· Public charity
National Book Foundation Inc
The mission of the national book foundation is to celebrate the best literature published in the united states, expand its audience, and ensure that books have a prominent place in our culture.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 21 grants below total $210,000 — the rows itemised in this filing. The $470,458 headline is the total grant expense reported on the return, so the remaining $260,458 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
| Recipient | Amount |
|---|---|
| TEXAS BOOK FESTIVAL | $10,000 |
| LIGHTHOUSE WRITERS WORKSHOP INC | $10,000 |
| GEMINI SERIES INC (DBA GEMINI INK) | $10,000 |
| LITERARY CLEVELAND | $10,000 |
| CLEVELAND KIDS' BOOK BANK | $10,000 |
| CITY ARTS & LECTURES INC | $10,000 |
| WOODLAND PATTERN INC | $10,000 |
| MINNESOTA PRISON WRITING WORKSHOP | $10,000 |
| EVERYBODY WINS DC INC | $10,000 |
| THE PORCH WRITERS' COLLECTIVE INC | $10,000 |
| TULSA LITERARY COALITION | $10,000 |
| INPRINT INC | $10,000 |
| THE WRITER'S CENTER | $10,000 |
| PENFAULKNER FOUNDATION | $10,000 |
| TEACHERS AND WRITERS COLLABORATIVE INC | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY21–22, $120k) land where the poverty rate runs at 12%, against an area that typically sits at 11%. 67% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +20% since the first grant, against +10% for the ones you funded once.
47 repeat relationships — 13 still active in FY2025, 34 since wound down; 7 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 65% of grant dollars renewed an existing relationship; $70k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- MPMINNESOTA PRISON WRITING WORKSHOP3× · 2021–2025 · $75k · revenue +7%
- ZNZora Neale Hurston Richard Wright Foundation2× · 2021–2022 · $65k · revenue +291%
- GSGemini Series Inc3× · 2021–2025 · $60k · revenue +33%
Funded once
- VOVOICES OF OUR NATIONS ARTS FOUNDATIONone grant, 2022 · $50k
- CGCULTURETRUST GREATER PHILADELPHIAgraduatedone grant, 2022 · $40k · revenue +54%
- KWKIDS WRITE GOODone grant, 2022 · $25k · revenue +17%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Through publications, events, and active community participation, Nomadic Press collectively weaves together platforms for intentionally marginalized voices to take their rightful place within the world of the written and spoken word.…
To create a rigorous, compassionate and inclusive environment to learn the art of reading and writing from accomplished authors.
The Organization principally exists to (a) cultivate writing that extends the literary tradition while enabling the public to confront the challenges of the present; (b) develop literature using meticulous craft and discerning curation…
Poetry flash builds community through literature
Expand the impact of the literay arts
San Diego Writers, Ink nurtures writers and fosters a literary community by: serving as a hub for the literary community, promoting literature, providing artistic development for writers at all levels, and facilitating artistic…
The Seattle Athenaeum connects a dynamic literary community through a curated book collection, diverse programming, and opportunities for engaging conversations and transformative ideas.
To publish and promote literature.
Litro delivers public-facing literary programs: editorial publication of fiction essays free and low-cost readings and education on creative rights and responsible AI. Activities served NYC and online audiences.
Clarion West's mission is to support emerging and underrepresented voices by providing writers with world-class instruction to empower their creation of wild and amazing worlds. Through conversation and public engagement, we bring those…
The hub city writers project cultivates readers and nurtures writers through its independent small press, community bookshop and diverse literary programs.
For reference, the grantee most central to the portfolio’s shape is Poets and Writers Inc and the most unlike its peers is Richard Robinson Charitable Trust. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 23 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 3% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
126 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 126 of the 132 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE MERCANTILE LIBRARY ASSOCIATION OF THE CITY OF NEW YORK INC ↗
- Who funds Writers in the Schools ↗
- Who funds MINNESOTA PRISON WRITING WORKSHOP ↗
- Who funds THE LOFT INC ↗
- Who funds Zora Neale Hurston Richard Wright Foundation ↗
- Who funds BOOKMARKS INC ↗
- Who funds Small Press Distribution Inc ↗
- Who funds Gemini Series Inc ↗
- Who funds SEVEN STORIES INSTITUTE ↗
- Who funds THE MUSE WRITERS CENTER ↗
- Who funds Texas Book Festival ↗
- Who funds Research Foundation of the City University of New York ↗
- Who funds LITERARY ARTS INC ↗
- Who funds Brooklyn Book Festival Inc ↗
- Who funds INPRINT INC ↗
- Who funds CULTURETRUST GREATER PHILADELPHIA ↗
- Who funds GREENSBORO LITERARY ORGANIZATION ↗
- Who funds STORYVILLE CENTER FOR THE SPOKEN WORD INC ↗
- Who funds ASSOCIATION OF WRITERS & WRITING PROGRAMS ↗
- Who funds PEN FAULKNER FOUNDATION ↗
- Who funds Foundation for the Future of Literature and Literacy dba Bay Area Book Festival ↗
- Who funds HERSTORY WRITERS NETWORK INC ↗
- Who funds GIRLS WRITE NOW INC ↗
- Who funds COMMUNITY FOUNDATION FOR MISSISSIPPI ↗
- Who funds Tennessee WilliamsNew Orleans Literary Festival ↗
- Who funds MIAMI DADE COLLEGE FOUNDATION INC ↗
- Who funds American Literary Translators Association ↗
- Who funds BOSTON BOOK FESTIVAL INC ↗
- Who funds PEN AMERICAN CENTER INC ↗
- Who funds KIDS WRITE GOOD ↗
- Who funds Chapter 510 Ink ↗
- Who funds CARNEGIE LITERACY CENTER INC CARNEGIE CENTER FOR LITERACY & LEARNING ↗
- Who funds Young Men's Christian Association of Central New York Inc ↗
- Who funds National Novel Writing Month ↗
- Who funds Buckeye Authors Book Fair Committee Inc ↗
- Who funds Society of the Muse of the Southwest ↗
- Who funds SEATTLE ARTS AND LECTURES ↗
- Who funds CITY OF ASYLUM ↗
- Who funds POETS AND WRITERS INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Poetry Foundation · The Academy of American Poets Inc · Hawthornden Foundation · Nora Roberts Foundation · Just Buffalo Literary Center Inc · The Hyde and Watson Foundation · Arts Midwest Incorporated · Cornelia T Bailey Charitable Trust · South Arts Inc · The Andrew W Mellon Foundation · The Ford Foundation · New York Council for the Humanities
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization National Book Foundation Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- CityLit Project Inc — 15% of income from government
- Literary Arts Inc — 10% of income from government
- Artefactus Cultural Project Inc — 8% of income from government
- Write Around Portland — 6% of income from government
- Wordcrafters in Eugene — 6% of income from government
- The Writers Center — 6% of income from government
- Fishtrap Inc — 5% of income from government
- Fusion Partnership Inc — 3% of income from government
- Boston Book Festival Inc — 2% of income from government
- Fund for Educational Excellence Inc — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.