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· Private foundation

Radio Drama Network Inc

Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.

$808k
Granted FY2025still arriving
8
Grants FY2025still arriving
2
States reached
$210k
Largest
01What it funds
01100% classified

What it funded, over time

Every grant placed by its stated purpose and the recipient’s mission, by year, FY2020 to 2025.

Arts & Culture$3.8MHuman Services$93k
02FY2025 · 8 grants

Where the money goes

Grants by size, and the largest recipients.

By grant size · FY2025

  • $10k–50k2 grants · $80k
  • $50k–250k6 grants · $728k
$100,000
Median grant
2
States reached
$7.5M
Total assets
Largest grants
RecipientAmount
LA MAMA EXPERIMENTAL THEATRE CLUB$210,000
INTERNATIONAL ARTS RELATIONS (INTAR)$175,000
BAY AREA VIDEO COALITION$100,000
Individual grant recipient$100,000
CULTURE HUB$85,000
PITCHBLACK IMMERSIVE EXPERIENCES$58,400
HISPANIC ORGANIZATION OF LATIN ARTIST$45,000
POETRY SOCIETY OF NEW YORK$35,000
02The need
03

Does the money reach high-need areas?

Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.

show:

Dollar for dollar, its grants (FY20–25) land where the poverty rate runs at 16%, against an area that typically sits at 12%. 84% of its dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.

area typical 12%FARMS ARTS COLLECTIVE: $10k → 13%REEL STORIES: $75k → 10%CAMP REEL STORIES: $100k → 10%PITCHBLACK IMMERSIVE EXPERIENCES: $167k → 17%POETRY SOCIETY OF NEW YORK: $35k → 20%VORTEX THEATER: $25k → 14%NATIONAL AUDIO THEATRE FESTIVALS (NAFT): $50k → 17%FARMS ARTS COLLECTIVE: $10k → 13%REEL STORIES: $55k → 10%BAY AREA VIDEO COALITION: $100k → 10%PITCHBLACK IMMERSIVE EXPERIENCES: $140k → 17%POETRY SOCIETY OF NEW YORK: $35k → 20%BAY AREA VIDEO COALITION: $100k → 10%PITCHBLACK IMMERSIVE EXPERIENCES: $58k → 17%POETRY SOCIETY OF NEW YORK: $10k → 20%BAY AREA VIDEO COALITION: $100k → 10%LA MAMA EXPERIMENTAL THEATRE CLUB: $210k → 17%POETRY SOCIETY OF NEW YORK: $3k → 20%BAY AREA VIDEO COALITION: $75k → 10%LA MAMA EXPERIMENTAL THEATRE CLUB: $210k → 17%LA MAMA EXPERIMENTAL THEATRE CLUB: $210k → 17%MARILYN VIOLET FOUNDATION: $93k → 17%INSTITUTO ARTE TEARAL INTERNACIONAL INC: $20k → 17%INTERNATIONAL ARTS RELATIONS (INTAR): $375k → 17%ENSEMBLE STUDIO THEATRE INC (EST): $280k → 17%INTERNATIONAL ARTS RELATIONS (INTAR): $190k → 17%INTERNATIONAL ARTS RELATIONS (INTAR): $175k → 17%INTERNATIONAL ARTS RELATIONS (INTAR): $175k → 17%INTERNATIONAL ARTS RELATIONS (INTAR): $150k → 17%INTERNATIONAL ARTS RELATIONS (INTAR): $125k → 17%CULTURE HUB: $85k → 17%CULTURE HUB: $75k → 17%CULTURE HUB: $75k → 17%HISPANIC ORGANIZATION OF LATIN ARTITST: $55k → 17%HISPANIC ORGANIZATION OF LATIN ARTIST: $45k → 17%HISPANIC ORGANIZATION OF LATIN ARTITST: $45k → 17%HISPANIC ORGANIZATION OF LATIN ARTITST: $20k → 17%NUYORICAN POETS CAFE INC: $69k → 17%HISPANIC ORGANIZATION OF LATIN ARTITST: $15k → 17%0%20%40%50%more need →
grant to an above-average-need area below average· circle size = grant amount
How this is measured
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty line in the grantee’s ZIP, averaged from the tracts in that ZIP.
How this is measured
US grants placed by each grantee’s ZIP, which can differ from where services are delivered. Need from public data (U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA), shown as context about the area, never attributed to the funder’s giving.
03Its grantees
repeat funding

Who it funds again

Organizations funded in more than one year, against those funded once.

83%of every dollar goes to organizations it has funded before.
$3.2M · 9 repeat orgs$636k to everyone else

Grantees it renews have grown median revenue +23% since the first grant, against -10% for those funded once.

9 repeat relationships: 7 still active in FY2025, 2 since wound down; 1 grantees were first funded in FY2025 (too recent to call).

