· Public charity
American Dance Asylum Inc
To promote contemporary dance through the arts
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2018 to 2025.
Where the money goes
Grants by size, and the largest recipients.
How this is measured
| Recipient | Amount |
|---|---|
| HOBART & SMITH COLLEGES | $30,000 |
| TORN SPACE THEATER | $20,000 |
| BARKHA DANCE COMPANY | $15,550 |
| FLAMENCO VIVO - SPANISH DANCE ARTS COMPANY INC | $10,000 |
| DANSPACE PROJECT INC | $10,000 |
| RESEARCH FOUNDATION OF SUNY | $10,000 |
| TOPAZ ARTS INC | $10,000 |
| TEATRO EXPERIMENTAL YERBABRUJA INC | $10,000 |
| SUKANYA BURMAN DANCE INC | $10,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Dollar for dollar, its grants (FY18–25) land where the poverty rate runs at 13%, against an area that typically sits at 8%. 91% of its dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
13 repeat relationships: 7 still active in FY2025, 6 since wound down; 2 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 80% of grant dollars renewed an existing relationship; $26k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
HOBART AND WILLIAM SMITH COLLEGES5× · 2018–2025 · $81k · revenue +59%- SDSPANISH DANCE ARTS CO INC6× · 2018–2025 · $74k · revenue +32%
- TRThe Research Foundation for The State University of New York6× · 2018–2025 · $68k · revenue +56%
Funded once
- TCThe Cherry Arts Incgraduatedone grant, 2021 · $13k · revenue +135%
- NUNEW UTILITY INCgraduatedone grant, 2019 · $12k · revenue +107%
- CMCHAMBER MUSIC INTERNATIONAL INCone grant, 2018 · $9k
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
Dance and music performances held in specific sites, often of historic significance, often free and open to the public
To create contemporary dance works
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To nurture a personal commitment to dance as a life-long process of discovery through live performance of original choreography, interactive educational residencies, outreach programs, and digital media, and to create through the…
The Tank is a small, Manhattan-based non-profit arts presenter and producer serving emerging artists. Our goal is to remove economic barriers from the creation of new work for artists launching their careers or experimenting within their…
How this is measured
18 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 18 of the 20 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds HOBART AND WILLIAM SMITH COLLEGES ↗
- Who funds SPANISH DANCE ARTS CO INC ↗
- Who funds The Research Foundation for The State University of New York ↗
- Who funds Torn Space Theater Inc ↗
- Who funds TOPAZ ARTS INC ↗
- Who funds TEATRO EXPERIMENTAL YERBABRUJA INC ↗
- Who funds DANSPACE PROJECT INC ↗
- Who funds THE LAKE PLACID ASSOCIATION FOR MUSIC DRAMA AND ART INC ↗
- Who funds ALFRED UNIVERSITY ↗
- Who funds OPERATION UNITE NEW YORK INC ↗
- Who funds FOUNDATION FOR INDEPENDENT ARTISTS INC ↗
- Who funds GARDNERS PICK OF THE CROP INC ↗
- Who funds KAATSBAAN INTERNATIONAL DANCE CENTER INC ↗
- Who funds The Cherry Arts Inc ↗
- Who funds NEW UTILITY INC ↗
- Who funds SUKANYA BURMAN DANCE INC ↗
- Who funds CAROGA ARTS COLLECTIVE INC ↗
- Who funds 10 HAIRY LEGS ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: New England Foundation for the Arts Incorporated · Dance Service New York City Inc · The Harkness Foundation for Dance Inc · The Fan Fox and Leslie R Samuels Foundation Inc · Mertz Gilmore Foundation · The Howard Gilman Foundation Inc · Mid Atlantic Arts Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization American Dance Asylum Inc funds: left to right is the share of its income from government, bottom to top the share from American Dance Asylum Inc. Bigger dots raise more.
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to American Dance Asylum Inc?
Find your warmest path to American Dance Asylum Inc through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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