· Public charity
Prince Georges Arts and Humanities
Prince Georges Arts and Humanities Council is an independent Non-Profit Organization designed by The Prince Georges City Government to drive the Countys diverse creative economy through sustainable and Equitable programs,advocacy, education and financial support.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2022 to 2025.
Where the money goes
Grants by size, and the largest recipients.
How this is measured
| Recipient | Amount |
|---|---|
| Cultural Academy for Excellence Inc | $9,000 |
| Nepal America Film Society Inc | $7,500 |
| The Foundation for Advancement of M | $6,000 |
| DMV League of ArtistsMusic Academy | $4,500 |
| BRoll Media & Arts Inc | $4,000 |
| Art Works Studio School dba Art Wor | $4,000 |
| Creative Outlets Arts Center | $4,000 |
| Divinee Dance Institute Inc | $2,500 |
| Greenbelt Community Orchestra Inc | $1,000 |
Who it funds again
Organizations funded in more than one year, against those funded once.
9 repeat relationships: 4 still active in FY2025, 5 since wound down; 5 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 62% of grant dollars renewed an existing relationship; $16k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- 8P8 Picture House LLC2× · 2022–2023 · $45k
- MMMegaMind Media LLC2× · 2022–2023 · $45k
- MPMotion Pixels Media LLC2× · 2022–2023 · $39k
Funded once
- CFCoalition for African Americans in the Performing Artsone grant, 2022 · $26k · revenue -13%
- OAOPERATION ARTS FOUNDATION INCone grant, 2022 · $4k
- SDSOLE DEFINEDgraduatedone grant, 2022 · $4k · revenue +162%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
Musical Education and Training
Our vision is to create a diverse and inclusive arts ecosystem where every artist, regardless of status, identity, or background, has the opportunity to achieve potential, flourish as a creative professional, and thrive in communities…
Dance Instruction for those who face racial, ethnic, or socio-economic barriers to classical instruction. We exist to cultivate artists of distinctive character by nurturing creative expression, empowering performance excellence, and…
Provides arts and cultural based education regardless of income
Provide high quality low cost performing arts classes to underserved children in Harlem and the surrounding neigborhoods.
Ngoma Center for Dance N-Go-mah is a 501c3 whose mission is to cultivate equitable opportunities and creative career pathways through professional training essential performance and entrepreneurship development.
Culture Shock DC provides dance instruction and performance opportunities to communities that do not have access to private dance instruction. Culture Shock operates in locations that are accessible by public transportation in order to…
How this is measured
9 grantees tracked through their own filings, 2017–2026.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2026, not grant rows in a single year, so this will not match the grant count on the cover. 9 of the 17 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds Coalition for African Americans in the Performing Arts ↗
- Who funds CULTURAL ACADEMY FOR EXCELLENCE INC ↗
- Who funds The Foundation for the Advancement of Music & Education ↗
- Who funds B-ROLL MEDIA & ARTS INC ↗
- Who funds DMV MUSIC ACADEMY ↗
- Who funds CREATIVE OUTLETS ARTS CENTER INC ↗
- Who funds ART WORKS STUDIO SCHOOL INC ↗
- Who funds SOLE DEFINED ↗
- Who funds DIVINE DANCE INSTITUTE INC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: Greater Washington Community Foundation · Amazonsmile Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization Prince Georges Arts and Humanities funds: left to right is the share of its income from government, bottom to top the share from Prince Georges Arts and Humanities. Bigger dots raise more.
- Creative Outlets Arts Center Inc: 67% of income from government
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to Prince Georges Arts and Humanities?
Find your warmest path to Prince Georges Arts and Humanities through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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