· Private foundation
Skylight Foundation Inc the Siegfried Group
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- $10k–50k6 grants · $137k
- $50k–250k2 grants · $250k
- $250k+1 grant · $325k
| Recipient | Amount |
|---|---|
| ONGAVA RESEARCH CENTRE | $325,000 |
| OPERA PHILADELPHIA | $150,000 |
| NATIONAL ASSOCIATION FAO THE BARNES FOUNDATION | $100,000 |
| ARTISTYEAR | $37,500 |
| THE PHILADELPHIA ORCHESTRA | $25,000 |
| ST BARTHOLOMEWS EPISCOPAL CHURCH | $25,000 |
| NATIONAL ASSOCIATION FAO CULTURETRUST GREATER PHILADELPHIA | $25,000 |
| TIGER TOP CULTURAL AND ADVENTURE TOURS PVT LTD | $14,000 |
| CAMP SUNSHINE AT SEBAGO LAKE INC | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your US giving — 81% of grant dollars ($2.4M). The need read here covers only this US portion; the 19% that went abroad ($579k) is mapped below.
Your human-services grants (FY20–20, $5k) land where the poverty rate runs at 22%, against an area that typically sits at 12%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Beyond the US — 19% of all-years giving ($579k)
3 countries, by the recipient’s country on the filing.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving. International giving is mapped by the recipient’s country from the same 990 filings; comparable need data isn’t available at that grain.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +106% since the first grant, against +27% for the ones you funded once.
5 repeat relationships — 2 still active in FY2025, 3 since wound down; 7 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 49% of grant dollars renewed an existing relationship; $362k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- ORONGAVA RESEARCH CENTRE3× · 2020–2025 · $440k
- CTCULTURE TRUST OF PHILADELPHIA3× · 2017–2019 · $310k
PHILADELPHIA ORCHESTRA ASSOCIATION2× · 2017–2025 · $245k · revenue +52%
Funded once
- WSWOODSTOCK STREET FOUNDATION INCone grant, 2023 · $1.3M
- ORONGAVA RESEARCH CENTERone grant, 2023 · $125k
- BBREASTCANCERORGgraduatedone grant, 2018 · $75k · revenue +183%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The mission of artphilly is to amplify philadelphia's arts and culture by commissioning, presenting, producing, and promoting art of all kinds for local audiences and the world. its vision is to spotlight(continued on schedule o)the city…
National public radio, inc. ("npr") works collaboratively with member public radio station licensees ("member stations") to create a more informed public, one that is challenged and invigorated by a deeper understanding and appreciation of…
Visit philadelphia is our name and our mission. as the region's official tourism marketing agency, we build greater philadelphia's image, drive visitation and boost the economy.
Pokc was formed for charitable and educational purposes and is dedicated to the promotion of the arts.
The kimmel center inc, d/b/a ensemble arts philly's mission is to share the transformative power of the performing arts and arts education with the widest possible audience.
The association for public art (apa, formerly the fairmount park art association) commissions, preserves, interprets and promotes public art in philadelphia. dedicated to creating a museum without walls that informs, engages and inspires…
The philadelphia school educates children for a future that is impossible to know but not impossible to shape. learn here. go anywhere.
Mission: the mission of san diego opera is to deliver exceptional performances and exciting, accessible programs to diverse audiences, focusing on community partnerships, and the transformative and expressive power of the human voice. as…
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
We believe in the life-changing, transformational, revelatory power of great art and opera. Lyric Opera of Chicago exists to provide a broad, deep, and relevant cultural service to the Chicago region and the nation, and to advance the…
New york city opera was famously dubbed "the people's opera" by mayor fiorello laguardia at its founding in 1943. more than 80 years later, city opera continues its historic mission to inspire audiences with innovative and theatrically…
See schedule oustelecom exists to ensure members can compete, grow and thrive to build a world where families, enterprises and communities are connected through the power of broadband.our member companies have committed a considerable…
For reference, the grantee most central to the portfolio’s shape is Philadelphia Orchestra Association and the most unlike its peers is Camp Sunshine At Sebago Lake Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
10 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 10 of the 20 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds PHILADELPHIA ORCHESTRA ASSOCIATION ↗
- Who funds OPERA PHILADELPHIA ↗
- Who funds WOODMERE ART MUSEUM ↗
- Who funds BREASTCANCERORG ↗
- Who funds Greater Philadelphia Film Office ↗
- Who funds ARTISTYEAR ↗
- Who funds THE FRANKLIN INSTITUTE ↗
- Who funds CAMP SUNSHINE AT SEBAGO LAKE INC ↗
- Who funds BOYS & GIRLS CLUBS OF AMERICA ↗
- Who funds BROAD STREET MINISTRY ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a set of overlaps that mostly run through you, not between each other.
Open a dossier: Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Skylight Foundation Inc the Siegfried Group funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
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Find your warmest path to Skylight Foundation Inc the Siegfried Group through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.