· Public charity
Upper Manhattan Empowerment Zone Development Corporation
To sustain the economic revitalization of all communities in upper manhattan through job creation, corporate alliances, strategic investments, and small business assistance.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 11 grants below total $735,239 — the rows itemised in this filing. The $882,680 headline is the total grant expense reported on the return, so the remaining $147,441 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- $10k–50k9 grants · $206k
- $50k–250k1 grant · $175k
- $250k+1 grant · $354k
| Recipient | Amount |
|---|---|
| LOWER MANHATTAN CULTURAL COUMCIL | $354,000 |
| APOLLO THEATRE FOUNDATION INC | $175,000 |
| NORTHERN MANHATTAN ARTS ALLIANCE | $25,000 |
| COMMUNITY LEAGUE OF THE HEIGHTS INC | $25,000 |
| STRIVE INTERNATIONAL INC | $25,000 |
| NEW YORK URBAN LEAGUE INC | $25,000 |
| YOUTH ACTION PROGRAMS AND HOME INC | $25,000 |
| COMMUNITY IMPACT | $25,000 |
| MAYSLES INSTITUTE INC | $21,239 |
| PUBLIC WORKS PARTNERS LLC | $20,000 |
| WORKFORCE PROFESSION | $15,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–25, $175k) land where the poverty rate runs at 17%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +11% since the first grant, against -8% for the ones you funded once.
44 repeat relationships — 9 still active in FY2025, 35 since wound down; 2 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 95% of grant dollars renewed an existing relationship; $35k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- LMLOWER MANHATTAN CULTURAL COUNCIL INC8× · 2018–2025 · $3.1M · revenue +4%
- TCTHE CLASSICAL THEATRE OF HARLEM INC6× · 2017–2023 · $500k · revenue +132%
- SISTRIVE INTERNATIONAL INC5× · 2017–2025 · $362k · revenue +77%
Funded once
- UMUPPER MANHATTAN EMPOWERMENT ZONE DEVELOPMENT CORPORATIONone grant, 2022 · $472k · revenue -44%
- FFFUND FOR THE CITY OF NEW YORK INCone grant, 2018 · $100k · revenue -34%
- ANADVANCE NYC INCone grant, 2022 · $50k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The Harlem Art''s Foundation''s Mission Is To Showcase And Preserve Harlem''s Tradition Of Rich Culture And Community By Working With Our Local Partners To Strategically Shape The Physical And Social Opportunities Of Our Neighborhood…
Harlem Film House provides access and opportunity for creative entrepreneurs and independent storytellers by producing programs platforms and events that support artistic development audience engagement and career growth Through film media…
The perelman performing arts center creates connections by cultivating bonds between extraordinary artists and communities with exemplary performances in active dialogue across the arts in our flexible intimate spaces, inviting…
The hip hop museum preserves the past, celebrates the present, and leads the global future of hip hop, inspiring, educating, and empowering all.
To provide the bronx & surrounding areas with access to affordable local, national, & international performances that educate & celebrate the traditions of a multi-cultural community.
Ballet hispanico brings communities together to celebrate and explore latino cultures through innovative productions, transformative dance training, and community engagement.
To champion access, representation, equity and inclusion throughout the american theatre and our communities.
Choreographer jawole willa jo zollar founded urban bush women (ubw) in 1984 as a performance ensemble dedicated to exploring the use of cultural expression as a catalyst for social change. ubw weaves contemporary dance, music and text with…
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
A pioneering advocate for cultural equity, the bronx council on the arts nurtures the development of diverse artists and arts organizations and build strong cultural connections in and beyond the bronx.
The Arts & Business Council of New York stimulates partnerships between the arts and business that strengthen both sectors in the communities they serve. This is accomplished through programs that promote voluntarism, build arts management…
For reference, the grantee most central to the portfolio’s shape is Harlem Stage Inc and the most unlike its peers is Museum of the City of New York. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 35 years old; the field is 18. You back the established end — and your money leans older still.
The field is 18% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 11% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
52 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 52 of the 59 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds LOWER MANHATTAN CULTURAL COUNCIL INC ↗
- Who funds BUSINESS RESOURCE AND INVESTMENT SERVICE CENTER INC ↗
- Who funds APOLLO THEATER FOUNDATION INC ↗
- Who funds THE STUDIO MUSEUM IN HARLEM ↗
- Who funds SUGAR HILL CHILDREN'S MUSEUM OF ART AND STORYTELLING ↗
- Who funds Visual Arts Research and Resource Center Relating ↗
- Who funds THE CLASSICAL THEATRE OF HARLEM INC ↗
- Who funds UPPER MANHATTAN EMPOWERMENT ZONE DEVELOPMENT CORPORATION ↗
- Who funds MUSEUM OF THE CITY OF NEW YORK ↗
- Who funds STRIVE INTERNATIONAL INC ↗
- Who funds HARLEM STAGE INC ↗
- Who funds FIRELIGHT MEDIA INC ↗
- Who funds HIP-HOP THEATER FESTIVAL INC DBA Hi-ARTS ↗
- Who funds HEALTHCARE INDUSTRY GRANT CORPORATION ↗
- Who funds MAYSLES INSTITUTE INC ↗
- Who funds MORRIS JUMEL MANSION INC ↗
- Who funds PER SCHOLAS INC ↗
- Who funds HARLEM BUSINESS ALLIANCE INC ↗
- Who funds Research Foundation of the City University of New York ↗
- Who funds NORTHERN MANHATTAN ARTS ALLIANCE INC ↗
- Who funds EMERGE 125 INC ↗
- Who funds GRAMEEN AMERICA INC ↗
- Who funds THE NATIONAL JAZZ MUSEUM IN HARLEM ↗
- Who funds HARLEM SCHOOL OF THE ARTS INC ↗
- Who funds HISPANIC FEDERATION INC ↗
- Who funds AMIGOS DEL MUSEO DEL BARRIO INC EL MUSEO DEL BARRIO ↗
- Who funds HARLEM ARTS ALLIANCE ↗
- Who funds FUND FOR THE CITY OF NEW YORK INC ↗
- Who funds SoHarlem Inc ↗
- Who funds MAMA FOUNDATION FOR THE ARTS INC ↗
- Who funds JAZZMOBILE INC ↗
- Who funds DANCE THEATRE OF HARLEM INC ↗
- Who funds AFRO-LATIN JAZZ ALLIANCE OF NEW YORK INC ↗
- Who funds FORCES OF NATURE INC ↗
- Who funds BLACK PUBLIC MEDIA INC ↗
- Who funds THE NATIONAL BLACK THEATRE WORKSHOP ↗
- Who funds THE FUTURO MEDIA GROUP ↗
- Who funds JOSE LIMON DANCE FOUNDATION INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Ford Foundation · The Howard Gilman Foundation Inc · West Harlem Development Corporation · The Andrew W Mellon Foundation · The New York Community Trust · Mid Atlantic Arts Inc · The Hyde and Watson Foundation · Hispanic Federation Inc · Booth Ferris Foundation Xxxxx4008 · The Fan Fox and Leslie R Samuels Foundation Inc · The Trustees of Columbia University in the City of New York · The Pierre & Tana Matisse Foundation Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Upper Manhattan Empowerment Zone Development Corporation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.