· Private foundation
Marina Kellen French Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
Read this first · the figures below need context
99% of Marina Kellen French Foundation’s FY2024 grant dollars went to Fidelity Investments Charitable Gift Fund, not to grantees.
Its money now reaches organizations through that sponsor, which does not report who recommended each grant. FY2024 names 2 organizations directly, so a portfolio cannot be read from it. Everything below is therefore FY2018, the last year Marina Kellen French Foundation named its own grantees at scale: 5 organizations, $2M. It is dated, not current.
Organizations named directly on the return
Amber years are those where most dollars went to a sponsor.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2018
- Under $10k8 grants · $17k
- $10k–50k2 grants · $35k
- $50k–250k2 grants · $250k
- $250k+2 grants · $2.0M
| Recipient | Amount |
|---|---|
| THE BREARLEY SCHOOL | $1,600,000 |
| METROPOLITAN MUSEUM OF ART | $356,000 |
| THE KING BAUDOUIN FOUNDATION | $145,000 |
| Individual grant recipient | $105,000 |
| BIG BROTHERS BIG SISTERS OF ESSEX | $25,000 |
| INTERNATIONAL COUNCIL OF MOMA | $10,000 |
| AMERICAN FRIENDS OF THE SALZBURG FESTIVAL | $5,000 |
| THE FRICK COLLECTION | $5,000 |
| Individual grant recipient | $2,500 |
| FRIENDS OF THE UPPER EAST SIDE | $2,000 |
| INTERNATIONAL FRIENDS OF KUNST HISTORCHE | $1,500 |
| AMERICAN FRIENDS OF SHANGHAI MUSEUM | $1,000 |
| THE BRICK CHURCH WOMEN'S ASSOCIATION | $200 |
| NEW YORK BOTANICAL GARDEN | $150 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–24) land where the poverty rate runs at 17%, against an area that typically sits at 16%. 98% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +58% since the first grant, against +58% for the ones you funded once.
12 repeat relationships — 7 still active in FY2018, 5 since wound down; 12 grantees were first funded in FY2018 (too recent to call). Read against FY2018, the last year this funder named its own grantees directly; its giving has since run through a sponsor, which reports no donor behind each grant.
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 39% of grant dollars renewed an existing relationship; $10k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- MMMETROPOLITAN MUSEUM OF ART7× · 2017–2023 · $9.8M · revenue +58%
- TBTHE BREARLEY SCHOOL4× · 2017–2020 · $4.0M · revenue +6%
- AFAMERICAN FRIENDS OF THE SALZBURG EASTER FESTIVAL4× · 2018–2024 · $20k · revenue +239%
Funded once
- MPMOMA PS1 CONTEMPORARY ART CENTERone grant, 2017 · $280k
- IGIndividual grant recipientone grant, 2017 · $10k
- IGIndividual grant recipientone grant, 2017 · $2k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
The Morgan Library & Museum celebrates and shares the history and process of human creativity from antiquity to the present day through the preservation, study, and interpretation of a dynamic and growing collection.
The museum's mission statement is: "to discover, interpret, and disseminate - through scientific research and education - knowledge about human cultures, the natural world, and the universe."
El museo's mission is to preserve, interpret, and promote the artistic heritage of puerto ricans and all latin americans in the united states by means of exhibitions, public programs, publications, and educational activities.
The mission of the jewish museum is to collect, preserve, exhibit and interpret art and jewish culture. see schedule o for more information.
Organization's mission statement true to the ambitious vision of its founder and her spirit of creative risk-taking, the mission of the isabella stewart gardner museum is: - to bring to life and preserve the rich historic collection; - to…
Bard college seeks to provide a challenging academic program and a supportive environment that fosters a collaborative interchange of ideas in the classroom as well as ambition to achieve excellence.
To make the mind more curious, the heart more open, and the spirit more joyful through excellent audio programming that is deeply rooted in new york.
For reference, the grantee most central to the portfolio’s shape is The Frick Collection and the most unlike its peers is The Performance Zone Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
13 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 13 of the 31 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds THE BREARLEY SCHOOL ↗
- Who funds FIDELITY INVESTMENTS CHARITABLE GIFT FUND ↗
- Who funds MYRIAD USA INC ↗
- Who funds AMERICAN FRIENDS OF THE SALZBURG EASTER FESTIVAL ↗
- Who funds WORLD MONUMENTS FUND INC ↗
- Who funds The Frick Collection ↗
- Who funds PAIDEIA INSTITUTE FOR HUMANISTIC STUDY ↗
- Who funds THE PERFORMANCE ZONE INC ↗
- Who funds HAVANESE RESCUE INC ↗
- Who funds ELYSIUM BETWEEN TWO CONTINENTS INC ↗
- Who funds NEW AMSTERDAM SINGERS INC ↗
- Who funds NEW YORK BOTANICAL GARDEN ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a set of overlaps that mostly run through you, not between each other.
Open a dossier: Donor Advised Charitable Giving Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Marina Kellen French Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Marina Kellen French Foundation?
Find your warmest path to Marina Kellen French Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.