How the two cohorts compare

Re-uppedFunded once

Organizations

9
6

Total granted

$3.2M
$536k

Median revenue growth · since first grant

+23%
-10%

Still filing today

78%
50%

New vs renewed · share of each year

In FY2025, 88% of grant dollars renewed an existing relationship; $100k went to new ones.

50%100%’20’21’22’23’24’25
RenewedFirst-time
How this is measured
First-time means a grantee’s first year in the filing window; renewed means funded in an earlier year too. The renewed share climbs naturally as a portfolio matures, so the signal is a year that bucks it (a wave of new grantees). The earliest year is left-censored: relationships that predate the data read as new. Theme is the grantee’s IRS cause.

Backed again, and grew

  • PI
    PITCHBLACK Immersive Experiences Inc
    3× · 2023–2025 · $365k · revenue +23% · 83% of their budget
  • CI
    CULTUREHUB INC
    3× · 2023–2025 · $235k · revenue +23%
  • HO
    Hispanic Organization of Latin Actors Inc
    5× · 2021–2025 · $180k · revenue +457% · 61% of their budget

Funded once

  • ES
    ENSEMBLE STUDIO THEATRE INCgraduated
    one grant, 2020 · $280k · revenue +201% · 27% of their budget
  • MV
    MARILYN VIOLET FOUNDATION INC
    one grant, 2021 · $93k
  • NP
    Nuyorican Poets Cafe Inc
    one grant, 2022 · $69k · revenue -90%
How this is measured

Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.

04Its field

Closest unfunded matches

The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.

1
The Tank Ltd

The Tank is a small, Manhattan-based non-profit arts presenter and producer serving emerging artists. Our goal is to remove economic barriers from the creation of new work for artists launching their careers or experimenting within their…

Arts & Culture
2
Nicus Spoon Inc

The production of theater for and with disabled and marginalized artists. also the creation of NY theatrical standards.

Arts & Culture
3
Teatro Circulo Ltd

Our mission is to introduce the public to the best works of Spanish and Pan Latino playwrights, both contemporary and classical and to foster an appreciation of the richness of Latin American and Iberian cultures.

Arts & Culture
4
Theatre Tweed Inc

Promoting new artists in the performing arena

Arts & Culture
5
Yara Arts Group

Create original theatre pieces at La MaMa Theatre, Howl, Bohemian National Hall, East Village Basement, in New York City and the Jersey City Theater Center, as well as puppet shows, poetry art & music events,and film screenings.

Arts & Culture
6
Theatre Now New York Inc

To facilitate the creation and development of theatrical works through readings, workshops and work in progress presentations.

Arts & Culture
7
Harlem Film House

Harlem Film House provides access and opportunity for creative entrepreneurs and independent storytellers by producing programs platforms and events that support artistic development audience engagement and career growth Through film media…

Arts & Culture
8
Art of Brooklyn Festival

The Art of Brooklyn Film Festival is an annual event that brings Brooklyns celebrated film and media makers together with their peers across the country and around the world. AoBFF is a filmmaker-focused event, platform and showcase for…

Arts & Culture
9
Open Fist Theatre Company

Open Fist Theatre Company is a self-governing community of theatre artists who believe in the transformative imperative of inclusive and collaborative theatre. Dedicated to expanding social awareness through art, we seek, through diverse…

Arts & Culture
10
The Avenue BlackBox Inc

The Avenue Blackbox is a bold, Black-led multidisciplinary performance space in Rochester, NY's Historic Joseph Avenue neighborhood, providing affordable and culturally rich experiences created by artists of color, youth, LGBTQIA+…

Arts & Culture
11
Artnoir Inc

ARTNOIR is a global collective and a 501(c)(3) non-profit organization with a mission to celebrate and highlight the work of creatives of color from around the world while catalyzing cultural equity across the arts and culture industries.…

Arts & Culture
12
Hovnatan Arts Nyc Inc
Arts & Culture
How this is measured
The grantee most central to the portfolio’s shape is Instituto Arte Teatral Internacional Inc; the most unlike its peers is Pitchblack Immersive Experiences Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
04the grantee network

11 grantees tracked through their own filings, 2017–2025.

Each grant beside the grantee’s revenue from every source, year by year.

How this is measured

Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 11 of the 16 grantees resolved in that span have returns of their own we could reconcile.

Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.

