: $8k → 17%The Center For Arts Education: $10k → 17%THE CLUBBED THUMB: $15k → 17%VINEYARD THEATRE: $8k → 17%KAUFMAN CENTER: $55k → 17%KAUFMAN CENTER: $25k → 17%LINCOLN CENTER THEATRE: $25k → 17%LINCOLN CENTER THEATRE: $25k → 17%LINCOLN CENTER THEATRE: $25k → 17%LINCOLN CENTER THEATRE: $20k → 17%KAUFMAN CENTER: $20k → 17%KAUFMAN CENTER: $20k → 17%KAUFMAN CENTER: $15k → 17%LINCOLN CENTER THEATRE: $15k → 17%KAUFMAN CENTER: $15k → 17%KAUFMAN CENTER: $15k → 17%KAUFMAN CENTER: $15k → 17%Lulu Leo Fund: $10k → 17%LINCOLN CENTER THEATRE: $10k → 17%Lulu Leo Fund: $10k → 17%LINCOLN CENTER THEATRE: $10k → 17%Lulu Leo Fund: $10k → 17%LINCOLN CENTER THEATRE: $10k → 17%LINCOLN CENTER THEATRE: $10k → 17%BUILDING FOR THE ARTS: $13k → 17%BUILDING FOR THE ARTS: $10k → 17%MANHATTAN THEATRE CLUB: $10k → 17%MANHATTAN THEATRE CLUB: $10k → 17%BUILDING FOR THE ARTS: $10k → 17%MANHATTAN THEATRE CLUB: $10k → 17%MANHATTAN THEATRE CLUB: $10k → 17%BUILDING FOR THE ARTS: $10k → 17%MANHATTAN THEATRE CLUB: $10k → 17%BUILDING FOR THE ARTS: $10k → 17%MANHATTAN THEATRE CLUB: $10k → 17%NEW DRAMATICS INC: $10k → 17%0%20%40%50%more need →
grant to an above-average-need area below average· circle size = grant amount
How this is measured
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty line in the grantee’s ZIP, averaged from the tracts in that ZIP.
How this is measured
US grants placed by each grantee’s ZIP, which can differ from where services are delivered. Need from public data (U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA), shown as context about the area, never attributed to the funder’s giving.
03Its grantees
repeat funding

Who it funds again

Organizations funded in more than one year, against those funded once.

90%of every dollar goes to organizations it has funded before.
$1.2M · 24 repeat orgs$133k to everyone else

24 repeat relationships: 17 still active in FY2025, 7 since wound down; 2 grantees were first funded in FY2025 (too recent to call).

How the two cohorts compare

Re-uppedFunded once

Organizations

24
31

Total granted

$1.2M
$128k

Median revenue growth · since first grant

+20%
+46%

Still filing today

58%
58%

New vs renewed · share of each year

In FY2025, 97% of grant dollars renewed an existing relationship; $5k went to new ones.

50%100%’17’18’19’20’21’22’23’24’25
RenewedFirst-time
How this is measured
First-time means a grantee’s first year in the filing window; renewed means funded in an earlier year too. The renewed share climbs naturally as a portfolio matures, so the signal is a year that bucks it (a wave of new grantees). The earliest year is left-censored: relationships that predate the data read as new. Theme is the grantee’s IRS cause.

Backed again, and grew

  • MT
    MANHATTAN THEATRE CLUB INC
    7× · 2017–2025 · $63k · revenue +35%
  • CT
    Clubbed Thumb Inc
    8× · 2017–2025 · $49k · revenue +165%
  • AM
    AMAS MUSICAL THEATRE INC
    7× · 2017–2023 · $32k · revenue +133%

Funded once

  • TC
    THE CENTER FOR ARTS EDUCATION INC
    one grant, 2018 · $10k · revenue -82%
  • TG
    TEATRO GRATTACIELO INCgraduated
    one grant, 2017 · $8k · revenue +309%
  • TJ
    THE JOYCE THEATRE
    one grant, 2017 · $8k
How this is measured

Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.

04Its field

Closest unfunded matches

The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.

