· Private foundation
10129 Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2019–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k17 grants · $51k
- $10k–50k3 grants · $55k
| Recipient | Amount |
|---|---|
| ROOT DIVISION | $24,338 |
| MUSEUM OF CRAFT AND DESIGN | $20,530 |
| GLBT HISTORICAL SOCIETY | $10,000 |
| OPEN TAI CHI FOUNDATION | $5,916 |
| WILDFLOWERS INSTITUTE | $5,000 |
| THE GRABHORN INSTITUTE | $5,000 |
| MERCY HOUSING | $5,000 |
| CCDC | $5,000 |
| ARTCENTER COLLEGE OF DESIGN | $5,000 |
| HOUSING ACTION COALITION | $4,500 |
| SMITHSONIAN INSTITUTION NATIONAL MUSEUM OF AFRICAN ART | $4,000 |
| THE BATTERY FOUNDATION | $4,000 |
| SFMOMA | $2,500 |
| WORLD CENTRAL KITCHEN | $1,000 |
| SOUTHEAST ASIAN DEVELOPMENT CENTER | $1,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY21–23, $5k) land where the poverty rate runs at 10%, against an area that typically sits at 10%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
13 repeat relationships — 9 still active in FY2024, 4 since wound down; 11 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 64% of grant dollars renewed an existing relationship; $38k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- RDRoot Division2× · 2023–2024 · $26k · revenue +10%
- GIGRABHORN INSTITUTE3× · 2021–2024 · $11k · revenue +154%
- FMFORT MASON CENTER3× · 2021–2023 · $3k · revenue +19%
Funded once
- WMWORLD MONUMENTS FUND INCgraduatedone grant, 2023 · $50k · revenue +78%
- AAALZHEIMER'S ASSOCIATIONone grant, 2019 · $15k
- 5C509 CULTURAL CENTERone grant, 2021 · $12k · revenue -87%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
SF Camerawork provokes discovery, experimentation, and exchange through exhibitions and experiences for all who value new ideas in photography.
The asian art museum celebrates, preserves, and promotes asian and asian american art and cultures for local and global audiences. we provide a dynamic forum for exchanging ideas, inviting collaboration, and fueling imagination to deepen…
The lab gives significant funding, time, and space to traditionally underrepresented artists. we seek to transform alongside artistic practices in order to engage meaningfully with visionary communities whose economic and cultural…
Sfbatco unites artists and audiences through live theatre that is reflective of the authentic perspectives and history of the san francisco bay area.
consulting and presenting opportunities to artists. We promote creative expression as a means for reflection, for celebration, for economic growth and for finding solutions to the challenges that confront our communities.
Operating out of an old can factory in the Mission District of San Francisco, Z Space now activates two performance spaces, an 85-seat black box and a 244-seat main stage, with a warehouse aesthetic and an adventurous edge.
Marin open studios is a non-profit visual arts organization dedicated to engaging and supporting marin county artists and their audiences through events, programs and services. marin open studios champions a diverse and inclusive community…
The Organizations primary impact is to preserve and enhance San Franciscos unique architectural and cultural identity.
For reference, the grantee most central to the portfolio’s shape is Cutting Ball Theater and the most unlike its peers is Thomas & Eva Fong Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 32 years old; the field is 13. You back the established end — and your money leans older still.
The field is 24% startups (under 5 years old) — 6% of your grantees by number, and just 6% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 15% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
34 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 34 of the 40 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds GLOBAL HERITAGE FUND ↗
- Who funds Museum of Craft and Design ↗
- Who funds WORLD MONUMENTS FUND INC ↗
- Who funds Root Division ↗
- Who funds Wildflowers Institute ↗
- Who funds THE BATTERY FOUNDATION ↗
- Who funds 509 CULTURAL CENTER ↗
- Who funds GRABHORN INSTITUTE ↗
- Who funds Open Tai Chi Foundation ↗
- Who funds Gay Lesbian Bisexual Transgender Historical Society ↗
- Who funds Dance Brigade ↗
- Who funds SAN FRANCISCO ART INSTITUTE ↗
- Who funds ART CENTER COLLEGE OF DESIGN ↗
- Who funds San Francisco Housing Action Coalition ↗
- Who funds Womens Audio Mission ↗
- Who funds 826 Valencia ↗
- Who funds SAN FRANCISCO MUSEUM OF MODERN ART ↗
- Who funds FORT MASON CENTER ↗
- Who funds SELF-HELP FOR THE ELDERLY ↗
- Who funds AT THE CROSSROADS ↗
- Who funds SOUTHEAST ASIAN DEVELOPMENT CENTER ↗
- Who funds Cutting Ball Theater ↗
- Who funds PACIFIC VISION FOUNDATION ↗
- Who funds KQED INC ↗
- Who funds Bay Area Womens and Childrens Center ↗
- Who funds PROJECT COLOR CORPS ↗
- Who funds WORLD CENTRAL KITCHEN INC ↗
- Who funds HEADLANDS CENTER FOR THE ARTS ↗
- Who funds THOMAS & EVA FONG FOUNDATION ↗
- Who funds MAGIC THEATRE INC ↗
- Who funds THE LONG NOW FOUNDATION ↗
- Who funds SAN FRANCISCO JAZZ ORGANIZATION ↗
- Who funds CounterPulse ↗
- Who funds SANDY HOOK PROMISE FOUNDATION ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The San Francisco Foundation · Marin Community Foundation · Jewish Community Federation of San Francisco the Peninsula Marin & Sonoma · Walter and Elise Haas Fund · The William & Flora Hewlett Foundation · Phyllis C Wattis Foundation · The Zellerbach Family Foundation · Kenneth Rainin Foundation · Silicon Valley Community Foundation · Fleishhacker Foundation · Koret Foundation · McNabb Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization 10129 Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Sandy Hook Promise Foundation — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to 10129 Foundation?
Find your warmest path to 10129 Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.