· Public charity
Prince Georges Arts and Humanities
Prince Georges Arts and Humanities Council is an independent Non-Profit Organization designed by The Prince Georges City Government to drive the Countys diverse creative economy through sustainable and Equitable programs,advocacy, education and financial support.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2022–2025.
Where the money goes
Your grants by size, and where they go.
The 9 grants below total $42,500 — the rows itemised in this filing. The $107,500 headline is the total grant expense reported on the return, so the remaining $65,000 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
| Recipient | Amount |
|---|---|
| Cultural Academy for Excellence Inc | $9,000 |
| Nepal America Film Society Inc | $7,500 |
| The Foundation for Advancement of M | $6,000 |
| DMV League of ArtistsMusic Academy | $4,500 |
| Creative Outlets Arts Center | $4,000 |
| BRoll Media & Arts Inc | $4,000 |
| Art Works Studio School dba Art Wor | $4,000 |
| Divinee Dance Institute Inc | $2,500 |
| Greenbelt Community Orchestra Inc | $1,000 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
9 repeat relationships — 4 still active in FY2025, 5 since wound down; 5 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 62% of grant dollars renewed an existing relationship; $16k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- 8P8 Picture House LLC2× · 2022–2023 · $45k
- MMMegaMind Media LLC2× · 2022–2023 · $45k
- MPMotion Pixels Media LLC2× · 2022–2023 · $39k
Funded once
- CFCoalition for African Americans in the Performing Artsone grant, 2022 · $26k · revenue -13%
- SDSOLE DEFINEDgraduatedone grant, 2022 · $4k · revenue +162%
- OAOPERATION ARTS FOUNDATION INCone grant, 2022 · $4k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Musical Education and Training
Our vision is to create a diverse and inclusive arts ecosystem where every artist, regardless of status, identity, or background, has the opportunity to achieve potential, flourish as a creative professional, and thrive in communities…
Dance Instruction for those who face racial, ethnic, or socio-economic barriers to classical instruction. We exist to cultivate artists of distinctive character by nurturing creative expression, empowering performance excellence, and…
Provides arts and cultural based education regardless of income
Provide high quality low cost performing arts classes to underserved children in Harlem and the surrounding neigborhoods.
Ngoma Center for Dance N-Go-mah is a 501c3 whose mission is to cultivate equitable opportunities and creative career pathways through professional training essential performance and entrepreneurship development.
Culture Shock DC provides dance instruction and performance opportunities to communities that do not have access to private dance instruction. Culture Shock operates in locations that are accessible by public transportation in order to…
For reference, the grantee most central to the portfolio’s shape is Cultural Academy for Excellence Inc and the most unlike its peers is B-Roll Media & Arts Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
9 grantees tracked through their own filings, 2017–2026.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2026, not grant rows in a single year — so this will not match the grant count on the cover. 9 of the 17 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds Coalition for African Americans in the Performing Arts ↗
- Who funds CULTURAL ACADEMY FOR EXCELLENCE INC ↗
- Who funds The Foundation for the Advancement of Music & Education ↗
- Who funds B-ROLL MEDIA & ARTS INC ↗
- Who funds DMV MUSIC ACADEMY ↗
- Who funds CREATIVE OUTLETS ARTS CENTER INC ↗
- Who funds ART WORKS STUDIO SCHOOL INC ↗
- Who funds SOLE DEFINED ↗
- Who funds DIVINE DANCE INSTITUTE INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Greater Washington Community Foundation · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Prince Georges Arts and Humanities funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
- Creative Outlets Arts Center Inc — 67% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Prince Georges Arts and Humanities?
Find your warmest path to Prince Georges Arts and Humanities through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.