· Private foundation
The Fan Fox and Leslie R Samuels Foundation Inc
Its FY2025 filing reports that it accepted unsolicited grant applications.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2020 to 2025.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- Under $10k66 grants · $201k
- $10k–50k127 grants · $2.5M
- $50k–250k57 grants · $4.8M
- $250k+1 grant · $400k
| Recipient | Amount |
|---|---|
| METROPOLITAN OPERA ASSOCIATION INC | $400,000 |
| BROOKLYN ACADEMY OF MUSIC INC | $200,000 |
| PHILHARMONIC-SYMPHONY SOCIETY OF NEW YORK INC | $200,000 |
| CARNEGIE HALL CORPORATION | $200,000 |
| NEW YORK CITY BALLET INC | $150,000 |
| CHAMBER MUSIC SOCIETY OF LINCOLN CENTER INC | $150,000 |
| JAZZ AT LINCOLN CENTER INC | $150,000 |
| JEWISH COMMUNITY COUNCIL OF GREATER CONEY ISLAND INC | $135,000 |
| JAMAICA HOSPITAL MEDICAL CENTER | $120,000 |
| JOYCE THEATER FOUNDATION INC | $110,000 |
| NEW YORK-PRESBYTERIAN-QUEENS | $110,000 |
| ICAHN SCHOOL OF MEDICINE AT MOUNT SINAI | $110,000 |
| HEALTHCARE EDUCATIONAL & RESEARCH FUND INC | $110,000 |
| MONTEFIORE MEDICAL CENTER | $104,000 |
| SUPPORTIVE HOUSING NETWORK OF NEW YORK INC | $90,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY25–25, $993k) land where the poverty rate runs at 17%, against an area that typically sits at 11%. 94% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
Which US states its grants reach
How this is measured
Where the work is directed
The same grants placed two ways: where each recipient sits, and where its stated purpose sends the money.
About 10% of The Fan Fox and Leslie R Samuels Foundation Inc’s grant dollars are earmarked for a different county than the recipient’s own address.
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +28% since the first grant, against +15% for those funded once.
256 repeat relationships: 182 still active in FY2025, 74 since wound down; 41 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 88% of grant dollars renewed an existing relationship; $939k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- BABROOKLYN ACADEMY OF MUSIC INC5× · 2021–2025 · $1.2M · revenue +78%
- TCTHE CARNEGIE HALL CORPORATION5× · 2021–2025 · $1.0M · revenue +84%
Metropolitan Opera Association Inc3× · 2023–2025 · $800k · revenue +0%
Funded once
- VNVISITING NURSE SERVICE OF NEW YORKone grant, 2023 · $149k · revenue +21%
- LCLifetime Center for Child DEvelopmentone grant, 2023 · $69k
- FAFIND AID FOR THE AGED INCone grant, 2021 · $66k · revenue +14%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
Producing and developing plays and musicals.
The perelman performing arts center creates connections by cultivating bonds between extraordinary artists and communities with exemplary performances in active dialogue across the arts in our flexible intimate spaces, inviting…
See schedule operformance space new york is committed to promoting the arts (including performance, visual and all other contemporary arts), fostering artistic development (including through direct grants), advancing diversity in the field…
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
New york city opera was famously dubbed "the people's opera" by mayor fiorello laguardia at its founding in 1943. more than 80 years later, city opera continues its historic mission to inspire audiences with innovative and theatrically…
For more than a century, diller-quaile has offered an environment where music can flourish in all its aspects, enriching the lives of students of all ages and cultural backgrounds. the belief that music is a fundamental part of human life…
El museo's mission is to preserve, interpret, and promote the artistic heritage of puerto ricans and all latin americans in the united states by means of exhibitions, public programs, publications, and educational activities.
We believe opera is a uniquely compelling, entertaining and emotionally thrilling art form. our mission is to bring together growing audiences to experience opera's transformative power.
