· Private foundation
Holly Peterson Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k5 grants · $16k
- $10k–50k15 grants · $358k
- $50k–250k10 grants · $726k
- $250k+1 grant · $355k
| Recipient | Amount |
|---|---|
| THE STUDIO MUSEUM IN HARLEM | $355,309 |
| BROWN UNIVERSITY | $175,000 |
| METROPOLITAN MUSEUM OF ART | $100,000 |
| SPEED ART MUSEUM | $76,000 |
| SKOWHEGAN SCHOOL OF PAINTING & SCULPTURE | $75,000 |
| FRIENDS OF THE HIGH LINE | $50,000 |
| THE BROOKLYN MUSEUM | $50,000 |
| THE LEUKEMIA & LYMPHOMA SOCIETY | $50,000 |
| THE STUDIO MUSEUM IN HARLEM | $50,000 |
| WHITNEY MUSEUM OF AMERICAN ART | $50,000 |
| WHITNEY MUSEUM OF AMERICAN ART | $50,000 |
| GRACE CHURCH SCHOOL | $40,000 |
| NEW MUSEUM OF CONTEMPORARY ART | $35,000 |
| THE KITCHEN | $30,000 |
| WHITNEY MUSEUM OF AMERICAN ART | $27,500 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY24–24, $5k) land where the poverty rate runs at 17%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Where the work is directed
The same grants, placed two ways — where each recipient sits, and where its stated purpose earmarks the money.
About 26% of Holly Peterson Foundation’s grant dollars are earmarked, by their stated purpose, for a different county than the recipient’s own address — money that lands at a nonprofit in one place but is meant to do its work in another. Read by recipient address, 61% of the giving stays in NY; read by stated purpose it is 54% — less of the work is directed home than the recipients' locations suggest.
Recipient view: each grant at its grantee’s ZIP, mapped to a county. Directed view: each grant at the county its stated purpose names, falling back to the recipient’s county when the purpose names no place; US grants only. A county shows only if it carries the top 95% of that view’s dollars. Purposes are read from the foundation’s own 990 grant descriptions.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +19% since the first grant, against +14% for the ones you funded once.
22 repeat relationships — 13 still active in FY2024, 9 since wound down; 9 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 75% of grant dollars renewed an existing relationship; $309k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TSTHE STUDIO MUSEUM IN HARLEM4× · 2020–2024 · $765k · revenue +305%
- WMWHITNEY MUSEUM OF AMERICAN ART5× · 2020–2024 · $390k · revenue +69%
- TATATE AMERICAS FOUNDATION4× · 2020–2023 · $210k · revenue +186%
Funded once
THE UNIVERSITY OF TEXAS FOUNDATION INCgraduatedone grant, 2022 · $250k · revenue +44%
MUSEUM OF FINE ARTSgraduatedone grant, 2022 · $200k · revenue +26%- DUDUNELM USAone grant, 2022 · $125k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
The mission of the national academy of design is to promote the fine arts in america through exhibition and education.
The mission of the jewish museum is to collect, preserve, exhibit and interpret art and jewish culture. see schedule o for more information.
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
The Morgan Library & Museum celebrates and shares the history and process of human creativity from antiquity to the present day through the preservation, study, and interpretation of a dynamic and growing collection.
The new york studio school is committed to giving a significant education to the aspiring artist, a preamble to a lifetime's engagement in drawing, painting, and sculpture. (see schedule o for continuation)
The asian art museum celebrates, preserves, and promotes asian and asian american art and cultures for local and global audiences. we provide a dynamic forum for exchanging ideas, inviting collaboration, and fueling imagination to deepen…
Committed to innovation, the solomon r. guggenheim foundation (the "foundation") collects, (continued on schedule o)
The new york academy of art is a unique graduate school that combines intensive technical training in the fine arts with active critical discourse. we believe that rigorously trained artists are best able to realize their artistic vision.…
For reference, the grantee most central to the portfolio’s shape is New York Foundation for the Arts Inc and the most unlike its peers is Replay Polo Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 36 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
67 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 67 of the 76 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds BROWN UNIVERSITY ↗
- Who funds THE STUDIO MUSEUM IN HARLEM ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds THE UNIVERSITY OF TEXAS FOUNDATION INC ↗
- Who funds FRIENDS OF THE HIGH LINE INC ↗
- Who funds TATE AMERICAS FOUNDATION ↗
- Who funds THE BROOKLYN INSTITUTE OF ARTS AND SCIENCES ↗
- Who funds MUSEUM OF FINE ARTS ↗
- Who funds New Museum of Contemporary Art ↗
- Who funds PEN AMERICAN CENTER INC ↗
- Who funds GRACE CHURCH SCHOOL ↗
- Who funds SKOWHEGAN SCHOOL OF PAINTING AND SCULPTURE INC ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds AMERICAN FRIENDS OF THE ART FUND ↗
- Who funds SPEED ART MUSEUM ↗
- Who funds CHILD MIND INSTITUTE INC ↗
- Who funds DIA CENTER FOR THE ARTS INC ↗
- Who funds WEST MICHIGAN HORTICULTURAL SOCIETY INC DBA FREDERIK MEIJER GARDENS ↗
- Who funds The Cedars of Marin ↗
- Who funds BLOOD CANCER UNITED INC ↗
- Who funds THE INSTITUTE OF CONTEMPORARY ART INC ↗
- Who funds PARTNERSHIP TO END ADDICTION ↗
- Who funds CHARITIES AID FOUNDATION AMERICA ↗
- Who funds NEW YORK FOUNDATION FOR THE ARTS INC ↗
- Who funds SESAME WORKSHOP ↗
- Who funds The Preservation Foundation of Palm Beach Inc ↗
- Who funds NATIONAL LGBTQ TASK FORCE ↗
- Who funds BANCROFT GLOBAL DEVELOPMENT ↗
- Who funds Jerusalem Peacebuilders Inc ↗
- Who funds APOLLO THEATER FOUNDATION INC ↗
- Who funds AMERICAN ACADEMY IN ROME ↗
- Who funds PECONIC LAND TRUST INC ↗
- Who funds NORTON MUSEUM OF ART INC ↗
- Who funds THE SCULPTURE CENTER INC ↗
- Who funds FIELDING GRADUATE UNIVERSITY ↗
- Who funds SCOA INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Goldman Sachs Charitable Gift Fund · May and Samuel Rudin Family Foundation Inc · Ag Foundation · The Ford Foundation · The New York Community Trust · David B Peterson Foundation · Jewish Communal Fund · Gs Donor Advised Philanthropy Fund for Wealth Management Inc · John D and Catherine T Macarthur Foundation · The Ayco Charitable Foundation · James S Peterson Foundation · Ganek Family Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Holly Peterson Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Jerusalem Peacebuilders Inc — 5% of income from government
- O Miami Inc — 2% of income from government
- The Institute of Contemporary Art Inc — 1% of income from government
- Museum of Fine Arts — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Holly Peterson Foundation?
Find your warmest path to Holly Peterson Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.