· Public charity
The Council for Canadian American Relations Inc
The organization's mission is to advance the public's appreciation of the arts by conducting programs and activities in canada and the u.s.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2018–2025.
Where the money goes
Your grants by size, and where they go.
The 28 grants below total $1,629,158 — the rows itemised in this filing. The $2,000,773 headline is the total grant expense reported on the return, so the remaining $371,615 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- Under $10k5 grants · $34k
- $10k–50k17 grants · $376k
- $50k–250k4 grants · $578k
- $250k+2 grants · $640k
| Recipient | Amount |
|---|---|
| TATE AMERICAS FOUNDATION | $340,079 |
| HIRSHHORN MUSEUM | $300,000 |
| VERO BEACH MUSEUM OF ART | $228,000 |
| ARTIS-NAPLES | $155,098 |
| THE ART INSTITUTE OF CHICAGO | $135,000 |
| NEW MUSEUM | $60,315 |
| FRIENDS OF NEW CURATORS | $41,643 |
| ANTIQUE BOAT MUSEUM | $38,000 |
| THE METROPOLITAN MUSEUM OF ART | $34,200 |
| AMERICAN FRIENDS OF THE NATIONAL PORTRAIT GALLERY | $32,288 |
| SANTA FE OPERA | $29,925 |
| METROPOLITAN OPERA | $28,224 |
| OPERA AMERICA | $23,510 |
| BETH MORRISON PROJECTS | $20,984 |
| DIA ART FOUNDATION | $20,500 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY18–25) land where the poverty rate runs at 15%, against an area that typically sits at 12%. 86% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
Grants abroad, by region — $365k on the FY2025 return
Schedule F, as filed: 1 region. The IRS asks for region and purpose, not the recipient, so no country or grantee can be named here.
Stated purpose: ART EDUCATION
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving. Grants abroad on Schedule F are filed by region, purpose and amount with no recipient name, so they are shown by region and cannot be placed on the country map or matched to a grantee.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +39% since the first grant, against +1% for the ones you funded once.
35 repeat relationships — 24 still active in FY2025, 11 since wound down; 4 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 97% of grant dollars renewed an existing relationship; $53k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TATATE AMERICAS FOUNDATION8× · 2018–2025 · $1.3M · revenue +190%
SMITHSONIAN INSTITUTION7× · 2018–2025 · $787k · revenue +33%- TMTHE MUSEUM OF CONTEMPORARY ART LOS ANGELES4× · 2018–2021 · $778k · revenue +74%
Funded once
- LALOS ANGELES OPERA COMPANYone grant, 2018 · $54k · revenue -11%
- TMTHE METROPLITAN MUSEUM OF ARTone grant, 2024 · $31k
- TNTHE NATIONAL WORLD WAR II MUSEUM INCone grant, 2024 · $28k · revenue -5%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
The philadelphia museum of art - in partnership with the city, the region, and art museums around the globe - seeks to preserve, enhance, interpret, and extend the reach of its great collection in particular, and the visual arts in…
The phillips collection is the oldest museum of modern and contemporary art in the u.s. in addition to presentation of works from the permanent collection and special exhibitions, the museum maintains active educational, academic,…
To inspire, educate and cultivate curiosity through great works of art.
Munson-williams-proctor arts institute (mwpai) is a fine arts center dedicated to serving diverse audiences by advancing the appreciation, understanding, and enjoyment of the arts. the art institute aims to promote interest and…
The institute of contemporary art, miami (ica miami), is dedicated to promoting the work of contemporary artists, and to the exchange of art and ideas throughout the miami region and internationally. through an energetic calendar of…
Home to the art and legacy of the american painter clyfford still, we invite all to explore the potential of individual creative endeavor.
The huntington library, art museum, and botanical gardens shares its world-renowned collections to support scholarship, foster learning, inspire creativity, and offer transformative experiences for diverse audiences.
The Morgan Library & Museum celebrates and shares the history and process of human creativity from antiquity to the present day through the preservation, study, and interpretation of a dynamic and growing collection.
For reference, the grantee most central to the portfolio’s shape is The Museum of Contemporary Art Los Angeles and the most unlike its peers is The Andy Warhol Foundation for the Visual Arts Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 46 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 2% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
58 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds TATE AMERICAS FOUNDATION ↗
- Who funds SMITHSONIAN INSTITUTION ↗
- Who funds THE MUSEUM OF CONTEMPORARY ART LOS ANGELES ↗
- Who funds THE INTERNATIONAL COUNCIL OF THE MUSEUM OF MODERN ART INC ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds ARTIS-NAPLES INC ↗
- Who funds THE ART INSTITUTE OF CHICAGO ↗
- Who funds VERO BEACH MUSEUM OF ART INC ↗
- Who funds Metropolitan Opera Association Inc ↗
- Who funds FRIENDS OF NEW CURATORS INC ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds PEN AMERICAN CENTER INC ↗
- Who funds Museum of Modern Art ↗
- Who funds THE MUSEUM OF FINE ARTS HOUSTON ↗
- Who funds THE SANTA FE OPERA ↗
- Who funds AMERICAN FRIENDS OF THE NATIONAL PORTRAIT GALLERY (LONDON) FOUNDATION INC ↗
- Who funds THE ANTIQUE BOAT MUSEUM ↗
- Who funds BUFFALO FINE ARTS ACADEMY ↗
- Who funds NATIONAL YIDDISH BOOK CENTER INC ↗
- Who funds American Friends of the Centre Pompidou Inc ↗
- Who funds DIA CENTER FOR THE ARTS INC ↗
- Who funds New Museum of Contemporary Art ↗
- Who funds OPERA AMERICA INC ↗
- Who funds New York University ↗
- Who funds INTERNATIONAL CENTER OF PHOTOGRAPHY ↗
- Who funds LOS ANGELES OPERA COMPANY ↗
- Who funds THEATREZONEINC ↗
- Who funds CURTIS INSTITUTE OF MUSIC ↗
- Who funds SAN FRANCISCO BALLET ASSOCIATION ↗
- Who funds SAN FRANCISCO MUSEUM OF MODERN ART ↗
- Who funds THE NATIONAL WORLD WAR II MUSEUM INC ↗
- Who funds STORM KING ART CENTER ↗
- Who funds NAPLES BOTANICAL GARDEN INC ↗
- Who funds NEW YORK THEATRE WORKSHOP INC ↗
- Who funds BETH MORRISON PROJECTS INC ↗
- Who funds WORLD MONUMENTS FUND INC ↗
- Who funds SOLOMON R GUGGENHEIM FOUNDATION ↗
- Who funds Foundation for Art and Preservation in Embassies ↗
- Who funds LUNA COMPOSITION LAB INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Goldman Sachs Charitable Gift Fund · The Annenberg Foundation · The Aaron Copland Fund for Music Inc Co Alter Kendrick & Baron LLP · National Philanthropic Trust · Virginia B Toulmin Charitable Foundation III · May and Samuel Rudin Family Foundation Inc · Ag Foundation · The J Paul Getty Trust · The Ford Foundation · The Ayco Charitable Foundation · The San Francisco Foundation · Jewish Communal Fund
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Council for Canadian American Relations Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Yale University — 12% of income from government
- Naples Botanical Garden Inc — 3% of income from government
- Historical Association of Southern Florida Inc — 2% of income from government
- National Yiddish Book Center Inc — 2% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.