3
Load-bearing (≥25% of a budget)
4
Early backer (in before they grew)
10/11
Grantees still filing
6/11
Grew since first funded

Where the money sits, by cause and then by grantee

LA MAMA EXPERIMENTAL THEATRE CLUB INC: $630,000 · Arts & CultureLA MAMA EXPERIMENTAL THEATRE CLUB INCThe Bay Area Video Coalition Incorporated: $375,000 · Arts & CultureThe Bay Area Video Coalition IncorporatedPITCHBLACK Immersive Experiences Inc: $365,400 · Arts & CulturePITCHBLACK Immersive Experiences IncENSEMBLE STUDIO THEATRE INC: $280,000 · Arts & CultureENSEMBLE STUDIO THEATRE INCCULTUREHUB INC: $235,000 · Arts & CultureCULTUREHUB INCHispanic Organization of Latin Actors Inc: $180,000 · Arts & CultureHispanic Organization of Latin Actors IncPOETRY SOCIETY OF NEW YORK INC: $82,505 · Arts & Culture+3 more: $108,569 · Arts & CultureINTERNATIONAL ARTS RELATIONS (INTAR): $1,190,000 · OtherINTERNATIONAL ARTS RELATIONS (INTAR)Reel Stories dba Camp Reel Stories: $130,000 · OtherReel Stories dba Camp Reel StoriesIndividual grant recipient: $100,000 · OtherIndividual grant recipientMARILYN VIOLET FOUNDATION INC: $92,500 · OtherMARILYN VIOLET FOUNDATION INC+2 more: $75,000 · Other
Arts & Culture$2,256,474Other$1,587,500

Each grantee by its size and the funder’s share of it; top left is load-bearing

25%50%75%100%$1.0M$10Mgrantee revenue →↑ funder's share of their budgetLA MAMA EXPERIMENTAL THEATRE CLUB INC: $630,000 over 3y, 4.6% of budgetThe Bay Area Video Coalition Incorporated: $375,000 over 4y, 2.8% of budgetPITCHBLACK Immersive Experiences Inc: $365,400 over 3y, 83% of budgetENSEMBLE STUDIO THEATRE INC: $280,000 over 1y, 27% of budgetCULTUREHUB INC: $235,000 over 3y, 13% of budgetHispanic Organization of Latin Actors Inc: $180,000 over 5y, 61% of budgetReel Stories dba Camp Reel Stories: $130,000 over 2y, 14% of budgetPOETRY SOCIETY OF NEW YORK INC: $82,505 over 4y, 22% of budgetNuyorican Poets Cafe Inc: $68,569 over 1y, 1.4% of budgetFARM ARTS COLLECTIVE INC: $20,000 over 2y, 7.2% of budgetINSTITUTO ARTE TEATRAL INTERNACIONAL INC: $20,000 over 1y, 4.6% of budget
Grantee by grantee: a decade per organization, before and after funding

A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.

Co-funders

Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.

The Howard Gilman Foundation IncNY13.5× affinity4 shared granteesties to 3 of 3Hover any node to trace its alignments.Compare side by side →

Open a dossier: The Howard Gilman Foundation Inc · National Philanthropic Trust · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation

How this is measured
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. Overlap is association, not proof of shared intent.

How much its grantees rely on government

Each dot is one organization Radio Drama Network Inc funds: left to right is the share of its income from government, bottom to top the share from Radio Drama Network Inc. Bigger dots raise more.

2024
’20’21’22’23’24’25
no gov · 00%6%23%51%90%funder's share of their income ↑0%5%10%15%20%share of the org’s income from government →
    no gov moneyreceives it· size = income
    0get no government money at all
    4report government grants on their 990 we could not trace to a source (not plotted)
    0rely on government for over half their income
    ⤢ axis zoomed · 0–20%
    typical government reliance, FY20–25
    How this is measured
    Government income is each org’s traced federal awards (USASpending grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that a grant caused the public funding. Coverage is precision-first, a floor rather than a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12 to 24 months.
    05Through Plinth

    Warm introductions · Powered by PlinthPlus

    How do I get to Radio Drama Network Inc?

    Find your warmest path to Radio Drama Network Inc through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.

    Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.

    On method. Every financial figure here is read from IRS e-file XML, the funder’s own 990/990-PF, and from the multi-year returns of the 16 grantees we resolved, each linked to its source. Grantee outcomes are each organization’s own program-service reporting (Form 990, Part III), read as association with funding, never as caused by it. Low-confidence name matches are suppressed rather than guessed. How we build these →

    How this is measured
    Each figure carries one of six labels. Filed is what the funder reported on its return. Official is another government record about an organization, such as a federal award or a charity register, joined by name where no shared identifier exists. Resolved is an identity we worked out where the filing named a recipient without an EIN, kept only above a measured confidence threshold. Computed is arithmetic over those, like themes, portfolio clusters and co-funder strength. Context is a statistic about a place rather than about an organization, which is what the need overlay is: it describes the area a grantee’s address sits in, not where its work lands. Inferred is drawn by a model from text, like the partnerships read out of public news and organization websites. Each is labeled where it appears.

    Generated from the IRS Form 990-PF e-file return for fiscal year 2025, released 2025. Filings run roughly 12 to 24 months behind; figures are dated accordingly.

    Source object · view filing

    Play a game based on Radio Drama Network’s filings →

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