· Public charity
Indiespace Inc
Indiespace celebrates and centers independent theater-making in new york city.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2025.
Where the money goes
Your grants by size, and where they go.
The 12 grants below total $140,200 — the rows itemised in this filing. The $581,384 headline is the total grant expense reported on the return, so the remaining $441,184 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- Under $10k1 grant · $7k
- $10k–50k11 grants · $134k
| Recipient | Amount |
|---|---|
| BUGINGO STUDIOS LLC | $33,000 |
| IRT THEATER INC | $10,100 |
| NEW PERSPECTIVES THEATRE COMPANY | $10,100 |
| NOOSPHERE ARTS | $10,100 |
| OPEN CHANNELS NEW YORK INC DBA DIXON PLACE EL COVAN | $10,100 |
| BROOKLYN ARTS HAUS LLC | $10,100 |
| ST LYDIA'S | $10,100 |
| GINGER GOOSE INC DBA QED ASTORIA | $10,100 |
| DANCE ENTROPY | $10,000 |
| INSPIRATION POINT CENTER FOR THE ARTS | $10,000 |
| THE LITTLE VICTORY THEATER | $10,000 |
| UKRAINIAN CHORUS DUMKLA OF NY | $6,500 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY25–25, $10k) land where the poverty rate runs at 17%, against an area that typically sits at 12%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The Tank is a small, Manhattan-based non-profit arts presenter and producer serving emerging artists. Our goal is to remove economic barriers from the creation of new work for artists launching their careers or experimenting within their…
Develop recognition of international theater
The production of theater for and with disabled and marginalized artists. also the creation of NY theatrical standards.
Cultural-educational, via multi-discipline arts hosting for the general public, and technical support for arts professionals.
Noveltease Theatre pays homage to literary burlesque of the late 19th century by combining theatrical adaptations of classic texts with contemporary striptease. Our intention is not to mock, but to productively muddle the "highbrow" art of…
Charitable and Educational. Non-Profit Theatre Company inculcating in the general public a greater appreciation of the dramatic and performing arts
Promoting new artists in the performing arena
Since 2006, Theaterlabs mission is to serve New Yorks diverse communities of artists and the general public by presenting and developing new theater works. Theaterlab is a women and artist-led laboratory dedicated to researching the nature…
The Alchemy Theatre's mission is to present stories with fierce resonant truth, in an intimate and inclusive environment, with professionalism, and in compelling collaboration with quality theatre artists at large.
For reference, the grantee most central to the portfolio’s shape is Instituto Arte Teatral Internacional Inc and the most unlike its peers is Roxanne Dance Foundation Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
19 grantees tracked through their own filings, 2017–2026.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2026, not grant rows in a single year — so this will not match the grant count on the cover. 19 of the 29 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds The Lit Fund ↗
- Who funds AMERICAN INDIAN ARTISTS INC ↗
- Who funds ROXANNE DANCE FOUNDATION INC ↗
- Who funds CULTURE LAB LIC INC ↗
- Who funds INSTITUTO ARTE TEATRAL INTERNACIONAL INC ↗
- Who funds THE LATINO EXPERIMENTAL FANTASTIC LATINO THEATER INC ↗
- Who funds VARIATIONS THEATRE GROUP INC ↗
- Who funds THE ACTORS THEATRE WORKSHOP INC ↗
- Who funds BATED BREATH THEATRE COMPANY ↗
- Who funds TOPAZ ARTS INC ↗
- Who funds The Brick Theater Inc ↗
- Who funds Open Channels New York Inc dba Dixon Place ↗
- Who funds NEW PERSPECTIVES THEATRE COMPANY INC ↗
- Who funds IRT THEATER INC ↗
- Who funds NOOSPHERE ARTS INC ↗
- Who funds Dance Entropy Inc ↗
- Who funds INSPIRATION POINT CENTER FOR THE ARTS INC ↗
- Who funds UKRAINIAN CHORUS DUMKA OF AMERICA INC ↗
- Who funds National Queer Theater ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Alliance of Resident Theatres New York Inc · The Howard Gilman Foundation Inc · Network for Good · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Indiespace Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Indiespace Inc?
Find your warmest path to Indiespace Inc through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.