· Private foundation
The James S Marcus Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k6 grants · $23k
- $10k–50k4 grants · $110k
- $50k–250k2 grants · $150k
| Recipient | Amount |
|---|---|
| WNET | $100,000 |
| Young Concert Artists Inc | $50,000 |
| Metropolitan Opera Association Inc | $40,000 |
| Mastervoices Inc | $35,000 |
| Pianofest Inc | $25,000 |
| New York City Center Inc | $10,000 |
| American Nurses Foundation Inc | $5,000 |
| Hands Inc | $5,000 |
| City Parks Foundation Inc | $5,000 |
| The Perlman Music Program | $5,000 |
| St. Lukes Chamber Ensemble Inc | $1,500 |
| American Cancer Society Inc | $1,000 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
25 repeat relationships — 10 still active in FY2025, 15 since wound down; 2 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 68% of grant dollars renewed an existing relationship; $90k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- GHGUILD HALL OF EAST HAMPTON INC2× · 2020–2024 · $115k · revenue +159%
- NYNEW YORK CITY CENTER INC4× · 2020–2025 · $49k · revenue +45%
- MIMASTERVOICES INC3× · 2020–2025 · $44k · revenue +33%
Funded once
- NYNEW YORK FESTIVAL OF SONGone grant, 2020 · $25k
- MMMETROPOLITAN MUSEUM OF ARTgraduatedone grant, 2020 · $25k · revenue +119%
- AMAMERICAN MODERN OPERA COMPANYgraduatedone grant, 2020 · $25k · revenue +390%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
We believe opera is a uniquely compelling, entertaining and emotionally thrilling art form. our mission is to bring together growing audiences to experience opera's transformative power.
The Morgan Library & Museum celebrates and shares the history and process of human creativity from antiquity to the present day through the preservation, study, and interpretation of a dynamic and growing collection.
To make the mind more curious, the heart more open, and the spirit more joyful through excellent audio programming that is deeply rooted in new york.
Manhattan school of music is deeply committed to excellence in education, performance, and creative activity; to the humanity of the school's environment; and to the cultural enrichment of the larger community. a premiere international…
Kaufman music center stimulates appreciation of and participation in music through music performance and education in ways that awaken creativity, advance innovation, and create a sense of wonder among performers, students, teachers, and…
The mission of the jewish museum is to collect, preserve, exhibit and interpret art and jewish culture. see schedule o for more information.
New york city opera was famously dubbed "the people's opera" by mayor fiorello laguardia at its founding in 1943. more than 80 years later, city opera continues its historic mission to inspire audiences with innovative and theatrically…
The general purpose of the organization is to promote chamber music concerts to the general public.
Producing and developing plays and musicals.
The American Chamber Ensemble is a consortium of distinguished musicians whose concerts explore the music for piano with strings, woodwinds and/or voice, presenting both great standard repertoire and living American composers.
For reference, the grantee most central to the portfolio’s shape is Metropolitan Opera Association Inc and the most unlike its peers is Society for the Relief of Women and Children. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 49 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 4% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
44 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 44 of the 59 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds WNET ↗
- Who funds GUILD HALL OF EAST HAMPTON INC ↗
- Who funds The Metropolitan Opera Guild Inc ↗
- Who funds Pianofest Inc ↗
- Who funds YOUNG CONCERT ARTISTS INC ↗
- Who funds NEW YORK CITY CENTER INC ↗
- Who funds MASTERVOICES INC ↗
- Who funds Metropolitan Opera Association Inc ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds AMERICAN MODERN OPERA COMPANY ↗
- Who funds EAST HAMPTON HEALTHCARE FOUNDATION ↗
- Who funds CITY PARKS FOUNDATION INC ↗
- Who funds LAGOND MUSIC SCHOOL INC ↗
- Who funds AMERICAN NURSES FOUNDATION INC ↗
- Who funds MANHATTAN THEATRE CLUB INC ↗
- Who funds THE PERLMAN MUSIC PROGRAM INC ↗
- Who funds THE YOUNG MEN'S AND YOUNG WOMEN'S HEBREW ASSOCIATION ↗
- Who funds POTSDAM COLLEGE FOUNDATION INC ↗
- Who funds THE VIVIAN BEAUMONT THEATERINC D/B/A LINCOLN CENTER THEATER ↗
- Who funds Hands Inc ↗
- Who funds THE ANIMAL MEDICAL CENTER ↗
- Who funds FREEDOM INSTITUTE INC ↗
- Who funds SAG HARBOR SONG FESTIVAL INC ↗
- Who funds LUPUS RESEARCH ALLIANCE INC ↗
- Who funds 122 EAST 66TH STREET FOUNDATION INC ↗
- Who funds ST LUKES CHAMBER ENSEMBLE INC ↗
- Who funds THE NEW YORK FESTIVAL OF SONG INC ↗
- Who funds AMERICAN CANCER SOCIETY INC ↗
- Who funds THE MABEL MERCER FOUNDATION INC ↗
- Who funds ICAHN SCHOOL OF MEDICINE AT MOUNT SINAI ↗
- Who funds JUILLIARD SCHOOL ↗
- Who funds THE COSMOPOLITAN CLUB ↗
- Who funds EAST HAMPTON LIBRARY ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: J & Ar Foundation · The Howard and Sarah D Solomon Foundation · The Robert and Joyce Menschel Family Fdn · The Hilaria and Alec Baldwin Foundation Inc · The New York Community Trust · Jewish Communal Fund · Evelyn B Olin Charitable Tr · Svetlana and Herbert M Wachtell Foundation · The Maryam and Hervey Seley Foundation · Mary Jane Hipp Brock Family Foundation · The Jct Foundation · Pilzer Foundation Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Warm introductions · Powered by PlinthPlus
How do I get to The James S Marcus Foundation?
Find your warmest path to The James S Marcus Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.