· Private foundation
The Pamela & Arthur Sanders Family Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2020–2023.
Where the money goes
Your grants by size, and where they go.
The 24 grants below total $452,320 — the rows itemised in this filing. The $482,320 headline is the total grant expense reported on the return, so the remaining $30,000 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2023
- Under $10k16 grants · $37k
- $10k–50k6 grants · $115k
- $50k–250k2 grants · $300k
| Recipient | Amount |
|---|---|
| Trustees of the Univ. of Pennsylvania | $200,000 |
| Weill Medical College of Cornell University | $100,000 |
| The Washington Institute for Near East Policy | $25,000 |
| Tikva Childrens Charities Inc. | $25,000 |
| The Greenwich Country Day School | $25,000 |
| The Glass House Council | $15,000 |
| Whitney Museum of American Art | $15,000 |
| Dia Art Foundation | $10,000 |
| Greenwich Town Party, Inc. | $6,000 |
| New York Historical Society | $5,400 |
| Anderson Ranch Arts Center | $5,000 |
| New York Historical Society | $5,000 |
| Jacob Burns Film Center | $2,500 |
| American Friends of the Israel Museum | $2,350 |
| Bruce Museum Inc. | $2,220 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +64% since the first grant, against +25% for the ones you funded once.
14 repeat relationships — 12 still active in FY2023, 2 since wound down; 8 grantees were first funded in FY2023 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2023, 46% of grant dollars renewed an existing relationship; $136k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- AFAMERICAN FRIENDS OF THE ISRAEL MUSEUM3× · 2020–2023 · $52k · revenue +67%
- WIWASHINGTON INSTITUTE FOR NEAR EAST POLICY2× · 2022–2023 · $50k · revenue +22%
- GCGREENWICH COUNTRY DAY SCHOOL INC2× · 2022–2023 · $50k · revenue +64%
Funded once
- MOMuseum of Modern Artgraduatedone grant, 2020 · $25k · revenue +38%
- NHNTHP/Glass Houseone grant, 2020 · $25k
PLANNED PARENTHOOD OF SOUTHERN NEW ENGLAND INCgraduatedone grant, 2020 · $15k · revenue +27%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
The mission of the jewish museum is to collect, preserve, exhibit and interpret art and jewish culture. see schedule o for more information.
The bac is committed to provide excellence in design education grounded in practice and accessible to diverse communities.
The University of New Haven is a student-centered comprehensive university with an emphasis on excellence in liberal arts and professional education. Our mission is to prepare our students to lead purposeful and fulfilling lives in a…
The Morgan Library & Museum celebrates and shares the history and process of human creativity from antiquity to the present day through the preservation, study, and interpretation of a dynamic and growing collection.
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
The institute for advanced study (the institute) is one of the world's leading centers for theoretical research and intellectual inquiry. see schedule o.
The museum's mission statement is: "to discover, interpret, and disseminate - through scientific research and education - knowledge about human cultures, the natural world, and the universe."
The mission of rhode island school of design, through its college and museum,is to educate its students and the public in the creation and (see schedule o)appreciation of works of art and design, to discover and transmit knowledge and to…
New york school of interior design provides the most innovative, immersive, and transformative interior design education in the world, demonstrating the impact of professionally designed interiors on the health, happiness, and well-being…
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
For reference, the grantee most central to the portfolio’s shape is The Aspen Institute Inc and the most unlike its peers is New York Historical Society. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 52 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
32 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 32 of the 42 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds TRUSTEES OF THE UNIVERSITY OF PENNSYLVANIA ↗
- Who funds AMERICAN FRIENDS OF THE ISRAEL MUSEUM ↗
- Who funds WASHINGTON INSTITUTE FOR NEAR EAST POLICY ↗
- Who funds GREENWICH COUNTRY DAY SCHOOL INC ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds NEW VENTURE FUND ↗
- Who funds Museum of Modern Art ↗
- Who funds WHITE COLUMNS INC ↗
- Who funds DIA CENTER FOR THE ARTS INC ↗
- Who funds ANDERSON RANCH ARTS CENTER ↗
- Who funds New York Historical Society ↗
- Who funds PLANNED PARENTHOOD OF SOUTHERN NEW ENGLAND INC ↗
- Who funds THE ASPEN INSTITUTE INC ↗
- Who funds JACOB BURNS FILM CENTER INC ↗
- Who funds GREENWICH TOWN PARTY INC ↗
- Who funds ICAHN SCHOOL OF MEDICINE AT MOUNT SINAI ↗
- Who funds BRUCE MUSEUM INC ↗
- Who funds MISSISSIPPI CENTER FOR JUSTICE ↗
- Who funds BOYS & GIRLS CLUB OF GREENWICH ↗
- Who funds RONALD MCDONALD HOUSE OF NEW YORK INC ↗
- Who funds SOLOMON R GUGGENHEIM FOUNDATION ↗
- Who funds MAESTRO CARES FOUNDATION ↗
- Who funds SEEDS OF PEACE INC ↗
- Who funds THE BREAST CANCER RESEARCH FOUNDATION INC ↗
- Who funds CT Against Gun Violence Inc ↗
- Who funds UNITED JEWISH APPEAL-FEDERATION OF JEWISH PHILANTHROPIES OF NEW YORK INC ↗
- Who funds NEW ART PUBLICATIONS INC ↗
- Who funds THE ROCKEFELLER UNIVERSITY ↗
- Who funds REACH PREP INC ↗
- Who funds CT Against Gun Violence Education Fund Inc ↗
- Who funds BARD COLLEGE ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Warm introductions · Powered by PlinthPlus
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Find your warmest path to The Pamela & Arthur Sanders Family Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.