1
Susan Smith Blackburn Prize Inc
—
2
Transport Group Inc Dba Transport Group Theatre Company

Producing and developing plays and musicals.

Arts & Culture
3
Women's Project & Productions Inc

Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…

Arts & Culture
4
Titan Productions Incorporated

Titan theatre company is committed to breathing new life and clarity into classical works of theatre, exploring new and contemporary language plays, and delivering adventurous and visceral theatrical experiences for our audiences and…

Arts & Culture
5
New York Shakespeare Festival

As the nation's foremost producer of shakespeare and new work, the public theater is dedicated to achieving artistic excellence while developing an american theater that is accessible and relevant to all people through productions of…

Arts & Culture
6
The Russian Arts Theatre and Studio

Develop recognition of international theater

Arts & Culture
7
The Royal National Theatre

Theatre can lead to extraordinary moments of shared imagination. it enables us to stand in anothers shoes to better understand ourselves and the world around us. it shows us who we are, who we have been, who we could be. the nt delivers on…

Arts & Culture
8
The Center for International Theatre Development
Arts & Culture
9
The Tank Ltd

The Tank is a small, Manhattan-based non-profit arts presenter and producer serving emerging artists. Our goal is to remove economic barriers from the creation of new work for artists launching their careers or experimenting within their…

Arts & Culture
10
Staretthe Directors Company Inc

The Directors Company is an award-winning not-for-profit theatre company with an extraordinary record in its mission to develop and produce groundbreaking new plays and musicals initiated and generated by outstanding directorial talent,…

Arts & Culture
11
Berkeley Repertory Theatre

Please see schedule o for the complete mission statement.berkeley repertory theatre creates ambitious theatre that entertains and challenges its audiences, provokes civic engagement, and inspires people to experience the world in new and…

Arts & Culture
12
White Horse Theater Company

Producing & developing American plays.

—
How this is measured
The grantee most central to the portfolio’s shape is Playwrights Horizons Inc; the most unlike its peers is Ma-Yi Filipino Theatre Ensemble Inc Dba Ma-Yi Theater Company. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
04the grantee network

33 grantees tracked through their own filings, 2017–2025.

Each grant beside the grantee’s revenue from every source, year by year.

How this is measured

Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 33 of the 57 grantees resolved in that span have returns of their own we could reconcile.

Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.

0
Load-bearing (≥25% of a budget)
9
Early backer (in before they grew)
32/33
Grantees still filing
21/33
Grew since first funded

Where the money sits, by cause and then by grantee

TILLES CENTER: $232,500 · OtherTILLES CENTERKAUFMAN CENTER: $180,000 · OtherKAUFMAN CENTERLINCOLN CENTER THEATRE: $150,000 · OtherLINCOLN CENTER THEATREBUILDING FOR THE ARTS: $60,000 · OtherBUILDING FOR THE ARTSCSC REPERTORY LTD D/B/A CLASSIC STAGE COMPANY: $44,000 · OtherATLANTIC THEATRE COMPANY: $40,500 · OtherPROSPECT THEATRE COMPANY: $32,000 · Other+23 more: $203,000 · Other+23 moreMANHATTAN THEATRE CLUB INC: $63,000 · Arts & CultureMANHATTAN THEATRE CLUB INCClubbed Thumb Inc: $49,000 · Arts & CultureClubbed Thumb IncNew DramatistsInc: $47,000 · Arts & CultureNew DramatistsIncDANSPACE PROJECT INC: $33,000 · Arts & CultureDANSPACE PROJECT INCROUNDABOUT THEATRE COMPANY INC: $32,500 · Arts & CultureROUNDABOUT THEATRE COMPANY INCAMAS MUSICAL THEATRE INC: $32,000 · Arts & CultureAMAS MUSICAL THEATRE INCPLAYWRIGHTS HORIZONS INC: $29,000 · Arts & CulturePLAYWRIGHTS HORIZONS INCEXPLORING THE ARTS INC: $20,000 · Arts & Culture+19 more: $86,500 · Arts & Culture+19 more
Other$942,000Arts & Culture$392,000

