· Public charity
Princess Grace Foundation - USA
National in scope, the princess grace foundation-usa is dedicated to identifying and assisting emerging talent in theater, dance, and film by awarding grants in the form of scholarships, apprenticeships, and fellowships.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
The 2 grants below total $63,000 — the rows itemised in this filing. The $664,264 headline is the total grant expense reported on the return, so the remaining $601,264 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
| Recipient | Amount |
|---|---|
| EDUCATIONAL THEATRE FOUNDATION | $42,000 |
| NEW DRAMATISTS | $21,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY18–18, $46k) land where the poverty rate runs at 17%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +30% since the first grant, against +28% for the ones you funded once.
9 repeat relationships — 2 still active in FY2024, 7 since wound down.
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 100% of grant dollars renewed an existing relationship; $0 went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- JSJUILLIARD SCHOOL2× · 2017–2018 · $84k · revenue +64%
- TWTHE WASHINGTON BALLET2× · 2017–2018 · $64k · revenue +46%
- CICALIFORNIA INSTITUTE OF THE ARTS2× · 2017–2018 · $50k · revenue +30%
Funded once
- DUDEPAUL UNIVERSITYone grant, 2017 · $53k · revenue +25%
- AIAbraham In Motion Incgraduatedone grant, 2018 · $46k · revenue +31%
- CSCALIFORNIA SHAKESPEARE THEATERone grant, 2017 · $43k · revenue -38%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Balletmet will celebrate dance by engaging the community through quality performances, instruction, education programs, and creation of new work.
Balletx expands the vocabulary of contemporary ballet for all audiences through innovative performances, world premiere choreography, dance education, and community programs.
Amda is committed to providing an unsurpassed performing arts education to a diverse community of creative artists. amda seeks to be both the school and the stage, where students are given the support and the freedom to find their voice…
Seeks to expand the boundaries of theater, producing, performing and presenting works of literary, experimental and educational value. provide a home for outstanding artists, a training ground for young artists (including an extensive…
Colorado ballet's mission is to present exceptional classical ballet and contemporary dance through performances, training, education and community engagement while inspiring and growing an increasingly diverse audience base.
See schedule o for the description of pittsburgh ballet theatre inc.'s primary mission.the ballet is pittsburgh's source and ambassador for extraordinary ballet experiences that give life to the classical tradition, nurture new ideas and,…
Ballet Chicago is a professional track school of ballet that creates exceptional dancers. It makes classical ballet training accessible to all. Its founders Daniel Duell and Patricia Blair carry on George Balanchines legacy by providing…
Princeton ballet society's mission is to nurture a lifelong love of dance and lift the collective spirit through excellent, relevant, and accessible artistic and educational programs, with a focus on classical ballet.
Oregon ballet theatre is committed to sharing our passion for the expressive power of ballet, inspiring an enduring appreciation of dance, and connecting in meaningful ways to our community through excellence in performance, training, and…
The organization's mission is to educate students for creative occupations in diverse fields of arts and media.
New york theatre ballet's (nytb) mission is to inspire a love of dance for audiences of all ages by offering affordable prices for a range of performances and public activities throughout the year.
For reference, the grantee most central to the portfolio’s shape is Ririe-Woodbury Dance Foundation and the most unlike its peers is Sylvia Earle AllianceMission Blue. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 52 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
42 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 42 of the 52 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds BARYSHNIKOV ARTS CENTER INC ↗
- Who funds New DramatistsInc ↗
- Who funds EDUCATIONAL THEATRE ASSOCIATION FOUNDATION ↗
- Who funds JUILLIARD SCHOOL ↗
- Who funds Yale University ↗
- Who funds THE WASHINGTON BALLET ↗
- Who funds DEPAUL UNIVERSITY ↗
- Who funds CALIFORNIA INSTITUTE OF THE ARTS ↗
- Who funds Abraham In Motion Inc ↗
- Who funds CALIFORNIA SHAKESPEARE THEATER ↗
- Who funds BALLET THEATRE FOUNDATION INC ↗
- Who funds OREGON SHAKESPEARE FESTIVAL ASSOCIATION INC ↗
- Who funds RED BULL THEATER INC ↗
- Who funds THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK ↗
- Who funds New York University ↗
- Who funds UCLA FOUNDATION ↗
- Who funds THE HUNTER COLLEGE FOUNDATION INC ↗
- Who funds ALVIN AILEY DANCE FOUNDATION INC ↗
- Who funds NEW YORK CITY BALLET INC ↗
- Who funds EMERSON COLLEGE ↗
- Who funds STEPPENWOLF THEATRE COMPANY ↗
- Who funds CORNERSTONE THEATER COMPANY ↗
- Who funds The Playwrights Realm ↗
- Who funds THE PENNSYLVANIA BALLET ASSOCIATION ↗
- Who funds BALLET HISPANICO OF NEW YORK INC ↗
- Who funds THE CREATIVE COALITION ↗
- Who funds Sylvia Earle AllianceMission Blue ↗
- Who funds GALLIM DANCE COMPANY INC ↗
- Who funds DANCE DOWNTOWN LA INC LA DANCE PROJECT ↗
- Who funds JACOB'S PILLOW DANCE FESTIVAL INC ↗
- Who funds PACIFIC NORTHWEST COLLEGE OF ART ↗
- Who funds DUKE UNIVERSITY ↗
- Who funds INTERNATIONAL FILM SEMINARS INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Shubert Foundation Inc · The Howard Gilman Foundation Inc · The Ford Foundation · The Andrew W Mellon Foundation · Jerome Robbins Foundation · New England Foundation for the Arts Incorporated · Mid Atlantic Arts Inc · The Harkness Foundation for Dance Inc · The Fan Fox and Leslie R Samuels Foundation Inc · Doris Duke Charitable Foundation Inc · The Hyde and Watson Foundation · The Dubose & Dorothy Heyward Mem Fd
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Princess Grace Foundation - USA funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Yale University — 12% of income from government
- Merrimack Repertory Theatre Inc — 2% of income from government
- Jacob's Pillow Dance Festival Inc — 1% of income from government
- Emerson College — 0% of income from government
- Oregon Shakespeare Festival Association Inc — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.