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Missouri · Nonprofit

THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER

THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER (Missouri) receives grants from 8 organizations whose IRS filings report $610,500 to it, the largest being EWING MARION KAUFFMAN FOUNDATION ($300,000). 3 of them have funded it in more than one year.

Revenue FY2026
$153k
Funders on record
8
Grants received
$611k
Net assets
$185k
3/8 repeat fundersgrants exceed reported revenue in one year
01What it does

What The Gem Theater Cultural and Performing Arts Center does

Mission

Development of cultural arts center, arts and arts-in-education programming and community development initiatives.

As stated on its FY2026 Form 990.

Program

  1. Development of cultural arts center, arts and arts-in-education programming and community development initiatives.

    $100,091 spent$153,347 earned by the program
    100% of program spending

The program described on its FY2025 Form 990. Program spending in total: $100,091.

02The organization over time

The organization over time

Each line starts at 100 in 2017, so what you read is the shape rather than the size: 150 means half as much again as 2017, 50 means half. The number beside each label in the key is where it ended. The shaded band is where the middle 50% of its peers' revenue would sit, given their growth.

100 = 20172017 Revenue 100 ($62k) Expenses 100 ($36k) Net assets 100 ($29k)2018 Revenue 46 ($29k) Expenses 75 ($27k) Net assets 105 ($31k)2019 Revenue 49 ($30k) Expenses 83 ($30k) Net assets 106 ($31k)2020 Revenue 431 ($268k) Expenses 386 ($140k) Net assets 0 ($0)2021 Revenue 38 ($23k) Expenses 281 ($102k) Net assets 274 ($80k)2022 Revenue 163 ($101k) Expenses 269 ($98k) Net assets 285 ($83k)2023 Revenue 66 ($41k) Expenses 239 ($87k) Net assets 93 ($27k)2024 Revenue 292 ($181k) Expenses 441 ($160k) Net assets 165 ($48k)2025 Revenue 687 ($426k) Expenses 553 ($201k) Net assets 937 ($274k)2026 Revenue 247 ($153k) Expenses 647 ($235k) Net assets 634 ($185k)
'17'18'19'20'21'22'23'24'25'26
Revenue (247)Expenses (647)Net assets (634)Peer revenue range

Balance sheet

Total assets and total liabilities at each year end, in dollars. The largest one-year move in total assets was 2024 to 2025, from $48k to $274k (+467%).

$32k
$35k
$45k
$0
$85k
$86k
$27k
$48k
$274k
$186k
'17'18'19'20'21'22'23'24'25'26
Total assetsTotal liabilities

How it's funded, over time

Each bar is one year's revenue split into where it came from, and every bar is the same height — these are shares, not amounts, so a year that raised twice as much looks the same size. Hover a bar for the split.

2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
ContributionsProgram revenueInvestmentOther

Government-grant reliance: 2020 40% · 2021 42% · 2022 44% · 2023 70% · 2024 18% · 2025 97% · 2026 95%. Grants only. Government contracts and fees sit inside program revenue.

97% of THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER’s revenue is contributions — more donation-reliant than the typical peer (87% for the typical peer).

This organization
Typical peer · 7,828 orgs

Surplus & reserves

Operating surplus or deficit each year, and months of liquidity in hand. 3 of the last 10 reported years ran a deficit.

$26k
’17
$2k
’18
$305
’19
$128k
’20
−$79k
’21
$3k
’22
−$46k
’23
$21k
’24
$225k
’25
−$82k
’26
5.9
months of
reserve

Leadership and staff

The officers, directors, trustees and key employees listed on each return. Joined and no longer listed compare each filing with the year before, matching people by surname and first initial; a year after a gap, or a roster under three people, has no comparison.

2020202120222023202420252026
Listed6666666
Joined·+0+0+0+0+0+0
No longer listed·000000
03Who funds it

Who funds it, year by year

2017 → 2023: the base broadened from 1 funder to 2 funders, grant income rose $10k → $98k.

2 of 8 of your funders are donor-advised or pass-through sponsors (tagged DAF) — 7% of grant dollars received. That money is really individual donors directing a sponsor; the institutions to cultivate are the non-DAF funders.