Each grantee by its size and the funder’s share of it; top left is load-bearing

25%50%75%100%$1.0M$10Mgrantee revenue →↑ funder's share of their budgetMANHATTAN THEATRE CLUB INC: $63,000 over 7y, 0.1% of budgetClubbed Thumb Inc: $49,000 over 8y, 0.8% of budgetNew DramatistsInc: $47,000 over 9y, 0.7% of budgetCSC REPERTORY LTD D/B/A CLASSIC STAGE COMPANY: $44,000 over 9y, 0.3% of budgetDANSPACE PROJECT INC: $33,000 over 7y, 0.7% of budgetROUNDABOUT THEATRE COMPANY INC: $32,500 over 6y, 0.0% of budgetAMAS MUSICAL THEATRE INC: $32,000 over 7y, 1.1% of budgetPLAYWRIGHTS HORIZONS INC: $29,000 over 6y, 0.1% of budgetHARLEM SCHOOL OF THE ARTS INC: $25,000 over 5y, 0.1% of budgetTHE MISTY COPELAND FOUNDATION INC: $20,000 over 4y, 0.6% of budgetEXPLORING THE ARTS INC: $20,000 over 4y, 0.5% of budgetRAYMOND F KRAVIS CENTER FOR THE PERFORMING ARTS INC: $12,500 over 2y, 0.0% of budgetTHE CENTER FOR ARTS EDUCATION INC: $10,000 over 1y, 0.6% of budgetTHE FLEA THEATER INC: $8,000 over 2y, 0.2% of budgetNEW YORK THEATRE WORKSHOP INC: $8,000 over 2y, 0.1% of budgetTEATRO GRATTACIELO INC: $7,500 over 1y, 4.6% of budgetJACOB'S PILLOW DANCE FESTIVAL INC: $7,500 over 1y, 0.1% of budgetHAMPTON THEATRE COMPANY INC: $7,000 over 1y, 2.9% of budgetTHE PLAY PRODUCTION COMPANY INC: $4,000 over 1y, 0.4% of budgetTARGET MARGIN THEATER INC: $4,000 over 1y, 0.6% of budgetPrimary Stages Company Inc: $3,000 over 1y, 0.1% of budgetTHEATRE FOR A NEW AUDIENCE INC: $3,000 over 1y, 0.0% of budgetThe Civilians Inc: $3,000 over 1y, 0.5% of budgetElevator Repair Service Theater Inc: $3,000 over 1y, 0.3% of budgetSOHO REPERTORY THEATRE INC: $3,000 over 1y, 0.2% of budgetHome for Contemporary Theatre and Art Ltd dba HERE Art Center: $3,000 over 1y, 0.1% of budgetTHE SECOND STAGE THEATRE INC: $2,500 over 1y, 0.0% of budgetTHE NEW GROUP INC: $2,500 over 1y, 0.1% of budgetMA-YI FILIPINO THEATRE ENSEMBLE INC DBA MA-YI THEATER COMPANY: $2,500 over 1y, 0.3% of budgetTHE SYMPHONY SPACE INC: $2,000 over 1y, 0.0% of budgetTHE BUSHWICK STARR INC: $1,000 over 1y, 0.2% of budgetNEW YORK CLASSICAL THEATRE INC: $1,000 over 1y, 0.3% of budget
Grantee by grantee: a decade per organization, before and after funding

A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.

