· Public charity
Alianza de Museos de Puerto Rico
Promote the importance of museums in puerto rico through education and community services, offer professional capacitation experiences to students and museologists, and promote education and community services related to the conservation of the natural and cultural patrimony to the open public
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2023–2024.
Where the money goes
Your grants by size, and where they go.
The 12 grants below total $327,643 — the rows itemised in this filing. The $335,119 headline is the total grant expense reported on the return, so the remaining $7,476 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2024
- $10k–50k11 grants · $254k
- $50k–250k1 grant · $73k
| Recipient | Amount |
|---|---|
| MUSEO DE ARTE CONTEMPORANEO DE PR | $73,203 |
| CENTRO DE ECONOMIA CREATIVA | $45,000 |
| Creative Justice Initiative | $40,000 |
| PLATAFORMA EJE | $40,000 |
| COOPLIBRI | $30,000 |
| PUERTO RICAN CULTURAL CENTER | $20,000 |
| MUSEO DE LAS AMERICAS | $19,400 |
| MUSEO DE LOS SANTOS Y ARTE NACIONAL INC | $15,000 |
| LA MARANA CORP | $12,000 |
| LABORATORIA BORICUA DE VOGUE INC | $12,000 |
| LAS JORNADAS DEL GRABADO PUERTORRIQUENO INC | $11,040 |
| DIASPORA DESIGNS LLC | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY23–24) land where the poverty rate runs at 22%, against an area that typically sits at 14%. 62% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Culture advance and literature
Casa de la Cultura was created as an entity that would support and foster the growth and promotion of LatinoHispanic arts in our region Casa de la Cultura is dedicated to creating space where Hispanic artists can grow showcase and promote…
Contribute to the development of dancing and democratization of the arts and progress of Puerto Rico through practice and artistic education
Education, arts and culture.
Use the arts as a tool for social well-being, solidarity, leadership and self-management.
Educational services and support with the purpose of empowering the artist designer and creationist toward his her creative destiny under the entrepreneurship and sustainable economy.
Non-profit educational organization dedicated to the exhibition, collection, conservation, research, preservation, and presentation of latino arts and cultures.
Promote the participation and collaboration of educational institutions, private entities and government entities in order to obtain the most extensive and effective cultural and tourist development of the mid-eastern region of Puerto…
El museo's mission is to preserve, interpret, and promote the artistic heritage of puerto ricans and all latin americans in the united states by means of exhibitions, public programs, publications, and educational activities.
For reference, the grantee most central to the portfolio’s shape is Centro De Economia Creativa Inc and the most unlike its peers is Bombazo Dance Co. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
10 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 10 of the 18 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds MUSEO DE ARTE CONTEMPORANEO DE PUERTO RICO INC ↗
- Who funds MUSEO DE LAS AMERICAS INC ↗
- Who funds LA CASA DEL LIBRO INC ↗
- Who funds CENTRO DE ECONOMIA CREATIVA INC ↗
- Who funds CREATIVE JUSTICE INITIATIVE INC ↗
- Who funds PLATAFORMA EJE INC ↗
- Who funds PUERTO RICAN CULTURAL CENTER ↗
- Who funds LA MARANA CORP ↗
- Who funds LIGA ESTUDIANTES DE ARTE DE SAN JUAN INC P O BOX 5181 ↗
- Who funds Bombazo Dance Co ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Fundacion Puertorriquea de Las Humanidades Inc · Flamboyan Foundation Inc · Hispanic Federation Inc · Tides Center · Tides Foundation · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Alianza de Museos de Puerto Rico funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Alianza de Museos de Puerto Rico?
Find your warmest path to Alianza de Museos de Puerto Rico through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.