· Private foundation
The Robert Mapplethorpe Foundation Inc
Its FY2025 filing reports that it accepted unsolicited grant applications.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- Under $10k3 grants · $4k
- $10k–50k6 grants · $100k
- $50k–250k3 grants · $315k
| Recipient | Amount |
|---|---|
| METROPOLITAN MUSEUM OF ART | $137,500 |
| ELTON JOHN AIDS FOUNDATION INC | $117,500 |
| BARD COLLEGE | $60,000 |
| KATONAH MUSEUM OF ART | $40,000 |
| BAILEY HOUSE | $15,000 |
| INSTITUTE OF CONTEMPORARY ART MIAMI | $12,500 |
| NEW ORLEANS MUSEUM OF ART | $12,500 |
| NATIONAL GALLERY OF ART | $10,000 |
| DALLAS MUSEUM OF ART | $10,000 |
| KATONAH MUSEUM OF ART | $1,969 |
| INTERNATIONAL CENTER OF PHOTOGRAPHY MUSEUM | $1,200 |
| VISUAL ARTS FOUNDATION | $1,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Dollar for dollar, its grants (FY17–25) land where the poverty rate runs at 15%, against an area that typically sits at 11%. 90% of its dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
Which US states its grants reach
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +52% since the first grant, against +12% for those funded once.
27 repeat relationships: 7 still active in FY2025, 20 since wound down; 4 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 91% of grant dollars renewed an existing relationship; $36k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- MAMUSEUM ASSOCIATES2× · 2019–2022 · $2.3M · revenue +89%
- SRSOLOMON R GUGGENHEIM FOUNDATION7× · 2017–2024 · $1.1M · revenue +43%
BARD COLLEGE7× · 2017–2025 · $435k · revenue +256%
Funded once
- TJTHE J PAUL GETTY TRUSTone grant, 2022 · $2.3M · revenue -17%
- WMWhiteny Museum of American Artone grant, 2017 · $163k
- MMMETROPOLITAN MUSEUM OF ARTone grant, 2021 · $100k
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
The phillips collection is the oldest museum of modern and contemporary art in the u.s. in addition to presentation of works from the permanent collection and special exhibitions, the museum maintains active educational, academic,…
Home to the art and legacy of the american painter clyfford still, we invite all to explore the potential of individual creative endeavor.
The museum's mission statement is: "to discover, interpret, and disseminate - through scientific research and education - knowledge about human cultures, the natural world, and the universe."
To inspire, educate and cultivate curiosity through great works of art.
Munson-williams-proctor arts institute (mwpai) is a fine arts center dedicated to serving diverse audiences by advancing the appreciation, understanding, and enjoyment of the arts. the art institute aims to promote interest and…
The huntington library, art museum, and botanical gardens shares its world-renowned collections to support scholarship, foster learning, inspire creativity, and offer transformative experiences for diverse audiences.
The baltimore museum of art connects art to baltimore and baltimore to the world, embodying a commitment to artistic excellence and social equity in every decision from art presentation, interpretation, and collecting, to the composition…
El museo's mission is to preserve, interpret, and promote the artistic heritage of puerto ricans and all latin americans in the united states by means of exhibitions, public programs, publications, and educational activities.
How this is measured
68 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 68 of the 108 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds MUSEUM ASSOCIATES ↗
- Who funds THE J PAUL GETTY TRUST ↗
- Who funds SOLOMON R GUGGENHEIM FOUNDATION ↗
- Who funds BARD COLLEGE ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds AMERICAN ACADEMY IN ROME ↗
- Who funds ELTON JOHN AIDS FOUNDATION INC ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds APERTURE FOUNDATION INC ↗
- Who funds BAILEY HOUSE INC ↗
- Who funds VOCES LATINAS CORPORATION ↗
- Who funds Museum of Modern Art ↗
- Who funds BETH ISRAEL MEDICAL CENTER ↗
- Who funds KATONAH MUSEUM OF ART ↗
- Who funds THE FOUNDATION FOR AIDS RESEARCH ↗
- Who funds IRIS HOUSE - A CENTER FOR WOMEN LIVING WITH HIV INC ↗
- Who funds UNIVERSITY OF DELAWARE ↗
- Who funds OAKLAND MUSEUM OF CALIFORNIA ↗
- Who funds NEW YORK CITY AIDS MEMORIAL INC ↗
- Who funds INTERNATIONAL CENTER OF PHOTOGRAPHY ↗
- Who funds New Museum of Contemporary Art ↗
- Who funds GEORGE EASTMAN MUSEUM ↗
- Who funds THE STUDIO MUSEUM IN HARLEM ↗
- Who funds SMITHSONIAN INSTITUTION ↗
- Who funds THE MUSEUM OF FINE ARTS HOUSTON ↗
- Who funds Dallas Museum of Art ↗
- Who funds PEABODY ESSEX MUSEUM INC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Andy Warhol Foundation for the Visual Arts Inc · Ibm International Foundation · The Henry Luce Foundation Inc · Arison Arts Foundation · E Rhodes and Leona B Carpenter Foundation · The Ford Foundation · The Andrew W Mellon Foundation · Ag Foundation · The Ayco Charitable Foundation · The New York Community Trust · Jpmorgan Chase Foundation · Jewish Communal Fund
How this is measured
How much its grantees rely on government
Each dot is one organization The Robert Mapplethorpe Foundation Inc funds: left to right is the share of its income from government, bottom to top the share from The Robert Mapplethorpe Foundation Inc. Bigger dots raise more.
- University of Delaware: 30% of income from government
- The Philbrook Museum of Art Inc: 4% of income from government
- Peabody Essex Museum Inc: 3% of income from government
- The Institute of Contemporary Art Inc: 1% of income from government
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to The Robert Mapplethorpe Foundation Inc?
Find your warmest path to The Robert Mapplethorpe Foundation Inc through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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