Loading…
Loading…
· Public charity
Working to support, develop and promote access to the arts.
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2021–2025.
Beneath the NTEE codes, this is what the grant descriptions actually say.
…and in their own words, year by year
Words distinctive to each year’s grant purposes (TF-IDF) · event-driven terms in cyan.
Your grants by size, and where they go.
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY21–25) land where the poverty rate runs at 8% — the area typically sits at 8%. 39% of your dollars reach neighborhoods with above-average need. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty line in the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA, United Way ALICE — shown as context about the area, never attributed to your giving.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Museum/Educational
The oregon historical society has been collecting, preserving, exhibiting and publishing oregon's history for over 100 years. today, the society's complex is a landmark in the heart of portland's cultural district, and offers oregon's rich…
Provide support for operation of Performing Arts Center located at 588 16th St, Astoria OR 97103
Providing theatrical experience via productions to the general public and providing theatrical workshop opportunities to the youth and young adults in our area. WWCA is dedicated to presenting, preserving, and promoting the arts for the…
Produced 4 on-stage community theater productions, continued to maintain the historic Howells Opera House
The mission for the central oregon center for the arts is to champion an inclusive, vibrant center for the arts that brings transformative and diverse cultural performances and experiences to central oregon during all seasons
To protect, preserve and operate the historic Norway Opera house as a creative performance space, shared community venue, and economic generator for the downtown Norway and the greater Oxford Hills Community
Promote city opera house as a regional hub for connecting people to the arts and each other.
Organization dedicated to the advancement of The Performing Arts
Cascadia Chamber Opera is dedicated to making exceptional and imaginative opera accessible to audiences throughout the Pacific Northwest.
Inspiring and enriching the lives of our diverse community through musical theatre.
The Siskiyou Arts Museum opens doors to enrich the lives of artists, residents and visitors to Siskiyou County by providing spaces for exhibition, sales and interpretation of the visual, literary and performing arts and presenting events…
For reference, the grantee most central to the portfolio’s shape is Arts Council of Lake Oswego and the most unlike its peers is Rivers of Life Center. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 26 years old; the field is 15. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 11% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Oregon Community Foundation · Regional Arts & Culture Council · The Reser Family Foundation · James F & Marion L Miller Foundation · The Kinsman Foundation · Washington County Visitors Association · Juan Young Trust · The Autzen Foundation · Marie Lamfrom Charitable Foundation · The Blackbaud Giving Fund · American Online Giving Foundation Inc · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Every dot is one organisation ARTS ACTION ALLIANCE FOUNDATION funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Through Plinth
This dossier was generated cold from public filings. In Plinth it’s a working system — every applicant assessed and every grant monitored. Here’s a taste, run on one of your grantees: SANDY ACTORS THEATER.
Agentic due diligence · confidence × risk
Limited financial data in public filings.
8 years of Form 990 filings, still active.
US 501(c)(3); EIN 680639011 on file with current IRS Form 990 filings.
Board composition & governance documents — verified live in Plinth from the applicant.
OFAC / UN sanctions screening — run live in Plinth at assessment.
Staffing, M&E and activity alignment — assessed live in Plinth from submitted proposals.
Live · Plinth’s real DD engine
Run the actual assessment on SANDY ACTORS THEATER, cold from public data.
Generated live from public IRS filings + open web sources by Plinth’s agentic engine. Shown as an illustration of the product, not a formal assessment.
Post-award monitoring · continuous checks
What you see here is static and public. In Plinth it’s operational — the full six-pillar framework on every applicant (with their own documents + live registry and sanctions checks), monitoring dashboards on every award, custom board reports, and eligibility routing for intake.
Preview generated from this grantee’s public IRS filings and independent reporting. Pillars marked “live in Plinth” require the applicant’s submitted documents. Shown as illustration, not a formal assessment.
Warm introductions · Powered by PlinthPro
Find your warmest path to Arts Action Alliance Foundation through people who sit on both boards. Search for your organization and Plinth traces the introduction across shared trustees and officers.
Every link is a documented governance overlap in public IRS 990 filings — not a personal network — and each hop carries its own confidence tier. Low-confidence or distant paths are held back rather than guessed.