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Montreal, QC · Charitable organization

Circuit-Est

Promouvoir la danse et favoriser le développement des activités qui lui sont reliées location de studios destinés au secteur de la danse contemporaine à prix modique activités de perfectionnement professionnel pour les artistes de la danse

C$575
Granted FY2024still arriving
6
Grants FY2024still arriving
1
Regions reached
C$100
Largest
01What you fundRead
02Your edgeRead
03Your fieldRead
01What you fund
01FY2024 · 6 grants

Where the money goes

Your grants by size, and where they go.

C$100
Median grant
1
Regions reached
C$2.1M
Total assets
Largest grants
RecipientAmount
LA CHAPELLEC$100
L'AGORAC$100
LE CARRÉ DES LOMBESC$100
FESTIVAL TRANSAMÉRIQUESC$100
DANSE DANSEC$100
DANSE CITÉC$75
02Your edge
repeat funding

Who you back again

Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.

87%of every dollar goes to organizations you’ve funded before.
C$5k · 10 repeat orgsC$700 to everyone else

And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +23% since the first grant, against +7% for the ones you funded once.

10 repeat relationships — 3 still active in FY2024, 7 since wound down; 3 grantees were first funded in FY2024 (too recent to call).

How the two cohorts compare

Re-uppedFunded once

Organizations

10
5

Total granted

C$5k
C$425

Median revenue growth · since first grant

+23%
+7%

Still filing today

100%
80%

New vs renewed · share of each year

In FY2024, 52% of grant dollars renewed an existing relationship; C$275 went to new ones.

50%100%’17’18’19’20’21’22’23’24
RenewedFirst-time

First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.”

Backed again, and grew

  • FT
    FESTIVAL TRANSAMÉRIQUES
    7× · 2018–2024 · C$789 · revenue +23%
  • DD
    DANSE DANSE
    7× · 2017–2023 · C$675 · revenue +70%
  • T
    Tangente
    6× · 2017–2023 · C$625 · revenue +21%

Funded once

  • FJ
    FONDATION JEAN-PIERRE PERREAULT
    one grant, 2022 · C$100 · revenue -10%
  • DC
    Danse Carpe Diemgraduated
    one grant, 2017 · C$100 · revenue +55%
  • FT
    Festival TransAmériques
    one grant, 2017 · C$100

Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent CRA filings.

03Your field

The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matches that aren’t grantees — a resemblance in what they say they do, not a recommendation.

1
Fleuve Espace-danse

Créer produire et diffuser des oeuvres chorégraphiques en danse contemporaine

—
2
La Compagnie Marie Chouinard

Création et diffusion des spectacles de danse et des autres créations artistiques

—
3
Dulcinée Langfelder et cie

Il se voue à la création et à la promotion de spectacle de l'art de la danse théâtrale.

—
4
Sinha Danse Inc

Création et production des spectacles de danse contemporaine. diffusion à travers des tournées ateliers et autres événements culturels qui sont offerts au grand public et au milieu de danse.

—
5
Daniel Léveillé Nouvelle Danse inc.

Il a pour misson la création la production et la diffusion de spectacles de danse.

—
6
Usine C

Usine-C est un Centre Pluridisplinaire de création de production de diffision de danse et de spectacles qui a pour mission de promouvoir les arts de la scène.

—
7
Montreal Danse

Créer produire et diffuser des oeuvres chorégraphiques

—
8
Corporation Lucie Grégoire Danse

Création production et diffusion en danse contemporaine ainsi que des médiations culturelles.

—
9
Agora Des Arts

Production et diffusion des arts de la scène

—
10
Danse K Par K

Ses objectifs sont la création la production la médiation et la diffusion de la danse contemporaine

—
11
Les Ballets Jazz De Montreal

Promouvoir le ballet spécialisé dans la danse contemporaine par le biais de spectacles en tournées locales nationales et internationales.

—
12
Circuit-Est

Promouvoir la danse et favoriser le développement des activités qui lui sont reliées location de studios destinés au secteur de la danse contemporaine à prix modique activités de perfectionnement professionnel pour les artistes de la danse

—

For reference, the grantee most central to the portfolio’s shape is Danse-CitÉ Inc. and the most unlike its peers is Mayday Danse. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.

