· Public charity
Arts Council of Greater Baton Rouge Inc
The Arts Council of Greater Baton Rouge fosters the creative capacity and vibrancy of the capital region through advocacy, resources, and education.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 10 grants below total $112,658 — the rows itemised in this filing. The $142,158 headline is the total grant expense reported on the return, so the remaining $29,500 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- Under $10k8 grants · $55k
- $10k–50k2 grants · $58k
| Recipient | Amount |
|---|---|
| Baton Rouge Blues Foundation | $44,875 |
| Baton Rouge Ballet Theatre | $13,000 |
| Baton Rouge Little Theatre | $9,563 |
| Individual grant recipient | $9,031 |
| Arts Council of Pointee Coupe | $8,688 |
| Kids Orchestra | $5,969 |
| Chez Fab Arts and Community | $5,625 |
| Baton Rouge Gallery | $5,469 |
| Palacios House of Arts | $5,250 |
| Louisiana Library Foundation | $5,188 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–25) land where the poverty rate runs at 18%, against an area that typically sits at 13%. 93% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
25 repeat relationships — 9 still active in FY2025, 16 since wound down; 1 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 95% of grant dollars renewed an existing relationship; $6k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- BRBATON ROUGE BLUES FESTIVAL & FOUNDATION9× · 2017–2025 · $423k · revenue +10% · 39% of their budget
- OLOPERA LOUISIANE INC7× · 2017–2024 · $58k · revenue +16%
- BRBaton Rouge Ballet Theatre5× · 2017–2025 · $45k · revenue +38%
Funded once
- BRBaton Rouge Little Theater Incone grant, 2017 · $12k · revenue -36%
- WBWEST BATON ROUGE HISTORICAL ASSOCIATION INCgraduatedone grant, 2022 · $10k · revenue +76%
- EBEAST BATON ROUGE PARISH SDone grant, 2017 · $10k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Present classes, workshops, programs with a focus on highlighting the talents and culture of breaux bridge st martin parish and surrounding regions of louisiana
Support liberal arts
Schedule o
To promote the diverse artistic and cultural resources of Livingston Parish, Louisiana. Support established and emerging artistic endeavors and stimulate public support for the arts.
Baton Rouge Symphony League, Inc. serves the interest of the Baton Rouge Symphony Orchestra by fostering music appreciation among children and adults and by giving volunteer service and financial support to the Louisiana Symphony…
At Home in New Orleans, we devoted to making work that is outsize in scope, physically evocative, socially provocative, and couched in humor as a vehicle for storytelling. We function in service of artists by putting the full weight of our…
Provide local access to performances by nationally and internationally known artists, associated educational outreach and residency activities and paid performance opportunities for local performing artists
Paris Community Theatre is dedicated to producing high-quality entertainment that engages, inspires, educates, and transforms. Through the arts, we provide cultural enrichment, creative development, and opportunities for self-discovery. We…
#CreateLouisiana champions Southern talent in the film + media space, supports the entertainment industries that are integral to the region, and fosters a sustainable creative economy for a homegrown cultural workforce. Through…
The Festival's mission is threefold; to serve the community through educational, theatrical, literary, and musical programs to nurture, support and showcase regional, national, and international writers, actors, musicians and other artists.
Art/artist guild
For reference, the grantee most central to the portfolio’s shape is Baton Rouge Little Theater Inc and the most unlike its peers is Palacios House of Arts. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 30 years old; the field is 12. You back the established end — and your money leans older still.
The field is 26% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 6% lost their exemption, against 21% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
26 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 26 of the 41 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds BATON ROUGE BLUES FESTIVAL & FOUNDATION ↗
- Who funds OPERA LOUISIANE INC ↗
- Who funds OF MOVING COLORS PRODUCTIONS ↗
- Who funds KIDS ORCHESTRA INC ↗
- Who funds Baton Rouge Ballet Theatre ↗
- Who funds Friends of the LSU Museum of Art ↗
- Who funds LOUISIANA LIBRARY AND BOOK FESTIVAL FOUNDATION ↗
- Who funds New Venture Theatre ↗
- Who funds HAMMOND CULTURAL FOUNDATION INC ↗
- Who funds ARTS COUNCIL OF POINTE COUPEE ↗
- Who funds DOUGLAS MANSHIP SR THEATRE COMPLEX HOLDING INC ↗
- Who funds Baton Rouge Gallery Inc ↗
- Who funds LOUISIANA SYMPHONY ASSOCIATION DBA BATON ROUGE SYMPHONY ORCHESTRA ↗
- Who funds Forward Arts Inc ↗
- Who funds LOUISIANA ART & SCIENCE MUSEUMINC ↗
- Who funds LINE 4 LINE ↗
- Who funds ACSENSION COMMUNITY THEATRE INC ↗
- Who funds PALACIOS HOUSE OF ARTS ↗
- Who funds CHANSON INC ↗
- Who funds Baton Rouge Little Theater Inc ↗
- Who funds WEST BATON ROUGE HISTORICAL ASSOCIATION INC ↗
- Who funds RIVER ROAD AFRICAN AMERICAN MUSEUM AND GALLERY ↗
- Who funds Foundation for Excellence in Louisiana Public Broadcasting ↗
- Who funds THE WALLS PROJECT ↗
- Who funds TANGIPAHOA FEDERATION OF TEACHERS LOCAL 3572 ↗
- Who funds SOUTHERN UNIVERTY SYSTEM ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Baton Rouge Area Foundation · Irene W & Cb Pennington Private Foundation · The Charles Lamar Family Foundation · Louisiana Endowment for the Humanities · Albemarle Foundation · Rotary Club of Baton Rouge Foundation · The Merice Boo Johnston Grigsby Foundation · Blue Cross & Blue Shield of Louisiana Foundation · The Credit Bureau of Baton Rouge Foundation · Capital Area United Way · Shell USA Company Foundation · Jpmorgan Chase Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Arts Council of Greater Baton Rouge Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.