· Public charity
The Greater St Louis Arts and Education Council
See schedule o.the greater st.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
The 4 grants below total $32,400 — the rows itemised in this filing. The $63,900 headline is the total grant expense reported on the return, so the remaining $31,500 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2024
- Under $10k3 grants · $20k
- $10k–50k1 grant · $12k
| Recipient | Amount |
|---|---|
| STEAM ACADEMY MIDDLE SCHOOL | $12,000 |
| MASON SCHOOL OF ACL | $8,400 |
| CONFLUENCE ACADAMIES | $6,000 |
| AMES VISUAL AND PERFORMING ARTS | $6,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY21–22, $37k) land where the poverty rate runs at 12%, against an area that typically sits at 11%. 34% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +16% since the first grant, against +14% for the ones you funded once.
28 repeat relationships — 1 still active in FY2024, 27 since wound down; 2 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 37% of grant dollars renewed an existing relationship; $20k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TSTHE SHELDON ARTS FOUNDATION5× · 2017–2022 · $182k · revenue +34%
- JSJAZZ ST LOUIS6× · 2017–2022 · $106k · revenue +10%
- SLST LOUIS SHAKESPEARE FESTIVAL5× · 2017–2022 · $96k · revenue +54%
Funded once
- TLTHE LUMINARY INCgraduatedone grant, 2022 · $12k · revenue +34%
- SLSAINT LOUIS STORY STITCHERS ARTIST COLLECTIVEone grant, 2022 · $12k · revenue -42%
- RARADIO ARTS FOUNDATIONone grant, 2022 · $12k · revenue -21%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Art St Louis is a nonprofit community art organization and gallery dedicated to enriching lives through the creative activity of our region's contemporary visual artists. Through exhibition, education, and exchange, we connect and inspire…
Upstream Theater is a professional production company dedicated to bringing a world of theater to St. Louis. We believe that art engages as much as it entertains and that by feeding the senses we feed the soul. Our goal is to move you and…
As the leading public catalyst for arts and culture in st. louis, the regional arts commission leverages the power of creativity to strengthen and enrich our community.
To offer everyone the opportunity to put before an audience their works in theater, dance and music.
The St. Louis Artists' Guild ('Guild') inspires art experiences through extraordinary exhibitions, interactive art education, outreach to underserved audiences, and by fostering creativity throughout the community.
The mission of union avenue opera is to provide professional opportunities for gifted, emerging artists and to offer vibrant and affordable opera experiences in original languages to audiences that reflect the breadth and diversity of the…
Stray dog theatre is committed to unleashing the art of theatre, education, and community on saint louis and the surrounding area.
Transforming lives through musical excellence. the goal of the st. louis children's choirs is to empower the youth of st. louis through a rich choral program that helps each young singer realize their full potential - as a musician and as…
St Louis Irish Arts mission is to promote and preserve traditional Irish music, song and dance with an emphasis over the years of restoring the playing of the Irish instruments and the use of the Irish language.
Mission: st. louis empowers individuals for social and economic growth through relationships and opportunity.
Constellation is a performing arts presenter with an emphasis on forward- thinking practices, particularly in the areas of jazz, improvised, experimental, and contemporary classical music.
To present affordable live concerts in the Cathedral Basilica of St. Louis featuring world-class musicians and the finest repertoire of sacred and classical music for the cultural enrichment, education, and enjoyment of the entire region.
For reference, the grantee most central to the portfolio’s shape is St Louis Dance Theatre and the most unlike its peers is A Red Circle. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 25 years old; the field is 21. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 2% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
54 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds Opera Theatre of Saint Louis ↗
- Who funds THE REPERTORY THEATRE OF ST LOUIS ↗
- Who funds CENTER OF CREATIVE ARTS ↗
- Who funds THE SHELDON ARTS FOUNDATION ↗
- Who funds JAZZ ST LOUIS ↗
- Who funds ST LOUIS SHAKESPEARE FESTIVAL ↗
- Who funds CONTEMPORARY ART MUSEUM ST LOUIS ↗
- Who funds SAINT LOUIS SYMPHONY ORCHESTRA ↗
- Who funds STAGES ST LOUIS ↗
- Who funds CRAFT ALLIANCE ↗
- Who funds LAUMEIER SCULPTURE PARK ↗
- Who funds St Louis ArtWorks ↗
- Who funds BREAD & ROSES MISSOURI ↗
- Who funds CINEMA ST LOUIS ↗
- Who funds CIRCUS HARMONY ↗
- Who funds St Louis Black Repertory Company Inc ↗
- Who funds PIANOS FOR PEOPLE ↗
- Who funds PRISON PERFORMING ARTS ↗
- Who funds METRO THEATER COMPANY ↗
- Who funds JACOBS LADDER MINISTRIES ↗
- Who funds THE ANGEL BAND PROJECT ↗
- Who funds A RED CIRCLE ↗
- Who funds Yourwords STL ↗
- Who funds RUSTIC ROOTS SANCTUARY CO ↗
- Who funds Saint Louis Fashion Fund ↗
- Who funds Webster University ↗
- Who funds THE LUMINARY INC ↗
- Who funds SAINT LOUIS STORY STITCHERS ARTIST COLLECTIVE ↗
- Who funds RADIO ARTS FOUNDATION ↗
- Who funds NATIONAL BLUES MUSEUM ↗
- Who funds MindsEye Radio ↗
- Who funds ST LOUIS DANCE THEATRE ↗
- Who funds THE BACH SOCIETY OF SAINT LOUIS ↗
- Who funds TENNESSEE WILLIAMS FESTIVAL ST LOUIS ↗
- Who funds Different Dynamics ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Regional Cultural and Performing Arts Development Commission · St Louis Community Foundation Inc · Trio Foundation of St Louis · Edward Jones Foundation · Employees Community Fund of the Boeing Company · St Louis Community Foundation · United Way of Greater St Louis Inc · Leon and Mary Strauss Charitable Foundation · The Kranzberg Family Charitable Foundation · Commerce Bancshares Foundation · Centene Foundation · Missouri Humanities Council
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Greater St Louis Arts and Education Council funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.