02the grantee network

16 grantees tracked through their own filings, 2017–2024.

Each one resolved to its own CRA returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.

Counted here: distinct organizations you funded across 2017–2024, not grant rows in a single year — so this will not match the grant count on the cover. 16 of the 18 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.

0
Load-bearing (≥25% of a budget)
3
Early backer (in before they grew)
16/16
Grantees still filing
9/16
Grew since you first funded

Each org by its size and your share of it — top-left is where you’re load-bearing

25%50%75%100%C$1.0Mgrantee revenue →↑ your share of their budgetFESTIVAL TRANSAMÉRIQUES — C$789 over 7y, 0.0% of budgetDANSE DANSE — C$675 over 7y, 0.0% of budgetTangente — C$625 over 6y, 0.0% of budgetLE CARRÉ DES LOMBES — C$600 over 6y, 0.0% of budgetLA CHAPELLE — C$600 over 7y, 0.0% of budgetMAYDAY DANSE — C$400 over 4y, 0.0% of budgetSTUDIO 303 — C$375 over 5y, 0.0% of budgetLOUISE BÉDARD DANSE — C$300 over 3y, 0.1% of budgetSYLVAIN ÉMARD DANSE — C$200 over 2y, 0.0% of budgetO VERTIGO DANSE INC. — C$150 over 2y, 0.0% of budgetFONDATION JEAN-PIERRE PERREAULT — C$100 over 1y, 0.0% of budgetL'AGORA — C$100 over 1y, 0.0% of budgetDanse Carpe Diem — C$100 over 1y, 0.1% of budgetMAI (MONTRÉAL ARTS INTERCULTURELS) — C$75 over 1y, 0.0% of budgetDANSE CITÉ — C$75 over 1y, 0.0% of budgetLA SERRE - ARTS VIVANTS — C$50 over 1y, 0.0% of budget
Go grantee by grantee — a decade per org, and how each moved after you funded them

A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.

The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.

Conseil des arts de M…Fortier Danse Creatio…Theatre la Chapelle I…The Cole foundation/L…Canadahelps CanadonPayPal Giving Fund Ca…
Conseil des arts de MontréalQC15.2× affinity11 shared granteesties to 5 of 5Hover any node to trace its alignments.Compare side by side →

Open a dossier: Conseil des arts de Montréal · Fortier Danse Creation Inc. · Theatre la Chapelle Inc · The Cole foundation/La Fondation Cole · Canadahelps Canadon · PayPal Giving Fund Canada

Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.

On method. Every financial figure here is read directly from the Canada Revenue Agency’s published T3010 data — your own annual information return and the multi-year returns of the 18 grantees we resolved across every year we hold, several hundred filings in all (a different count from the grant rows on the cover, which are one fiscal year) — each linked to its source. Grantee achievements and outcomes are each organization’s own program description on its T3010; we read these as association with sustained funding — the foundation is one of several forces — suppress low-confidence name matches rather than guess, and say so where a figure rests on a single grant or filing. Not everything on this page is a filed figure, and the difference matters. Filed is what you reported on your return. Official is another government record about an organization, such as a federal award or a charity register, joined by name where no shared identifier exists. Resolved is an identity we worked out where the filing named a recipient without a BN, kept only above a measured confidence threshold. Computed is arithmetic over those, like themes, portfolio clusters and co-funder strength. Context is a statistic about a place rather than about an organization, which is what the need overlay is: it describes the area a grantee’s address sits in, not where its work lands. Inferred is drawn by a model from text, like the partnerships read out of public news and organization websites. Each is labeled where it appears. How we build these →

Generated from your T3010 annual information return for the fiscal period ending 2024-06-30, as published by the Canada Revenue Agency in 2024. Amounts are Canadian dollars, as filed and never converted. Registered as a charitable organization under arts.

Source object 128441953:2024-06-30 · View the T3010 on the CRA register

Play a game based on Circuit-Est’s filings →