Montreal, QC · Charitable organization
Fortier Danse Creation Inc.
Création et diffusion de spectacle en danse contemporaine
Where the money goes
Your grants by size, and where they go.
By grant size · FY2018
- Under C$10k8 grants · C$805
- C$10k–50k1 grant · C$28k
| Recipient | Amount |
|---|---|
| Circuit-Est | C$27,500 |
| Tagente | C$205 |
| Brian Webb Dance Company | C$100 |
| Festival TransAmérique | C$100 |
| Danse Collection Danse | C$100 |
| The Dancing On The Edge Festival Society | C$75 |
| Danse Danse | C$75 |
| Le Groupe Passe Partout inc | C$75 |
| L'Assemblée canadienne de la danse | C$75 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
6 repeat relationships — 6 still active in FY2018, 0 since wound down; 2 grantees were first funded in FY2018 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2018, 99% of grant dollars renewed an existing relationship; C$175 went to new ones.
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.”
Backed again, and grew
- CCircuit-Est2× · 2017–2018 · C$28k · revenue +26%
- TTagente2× · 2017–2018 · C$330 · revenue +21%
- FDFestival Danse Canada2× · 2017–2018 · C$250 · revenue +223%
Funded once
- ADAgora de la dansegraduatedone grant, 2017 · C$150 · revenue +48%
- LFLes fonds au Coeur de la scène Salle Pauline-Julienone grant, 2017 · C$60
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent CRA filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matches that aren’t grantees — a resemblance in what they say they do, not a recommendation.
Créer produire et diffuser des oeuvres chorégraphiques en danse contemporaine
Création et production des spectacles de danse contemporaine. diffusion à travers des tournées ateliers et autres événements culturels qui sont offerts au grand public et au milieu de danse.
Présenter des productions en danse contemporaine. Offrir au public des activités de sensibilisation à la danse contemporaine.Faire la promotion de la danse contemporaine
Côté danse's mission is to create and present original dance works and experiences in collaboration with various and diverse designers artists and partners with the goal of providing performance excellence. we continue to offer accessible…
Promouvoir le ballet spécialisé dans la danse contemporaine par le biais de spectacles en tournées locales nationales et internationales.
Création et diffusion des spectacles de danse et des autres créations artistiques
Il a pour misson la création la production et la diffusion de spectacles de danse.
Il se voue à la création et à la promotion de spectacle de l'art de la danse théâtrale.
Usine-C est un Centre Pluridisplinaire de création de production de diffision de danse et de spectacles qui a pour mission de promouvoir les arts de la scène.
Ses objectifs sont la création la production la médiation et la diffusion de la danse contemporaine
Création production et diffusion en danse contemporaine ainsi que des médiations culturelles.
Création et déffusion de spectacles de danse contemporaine. ateliers dans le milieu de la danse. activités portant sur le processusde création dans le milieu scolaire et grand public.
For reference, the grantee most central to the portfolio’s shape is Canadian Dance Assembly / L'assemblee Canadienne De La Danse and the most unlike its peers is Canadahelps Canadon. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
9 grantees tracked through their own filings, 2017–2024.
Each one resolved to its own CRA returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2024, not grant rows in a single year — so this will not match the grant count on the cover. 9 of the 10 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Circuit-Est · Conseil des arts de Montréal · Canadian Online Giving Foundation/Fondation canadienne de dons en ligne · Canadahelps Canadon
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.