Based in ny city the company focuses on producing and developing new opera and music theater works and rviving rarely seen american operas written after world war. teh center for contemporary operas ha sstaged the premiers of over seventy…
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
How this is measured
362 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 362 of the 393 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Showing the 200 largest grantees by grant value.
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds BROOKLYN ACADEMY OF MUSIC INC ↗
- Who funds THE PHILHARMONIC SYMPHONY SOCIETY OF NY INC ↗
- Who funds THE CARNEGIE HALL CORPORATION ↗
- Who funds Metropolitan Opera Association Inc ↗
- Who funds NORTHWELL HEALTH FOUNDATION ↗
- Who funds New York University ↗
- Who funds NEW YORK CITY BALLET INC ↗
- Who funds The Chamber Music Society of Lincoln Center Inc ↗
- Who funds JAZZ AT LINCOLN CENTER INC ↗
- Who funds MONTEFIORE MEDICAL CENTER ↗
- Who funds ICAHN SCHOOL OF MEDICINE AT MOUNT SINAI ↗
- Who funds JOYCE THEATER FOUNDATION INC ↗
- Who funds HEALTHCARE EDUCATIONAL AND RESEARCH FUND INC ↗
- Who funds NEW YORK LEGAL ASSISTANCE GROUP INC ↗
- Who funds NEW YORK SHAKESPEARE FESTIVAL ↗
- Who funds JUILLIARD SCHOOL ↗
- Who funds BREAKING GROUND HOUSING DEVELOPMENT FUND CORPORATION ↗
- Who funds THE VIVIAN BEAUMONT THEATERINC D/B/A LINCOLN CENTER THEATER ↗
- Who funds SERVICE PROGRAM FOR OLDER PEOPLE INC ↗
- Who funds SEVENTH REGIMENT ARMORY CONSERVANCY INC ↗
- Who funds BALLET THEATRE FOUNDATION INC ↗
- Who funds MAIMONIDES MEDICAL CENTER ↗
- Who funds Cornell University ↗
- Who funds THE JEWISH ASSOCIATION FOR SERVICES FOR THE AGED ↗
- Who funds SEARCH AND CARE INC ↗
- Who funds ALVIN AILEY DANCE FOUNDATION INC ↗
- Who funds DISCALCED INC ↗
- Who funds MEDICARE RIGHTS CENTER INC ↗
- Who funds PROJECT RENEWAL INC ↗
- Who funds National Association on Drug Abuse Problems (New York State) Inc ↗
- Who funds NEW YORK CITY CENTER INC ↗
- Who funds ST ANN'S WAREHOUSE INC ↗
- Who funds PAUL TAYLOR DANCE FOUNDATION INC ↗
- Who funds SPANISH THEATRE REPERTORY COMPANY LTD ↗
- Who funds The New York Public Library Astor Lenox and Tilden Foundations ↗
- Who funds ENCORE COMMUNITY SERVICES ↗
- Who funds VOLUNTEERS OF LEGAL SERVICE INC ↗
- Who funds THE JEWISH COMMUNITY CENTER IN MANHATTAN INC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Howard Gilman Foundation Inc · The Hyde and Watson Foundation · Mid Atlantic Arts Inc · Booth Ferris Foundation Xxxxx4008 · The New York Community Trust · Robin Hood Foundation · The Andrew W Mellon Foundation · The Shubert Foundation Inc · The Gladys Krieble Delmas Foundation · The Harkness Foundation for Dance Inc · Mertz Gilmore Foundation · Lily Auchincloss Foundation Inc
How this is measured
How much its grantees rely on government
Each dot is one organization The Fan Fox and Leslie R Samuels Foundation Inc funds: left to right is the share of its income from government, bottom to top the share from The Fan Fox and Leslie R Samuels Foundation Inc. Bigger dots raise more.
- Children's Hospital Corporation: 10% of income from government
- Brandeis University: 9% of income from government
- American Academy of Arts & Sciences: 3% of income from government
- Flynn Center for the Performing Arts Ltd: 0% of income from government
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to The Fan Fox and Leslie R Samuels Foundation Inc?
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Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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