· Private foundation
The Kodosky Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
Read this first · the figures below need context
95% of The Kodosky Foundation’s FY2024 grant dollars went to Austin Community Foundation Inc, not to grantees.
Its money now reaches organizations through that sponsor, which does not report who recommended each grant. FY2024 names 12 organizations directly, so a portfolio cannot be read from it. Everything below is therefore FY2023, the last year The Kodosky Foundation named its own grantees at scale: 13 organizations, $306k. It is dated, not current.
Organizations named directly on the return
Amber years are those where most dollars went to a sponsor.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2024.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2023
- Under $10k12 grants · $46k
- $10k–50k6 grants · $108k
- $50k–250k2 grants · $152k
| Recipient | Amount |
|---|---|
| RENSSELAER POLYTECHNIC INSTITUTE | $90,000 |
| AUSTIN OPERA | $62,000 |
| AUSTIN SYMPHONY ORCHESTRA | $26,200 |
| CONSPIRARE | $18,200 |
| AUSTIN CLASSICAL GUITAR SOCIETY | $16,200 |
| UNIVERSITY OF TEXAS AT AUSTIN | $16,000 |
| BALLET AUSTIN | $16,000 |
| AUSTIN CHAMBER MUSIC CENTER | $15,000 |
| ARMSTRONG COMMUNITY MUSIC SCHOOL | $8,000 |
| FRIENDS OF CLASSICAL GUITAR ALIVE | $6,000 |
| THINKERY CHILDREN'S MUSEUM | $5,000 |
| KMFA | $5,000 |
| GIRLSTART | $4,000 |
| TEXAS STATE UNIVERSITY | $4,000 |
| KLRU | $4,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Dollar for dollar, its grants (FY17–24) land where the poverty rate runs at 10%, against an area that typically sits at 9%. 100% of its dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
24 repeat relationships: 20 still active in FY2023, 4 since wound down. Read against FY2023, the last year this funder named its own grantees directly; its giving has since run through a sponsor, which reports no donor behind each grant.
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 100% of grant dollars renewed an existing relationship; $0 went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
Rensselaer Polytechnic Institute8× · 2017–2024 · $425k · revenue +25%- ALAUSTIN LYRIC OPERA8× · 2017–2024 · $343k · revenue +18%
- ACAUSTIN CLASSICAL GUITAR SOCIETY8× · 2017–2024 · $121k · revenue +39%
Funded once
- TMTexas Museum of Science & Technologyone grant, 2017 · $15k
- JDJames Dick Foundation for the Performing Artsgraduatedone grant, 2017 · $5k · revenue +61%
- KTKIPP Texas Incgraduatedone grant, 2017 · $4k · revenue +756%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
Founded in 1993, American Festival for the Arts (AFA) provides high quality community-based music education programs and performance opportunities designed primarily for youth and, through its concert series and outreach, seeks to broaden…
To present, promote, encourage, and advance musical education and enjoyment of orchestra music to the citizens of austin and central texas.
American baroque opera company operates in the state of texas for the primary purpose of furthering the appreciaton of music, particularly opera, for the general public. american baroque opera company performs select operas throughout the…
Education
Teach choral music to girls
To shape the future of classical music by energizing, modernizing, and personalizing the concert experience.
Austin Unconducted organized and performed several classical music concerts intended to expand the idea of what classical music can be and increase access to art music Ticketed concerts were sold out and other concerts were performed in…
TexARTS is an arts education and performance destination that builds character, professionalism, and careers. Its mission is to cultivate a thriving arts community by exposing all people to the visual and performing arts. TexARTS prepares…
Education/classical music. The Austin Baroque Orchestra & Chorus seeks to educate and edify its audiences by immersing them in the sound-world of the past by performing high-quality music from the sixteenth, seventeenth, eighteenth, and…
CMI's mission is to cultivate classical music education and performance as a gateway to the arts.
Austin Classical School exists to glorify Jesus Christ by co-laboring with families to cultivate wise, virtuous, and humble students through an excellent classical, Christian education.
String Insiders' mission is to inspire violin, viola, and cello students through online and in-person connections to teachers, peers, and a wealth of information that challenges and encourages them in their growth as a musician and helps…
How this is measured
20 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 20 of the 29 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds AUSTIN COMMUNITY FOUNDATION INC ↗
- Who funds Rensselaer Polytechnic Institute ↗
- Who funds AUSTIN LYRIC OPERA ↗
- Who funds CONSPIRARE INC ↗
- Who funds AUSTIN CLASSICAL GUITAR SOCIETY ↗
- Who funds BALLET AUSTIN INCORPORATED ↗
- Who funds AUSTIN CHAMBER MUSIC CENTER ↗
- Who funds ARMSTRONG COMMUNITY MUSIC SCHOOL ↗
- Who funds CAPITOL BROADCASTING ASSOCIATION INC ↗
- Who funds GIRLSTART ↗
- Who funds TEXAS FREEDOM NETWORK EDUCATION FUND ↗
- Who funds CLASSICAL GUITAR ALIVE ↗
- Who funds Texas Museum of Science & Technology ↗
- Who funds Austin Community College Foundation ↗
- Who funds CENTER FOR INQUIRY INC ↗
- Who funds LAFOLLIA AUSTIN BAROQUE ↗
- Who funds CHORUS AUSTIN ↗
- Who funds ZACHARY SCOTT THEATRE CENTER ↗
- Who funds James Dick Foundation for the Performing Arts ↗
- Who funds KIPP Texas Inc ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: Austin Community Foundation Inc · Better Business Bureau · Eva & Marvin Womack Foundation · Ibm International Foundation · Greater Austin Performing Arts Center Inc · Shield-Ayres Foundation · The Moody Foundation · Shell USA Company Foundation · The Dianne Smith Goggan Foundation · Michael and Alice Kuhn Foundation · Still Water Foundation · Rea Charitable Trust
How this is measured
How much its grantees rely on government
Each dot is one organization The Kodosky Foundation funds: left to right is the share of its income from government, bottom to top the share from The Kodosky Foundation. Bigger dots raise more.
How this is measured
Play a game based on Kodosky’s filings →