· Public charity
Arrowhead Regional Arts Council
The ARROWHEAD REGIONAL ARTS COUNCIL's mission is to facilitate and encourage local arts development.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 14 grants below total $215,000 — the rows itemised in this filing. The $668,469 headline is the total grant expense reported on the return, so the remaining $453,469 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- Under $10k1 grant · $6k
- $10k–50k13 grants · $209k
| Recipient | Amount |
|---|---|
| ITASCA ORCHESTRA AND STRING PROGRAM | $20,000 |
| NORDIC CENTER | $20,000 |
| MATINEE MUSICALE | $20,000 |
| BOREALIS CHAMBER ARTISTS | $20,000 |
| ELY FOLK SCHOOL | $20,000 |
| NORTHERN LAKES ARTS ASSOCIATION | $20,000 |
| THIRD COAST CHAMBER COLLECTIVE | $20,000 |
| ARMORY ARTS AND MUSIC CENTER | $15,000 |
| LAKE SUPERIOR WRITERS | $13,000 |
| COUNTY SEAT THEATER OF CARLTON | $11,360 |
| SPIRIT OF THE LAKE COMMUNITY ART | $10,000 |
| MESABI SYMPHONY ORCHESTRA | $10,000 |
| DULUTH CHILDREN'S MUSEUM | $10,000 |
| TWIN PORTS WIND ENSEMBLE | $5,640 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY25–25, $20k) land where the poverty rate runs at 15%, against an area that typically sits at 8%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
30 repeat relationships — 9 still active in FY2025, 21 since wound down; 5 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 66% of grant dollars renewed an existing relationship; $73k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- IOITASCA ORCHESTRA & STRINGS PROGRAM6× · 2020–2025 · $129k · revenue +211%
- EFEly Folk School5× · 2020–2025 · $69k · revenue +296%
- NSNORTH SHORE MUSIC ASSOCIAITON5× · 2018–2022 · $69k · revenue +173%
Funded once
- DADULUTH ART INSTITUTE ASSOCgraduatedone grant, 2018 · $15k · revenue +39%
- NFNORTHWOODS FRIENDS OF THE ARTSgraduatedone grant, 2018 · $14k · revenue +32% · 45% of their budget
- ACAITKIN COUNTY FRIENDS OF THE ARTSgraduatedone grant, 2022 · $13k · revenue +59%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The Lake Benton Opera House, one of the premiere historic buildings in southwest Minnesota. Home to an active community theatre, the Opera House has begun its second century in our community.
Music Saint Croix creates artistically excellent performances with exciting and unusual programming for the enjoyment of St. Croix Valley audiences.
To promote the arts to educate, entertain, and enlighten in northern WI.
Support of the arts
Promote performing arts in the lake superior region
Classical music performance and education
Promotion of and presentation of dramatic arts
Arts presenter serving the greater Reedsburg area.
Jazz Central Studios is dedicated to preserving the innovative jazz arts in the Twin Cities. We present live music to the community in a non-commercial listening environment and encourage collaboration and education among musicians of wide…
The Dakota Center for the Arts is an Eagan community-based organization whose purpose is to develop, promote & encourage participation in & appreciation of the arts.
Great music, theatre and opera on the iron range in historic aurora, minnesota.
Provide a theatre of live music and events!
For reference, the grantee most central to the portfolio’s shape is Elys Historic State Theater and the most unlike its peers is Itasca Life Options. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 27 years old; the field is 26. You back the established end — and your money leans older still.
The field is 16% startups (under 5 years old) — 7% of your grantees by number, and just 6% of your money.
The orgs you fund almost never close — 4% lost their exemption, against 7% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
34 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 34 of the 51 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds ITASCA ORCHESTRA & STRINGS PROGRAM ↗
- Who funds Mesabi Community Orchestra ↗
- Who funds Ely Folk School ↗
- Who funds NORTH SHORE MUSIC ASSOCIAITON ↗
- Who funds COUNTY SEAT THEATER OF CARLTON ↗
- Who funds Grand Marais Playhouse Inc ↗
- Who funds TOFTE LAKE CENTER INC ↗
- Who funds The Matinee Musicale Inc ↗
- Who funds NORTHERN LAKES ARTS ASSOCIATION ↗
- Who funds ARMORY ARTS AND MUSIC CENTER ↗
- Who funds EDGE OF THE WILDERNESS COMMUNITY CENTER ↗
- Who funds NORTHERN FILM ALLIANCE ↗
- Who funds LYRIC OPERA OF THE NORTH ↗
- Who funds GRAND RAPIDS PLAYERS INC ↗
- Who funds LAURENTIAN ARTS AND CULTURE ALLIANCE ↗
- Who funds CITIZENS FOR BACKUS AB Inc ↗
- Who funds ELYS HISTORIC STATE THEATER ↗
- Who funds ZEITGEIST CENTER FOR ARTS AND COMMUNITY ↗
- Who funds COLLEGE OF ST SCHOLASTICA INC ↗
- Who funds HOMEGROWN MUSIC FESTIVAL ↗
- Who funds Itasca Life Options ↗
- Who funds LAKE SUPERIOR YOUTH CHORUS INC ↗
- Who funds AMERICAN INDIAN COMMUNITY HOUSING ORGANIZATION ↗
- Who funds DULUTH ART INSTITUTE ASSOC ↗
- Who funds NORTHWOODS FRIENDS OF THE ARTS ↗
- Who funds AITKIN COUNTY FRIENDS OF THE ARTS ↗
- Who funds SPIRIT OF THE LAKE COMMUNITY ARTS ↗
- Who funds VETERANS OF FOREIGN WARS POST 1720 ↗
- Who funds DULUTH CHILDREN'S MUSEUM INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Lloyd K Johnson Foundation · Duluth-Superior Area Community Foundation · Pachel Foundation · Northland Foundation · C K Blandin Foundation · The Depot Foundation · Minnesota Historical Society · Saint Paul & Minnesota Foundation · Mightycause Charitable Foundation · Ordean Foundation · Smdc Medical Center · Minnesota Power Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Arrowhead Regional Arts Council funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.