  • Who funds MANHATTAN THEATRE CLUB INC ↗
  • Who funds Clubbed Thumb Inc ↗
  • Who funds New DramatistsInc ↗
  • Who funds CSC REPERTORY LTD D/B/A CLASSIC STAGE COMPANY ↗
  • Who funds DANSPACE PROJECT INC ↗
  • Who funds ROUNDABOUT THEATRE COMPANY INC ↗
  • Who funds AMAS MUSICAL THEATRE INC ↗
  • Who funds PLAYWRIGHTS HORIZONS INC ↗
  • Who funds HARLEM SCHOOL OF THE ARTS INC ↗
  • Who funds THE MISTY COPELAND FOUNDATION INC ↗
  • Who funds EXPLORING THE ARTS INC ↗
  • Who funds RAYMOND F KRAVIS CENTER FOR THE PERFORMING ARTS INC ↗
  • Who funds THE CENTER FOR ARTS EDUCATION INC ↗
  • Who funds THE FLEA THEATER INC ↗
  • Who funds NEW YORK THEATRE WORKSHOP INC ↗
  • Who funds TEATRO GRATTACIELO INC ↗
  • Who funds JACOB'S PILLOW DANCE FESTIVAL INC ↗
  • Who funds HAMPTON THEATRE COMPANY INC ↗
  • Who funds THE PLAY PRODUCTION COMPANY INC ↗
  • Who funds TARGET MARGIN THEATER INC ↗
  • Who funds THEATER ET AL INC DBA THE CHOCOLATE FACTORY THEATER ↗
  • Who funds Primary Stages Company Inc ↗
  • Who funds THEATRE FOR A NEW AUDIENCE INC ↗

Co-funders

Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.

Barbara Bell Cumming Foundation Co Kelley Drye & Warren LLPNY49.7× affinity21 shared granteesties to 11 of 11Hover any node to trace its alignments.Compare side by side →

Open a dossier: Barbara Bell Cumming Foundation Co Kelley Drye & Warren LLP · The Howard Gilman Foundation Inc · The Shubert Foundation Inc · Axe-Houghton Foundation · The Lucille Lortel Foundation Inc · The Andrew W Mellon Foundation · Jewish Communal Fund · The Hyde and Watson Foundation · Cornelia T Bailey Charitable Trust · The Macmillan Family Foundation Inc · Alliance of Resident Theatres New York Inc · The Tow Foundation Inc

How this is measured
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. Overlap is association, not proof of shared intent.

How much its grantees rely on government

Each dot is one organization Barbara Bell Cumming Charitable Trust Co Herrick Feinstein LLP funds: left to right is the share of its income from government, bottom to top the share from Barbara Bell Cumming Charitable Trust Co Herrick Feinstein LLP. Bigger dots raise more.

2024
’20’21’22’23’24’25
no gov · 00%0%1%3%5%funder's share of their income ↑0%3%5%8%10%share of the org’s income from government →median 1%
  • Jacob's Pillow Dance Festival Inc: 1% of income from government
no gov moneyreceives it· size = income
0get no government money at all
14report government grants on their 990 we could not trace to a source (not plotted)
0rely on government for over half their income
⤢ axis zoomed · 0–10%
typical government reliance, FY20–25
How this is measured
Government income is each org’s traced federal awards (USASpending grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that a grant caused the public funding. Coverage is precision-first, a floor rather than a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12 to 24 months.
05Through Plinth

Warm introductions · Powered by PlinthPlus

How do I get to Barbara Bell Cumming Charitable Trust Co Herrick Feinstein LLP?

Find your warmest path to Barbara Bell Cumming Charitable Trust Co Herrick Feinstein LLP through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.

Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.

On method. Every financial figure here is read from IRS e-file XML, the funder’s own 990/990-PF, and from the multi-year returns of the 57 grantees we resolved, each linked to its source. Grantee outcomes are each organization’s own program-service reporting (Form 990, Part III), read as association with funding, never as caused by it. Low-confidence name matches are suppressed rather than guessed. How we build these →

How this is measured
Each figure carries one of six labels. Filed is what the funder reported on its return. Official is another government record about an organization, such as a federal award or a charity register, joined by name where no shared identifier exists. Resolved is an identity we worked out where the filing named a recipient without an EIN, kept only above a measured confidence threshold. Computed is arithmetic over those, like themes, portfolio clusters and co-funder strength. Context is a statistic about a place rather than about an organization, which is what the need overlay is: it describes the area a grantee’s address sits in, not where its work lands. Inferred is drawn by a model from text, like the partnerships read out of public news and organization websites. Each is labeled where it appears.

Generated from the IRS Form 990-PF e-file return for fiscal year 2025, released 2025. Filings run roughly 12 to 24 months behind; figures are dated accordingly.

Source object · view filing

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