· Private foundation
Barbara Bell Cumming Foundation Co Kelley Drye & Warren LLP
Its FY2017 filing reports that it accepted unsolicited grant applications.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2017
- Under $10k56 grants · $156k
- $10k–50k5 grants · $70k
| Recipient | Amount |
|---|---|
| LINCOLN CENTER THEATRE | $30,000 |
| MCC THEATRE | $10,000 |
| THE JOYCE THEATRE | $10,000 |
| MINT THEATRE COMPANY | $10,000 |
| JACOB'S PILLOW DANCE FESTIVAL | $10,000 |
| TEATRO GRATTACIELO | $8,500 |
| HAMPTON THEATRE COMPANY | $8,000 |
| ELAINE KAUFMAN CULTURAL CENTER | $7,500 |
| VINEYARD THEATRE | $7,000 |
| THE PEARL THEATRE CO INC | $5,000 |
| ROUNDABOUT THEATRE CO | $5,000 |
| CLUBBED THUMB | $5,000 |
| PLAYWRIGHTS HORIZONS | $5,000 |
| THEATRE BREAKING THROUGH BARRIERS | $4,000 |
| CLASSIC STAGE COMPANY | $4,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–17) land where the poverty rate runs at 16%, against an area that typically sits at 11%. 93% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Producing and developing plays and musicals.
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
Develop recognition of international theater
Titan theatre company is committed to breathing new life and clarity into classical works of theatre, exploring new and contemporary language plays, and delivering adventurous and visceral theatrical experiences for our audiences and…
The Directors Company is an award-winning not-for-profit theatre company with an extraordinary record in its mission to develop and produce groundbreaking new plays and musicals initiated and generated by outstanding directorial talent,…
As the nation's foremost producer of shakespeare and new work, the public theater is dedicated to achieving artistic excellence while developing an american theater that is accessible and relevant to all people through productions of…
Lively productions presents new work for the stage by emerging artists, and seeks to create innovative theatrical opportunities in a world increasingly defined by real time interactions and new technologies
Theatre can lead to extraordinary moments of shared imagination. it enables us to stand in anothers shoes to better understand ourselves and the world around us. it shows us who we are, who we have been, who we could be. the nt delivers on…
Producing & developing American plays.
For reference, the grantee most central to the portfolio’s shape is Playwrights Horizons Inc and the most unlike its peers is Chelsea Opera Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 35 years old; the field is 16. You back the established end — and your money leans older still.
The field is 20% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 11% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
42 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 42 of the 61 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds JACOB'S PILLOW DANCE FESTIVAL INC ↗
- Who funds TEATRO GRATTACIELO INC ↗
- Who funds HAMPTON THEATRE COMPANY INC ↗
- Who funds ELAINE KAUFMAN CULTURAL CENTER LUCY MOSES SCHOOL FOR MUSIC AND DANCE ↗
- Who funds Clubbed Thumb Inc ↗
- Who funds PLAYWRIGHTS HORIZONS INC ↗
- Who funds ROUNDABOUT THEATRE COMPANY INC ↗
- Who funds CSC REPERTORY LTD D/B/A CLASSIC STAGE COMPANY ↗
- Who funds Home for Contemporary Theatre and Art Ltd dba HERE Art Center ↗
- Who funds THEATRE FOR A NEW AUDIENCE INC ↗
- Who funds BETH MORRISON PROJECTS INC ↗
- Who funds NEW YORK THEATRE WORKSHOP INC ↗
- Who funds SOHO REPERTORY THEATRE INC ↗
- Who funds The Civilians Inc ↗
- Who funds TARGET MARGIN THEATER INC ↗
- Who funds MANHATTAN THEATRE CLUB INC ↗
- Who funds THE FLEA THEATER INC ↗
- Who funds Elevator Repair Service Theater Inc ↗
- Who funds DANSPACE PROJECT INC ↗
- Who funds Primary Stages Company Inc ↗
- Who funds Chelsea Opera Inc ↗
- Who funds THE SECOND STAGE THEATRE INC ↗
- Who funds THE NEW GROUP INC ↗
- Who funds DANCE HEGINBOTHAM INC ↗
- Who funds MA-YI FILIPINO THEATRE ENSEMBLE INC DBA MA-YI THEATER COMPANY ↗
- Who funds THEATER ET AL INC DBA THE CHOCOLATE FACTORY THEATER ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Howard Gilman Foundation Inc · Barbara Bell Cumming Charitable Trust Co Herrick Feinstein LLP · The Shubert Foundation Inc · Axe-Houghton Foundation · The Lucille Lortel Foundation Inc · The Andrew W Mellon Foundation · The Fan Fox and Leslie R Samuels Foundation Inc · Alliance of Resident Theatres New York Inc · Booth Ferris Foundation Xxxxx4008 · The Hyde and Watson Foundation · Jewish Communal Fund · The Macmillan Family Foundation Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Barbara Bell Cumming Foundation Co Kelley Drye & Warren LLP funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Jacob's Pillow Dance Festival Inc — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Barbara Bell Cumming Foundation Co Kelley Drye & Warren LLP?
Find your warmest path to Barbara Bell Cumming Foundation Co Kelley Drye & Warren LLP through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.