· Private foundation
The Burton P & Judith B Resnick Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- $10k–50k6 grants · $95k
- $50k–250k5 grants · $450k
- $250k+1 grant · $300k
Largely a single collection — about 92% of reported assets are Israel Bonds.
| Recipient | Amount |
|---|---|
| UJA FEDERATION OF NEW YORK | $300,000 |
| WEILL CORNELL MEDICAL COLLEGE | $100,000 |
| CARNEGIE HALL SOCIETY | $100,000 |
| ALBERT EINSTEIN COLLEGE OF MEDICINE | $100,000 |
| AMERICAN FRIENDS OF ISRAEL MUSEUM | $100,000 |
| ANTI-DEFAMATION LEAGUE | $50,000 |
| THE UNITED STATES HOLOCAUST MEMORIAL MUSEUM | $25,000 |
| AMERICAN FRDS OF THE ISRAEL PHILARMONIC ORCHESTRA | $25,000 |
| HEBREW HOME AT RIVERDALE | $15,000 |
| THE FILM SOCIETY OF LINCOLN CENTER | $10,000 |
| CYSTIC FIBROSIS FOUNDATION | $10,000 |
| NATURAL RESOURCES DEFENSE COUNCIL | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–25) land where the poverty rate runs at 18%, against an area that typically sits at 9%. 99% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +34% since the first grant, against +32% for the ones you funded once.
16 repeat relationships — 12 still active in FY2025, 4 since wound down.
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 100% of grant dollars renewed an existing relationship; $0 went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- UJUNITED JEWISH APPEAL-FEDERATION OF JEWISH PHILANTHROPIES OF NEW YORK INC6× · 2019–2025 · $2.2M · revenue +27%
- ALANTI-DEFAMATION LEAGUE9× · 2017–2025 · $450k · revenue +78%
ICAHN SCHOOL OF MEDICINE AT MOUNT SINAI2× · 2018–2019 · $350k · revenue +52%
Funded once
- WMWHITNEY MUSEUM OF AMERICAN ARTgraduatedone grant, 2018 · $115k · revenue +125%
- TJTHE JACK & PEARL RESNICK FOUNDATIONone grant, 2021 · $81k · revenue -8% · 29% of their budget
- WCWESTPORT COUNTRY PLAYHOUSE INCgraduatedone grant, 2022 · $10k · revenue +32%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The weitzman national museum of american jewish history, on independence mall in philadelphia, presents educational programs and experiences that preserve, explore, and celebrate the history of jews in america. its purpose is to connect…
The national september 11 memorial & museum at the world trade center bears solemn witness to the terrorist attacks of september 11, 2001, and february 26, 1993. located at a site made sacred through loss, the memorial & museum remembers…
The museum's mission statement is: "to discover, interpret, and disseminate - through scientific research and education - knowledge about human cultures, the natural world, and the universe."
The mint museum welcomes all to be inspired and transformed through the power of art and creativity.
The contemporary jewish museum (the cjm) makes the diversity of the jewish experience relevant for a twenty-first-century audience through innovative exhibitions and programs that educate, challenge, and inspire.
The adler planetarium ('adler') is a not-for-profit cultural institution whose mission is to connect people to the universe and each other under the sky we all share. it aspires to be the world's premier center for engaging in astronomy…
The institute for advanced study (the institute) is one of the world's leading centers for theoretical research and intellectual inquiry. see schedule o.
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
The philadelphia museum of art - in partnership with the city, the region, and art museums around the globe - seeks to preserve, enhance, interpret, and extend the reach of its great collection in particular, and the visual arts in…
Home to the art and legacy of the american painter clyfford still, we invite all to explore the potential of individual creative endeavor.
The metropolitan museum of art collects, studies, conserves, and presents significant works of art across all times and cultures in order to connect people to creativity, knowledge, and ideas.
The founding mission of the new-york historical society ("the new york historical "tnyh") is to collect, preserve, and interpret, for the broadest possible public, material relevant to the history of the united states in general and of new…
For reference, the grantee most central to the portfolio’s shape is The Jewish Museum and the most unlike its peers is The Jack & Pearl Resnick Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
12 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 12 of the 19 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds UNITED JEWISH APPEAL-FEDERATION OF JEWISH PHILANTHROPIES OF NEW YORK INC ↗
- Who funds The Carnegie Hall Society Inc ↗
- Who funds ANTI-DEFAMATION LEAGUE ↗
- Who funds ICAHN SCHOOL OF MEDICINE AT MOUNT SINAI ↗
- Who funds The United States Holocaust Memorial Museum ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds THE JACK & PEARL RESNICK FOUNDATION ↗
- Who funds FILM AT LINCOLN CENTER INC ↗
- Who funds CYSTIC FIBROSIS FOUNDATION ↗
- Who funds NATURAL RESOURCES DEFENSE COUNCIL INC ↗
- Who funds WESTPORT COUNTRY PLAYHOUSE INC ↗
- Who funds THE JEWISH MUSEUM ↗
Government reliance of your grantees
Every dot is one organization The Burton P & Judith B Resnick Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Westport Country Playhouse Inc — 2% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to The Burton P & Judith B Resnick Foundation?
Find your warmest path to The Burton P & Judith B Resnick Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.