From the IRS filings of THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER’s funders (the co-funder graph). Association, not causation. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

How concentrated its funding is

THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER leans on a few funders — its largest provides 49% of grant income and the top three 83%; half comes from just 2 funders.

the vertical line marks half of all grant income — 2 funders to its left

45% of the income these shares are computed over arrives through pass-through sponsors or from payers whose filings do not say what kind of payment it is. Concentration is still measured over all of it, because the money is real; what it does not support is a claim about how many institutions have chosen to fund THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER.

49%
largest funder
83%
top three
~3
effective funders

Largest funder’s share by year: 2017 100% · 2020 61% · 2021 92% · 2022 100% · 2023 77% — diversifying over time.

“Effective funders” = inverse Herfindahl index (1 / Σ shareᵢ²) — the number of equal-sized funders that would give the same concentration. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

How long its funders stay

25% of THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER's funders are still giving 2 years after their first grant; 38% give in more than one year at all.

first grant+1y+2y

Share of funders still giving k years after their first recorded grant, pooled across every acquisition cohort. A funder counts as retained in a year only if it made a grant that year. Measured to FY2023, the last fiscal year that has finished arriving — a funder cannot be counted as lapsed in a year most filers have not reached.

Where its funders are

96% of THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER's grant income comes from Missouri funders.

MO
KS

In-state vs out-of-state, by year

’17
’20
’21
’22
’23
Missouri out of state home

Funder states come from each funder’s own filing. $40k arriving through sponsors registered in 2 states is excluded from the map and the split above: a sponsor holds money on a donor’s behalf, so its registered address would place those dollars somewhere no donor need ever have been. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

04Its place in the field

Against its field

THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER has grown faster than half of the 123 philanthropy nonprofits its size.

Operating margin−53% · bottom quartile
Months of reserve5.9mo · below the median
Revenue growth (annualized)11% · above the median

this organization peer median middle 50% of peers· 123 philanthropy nonprofits $100k–$1M, FY2026

Organizations like THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER

Organizations whose mission and program text most resemble this one, by semantic similarity over every organization in the US filings — the closest peers, and often the clearest route to shared or prospective funders.

In Missouri

Nationally

05Profile & governance

Read directly from this organization’s own Form 990, as neutral context.

Where the money goes

43% of spending goes to programs.

Program 43%Management 49%Fundraising 8%

Governance

6
board members
100%
independent
–Conflict-of-interest policy–Whistleblower policy–Document retention✓Board reviewed the 990–Audited financials

Public support

100%

Share of support from the public (Schedule A) — the basis for its public-charity status.

Screen this organization

A dated, signed PDF of the compliance screen for THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER: IRS status (Business Master File, Publication 78, auto-revocation), the OFAC sanctions lists, the Internal Revenue Bulletin, and California registration, with the Rev. Proc. 2018-32 §8.01 reliance elements stated element by element. Generated from the current files at the moment you download it.

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Screens are triage, not determinations; a source that cannot be read reports not screened, never clear. Screen this nonprofit · How the screen works · on the API as GET /api/screening/{ein}?format=pdf

Questions and answers

Who funds THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER?
THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER (Missouri) receives grants from 8 organizations whose IRS filings report $610,500 to it, the largest being EWING MARION KAUFFMAN FOUNDATION ($300,000). 3 of them have funded it in more than one year.
How many funders does THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER have?
IRS filings report 8 organizations giving $610,500 in grants to THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER, 3 of which have funded it in more than one year.
Who is the largest funder of THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER?
EWING MARION KAUFFMAN FOUNDATION is the largest funder on record, with $300,000 in grants. The full list of funders is on this page.
How can an organization like THE GEM THEATER CULTURAL AND PERFORMING ARTS CENTER find more funders?
Start with the funders already giving here, then look at the foundations that back similar organizations in Missouri. The funding by cause and by state pages list the largest funders for a given area and how to approach them.

Play a game about who funds Gem Theater Cultural and Performing Arts Center →

These figures are read directly from IRS Form 990 / 990-PF e-file XML: this organization’s own return for FY2026 (financials across 2017–2026), and the filings of 8 funders that report grants to it. “On record” means captured in the filings we have parsed — a funder that does not e-file, or whose grant detail is not itemized, will not appear. Filings run roughly 12–24 months behind. Trends on this page end at FY2023, the last fiscal year that has finished arriving; later years are shown and marked, and move no figure. Data on this page was exported October 14, 2026. What this page cannot tell you · view filing