Montreal, QC · Public foundation
Conseil des arts de Montréal
Accorder des subventions destinées au fonctionnement et au développement d'organismes artistiques sans but lucratif.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2021
- Under C$10k11 grants · C$87k
- C$10k–50k49 grants · C$1.5M
- C$50k–250k24 grants · C$2.2M
- C$250k+4 grants · C$1.7M
| Recipient | Amount |
|---|---|
| ORCHESTRE SYMPHONIQUE DE MONTRÉAL | C$610,480 |
| MUSÉE DES BEAUX-ARTS DE MONTRÉAL | C$397,000 |
| ORCHESTRE MÉTROPOLITAIN | C$359,520 |
| LES GRANDS BALLETS CANADIENS DE MONTRÉAL | C$295,000 |
| FESTIVAL TRANSAMÉRIQUES | C$210,000 |
| OPÉRA DE MONTRÉAL | C$200,000 |
| LA FONDATION DU THÉÂTRE DU NOUVEAU MONDE | C$170,000 |
| LE MUSÉE MCCORD STEWART | C$130,000 |
| LA CINÉMATHÈQUE QUÉBÉCOISE | C$130,000 |
| LA FONDATION CENTAUR POUR LES ARTS D'INTERPRETATION | C$127,000 |
| ESPACE GO INC. | C$120,000 |
| RÉPERCUSSION THÉÂTRE | C$118,000 |
| THÉÂTRE DU RIDEAU VERT | C$100,000 |
| THÉÂTRE LA CHAPELLE | C$72,000 |
| MUTEK | C$72,000 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
221 repeat relationships — 83 still active in FY2021, 138 since wound down; 5 grantees were first funded in FY2021 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2021, 98% of grant dollars renewed an existing relationship; C$118k went to new ones.
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.”
Backed again, and grew
- OSORCHESTRE SYMPHONIQUE DE MONTRÉAL5× · 2017–2021 · C$2.2M · revenue +22%
- MDMUSÉE DES BEAUX-ARTS DE MONTRÉAL5× · 2017–2021 · C$2.0M · revenue +5%
- OMORCHESTRE MÉTROPOLITAIN5× · 2017–2021 · C$1.8M · revenue +88%
Funded once
- LCLA CINÉMATHÈQUE QUÉBÉCOISEone grant, 2019 · C$133k
- LFLA FONDATION CENTAUR POUR LES ARTS D'INTERPRETAone grant, 2017 · C$130k
- APASSOCIATION POUR LA CREATION ET LA RECHERCHE ELECTRO-ACOUSTIone grant, 2018 · C$124k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent CRA filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matches that aren’t grantees — a resemblance in what they say they do, not a recommendation.
Cours de théâtres et spectacles
Production et présentation de pièces de théâtre à la place des arts
Productions théâtrales
Production et diffusion des arts de la scène
Créer produire et diffuser des oeuvres chorégraphiques en danse contemporaine
Contribuer à l’appréciation des arts par le public en produisant et en présentant des spectacles pluridisciplinaires de haute qualité centrés sur des œuvres de musique classique et contemporaine.
Festivals groupe d'artiste de spectacles etc.
Production de spectacles
Production d'oeuvres théâtrales
Spectacles historiques et artistiques événements corporatifs édition de livres
Administrer un théâtre et promouvoir ainsi que produirer des artistes auteurs et interprètes indépendants régionaux nationaux et internationaux.
Usine-C est un Centre Pluridisplinaire de création de production de diffision de danse et de spectacles qui a pour mission de promouvoir les arts de la scène.
For reference, the grantee most central to the portfolio’s shape is Productions Traquen'art Inc. and the most unlike its peers is Systeme D/Dominique Porte. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
168 grantees tracked through their own filings, 2017–2024.
Each one resolved to its own CRA returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2024, not grant rows in a single year — so this will not match the grant count on the cover. 168 of the 284 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Showing your 200 largest grantees by grant value.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds ORCHESTRE SYMPHONIQUE DE MONTRÉAL ↗
- Who funds MUSÉE DES BEAUX-ARTS DE MONTRÉAL ↗
- Who funds ORCHESTRE MÉTROPOLITAIN ↗
- Who funds LES GRANDS BALLETS CANADIENS DE MONTRÉAL ↗
- Who funds FESTIVAL TRANSAMÉRIQUES ↗
- Who funds LA FONDATION DU THÉÂTRE DU NOUVEAU MONDE ↗
- Who funds LE MUSÉE MCCORD STEWART ↗
- Who funds LA CINÉMATHÈQUE QUÉBÉQOISE ↗
- Who funds RÉPERCUSSION THÉÂTRE ↗
- Who funds ESPACE GO INC. ↗
- Who funds MAISON QUÉBÉCOISE DU THÉÂTRE POUR L'ENFANCE ET LA JEUNESSE ↗
- Who funds THÉÂTRE DU RIDEAU VERT ↗
- Who funds Centre du Théâtre d'Aujourd'hui ↗
- Who funds MUTEK ↗
- Who funds LE THÉÂTRE DENISE-PELLETIER INC. ↗
- Who funds LA SOCIETE DE MUSIQUE CONTEMPORAINE DU QUEBEC ↗
- Who funds THÉÂTRE DE QUAT'SOUS INC. ↗
- Who funds Nouvel Emsemble Moderne (NEM) ↗
- Who funds Obora Goboro ↗
- Who funds Théâtre La Chapelle ↗
- Who funds centre des auteurs dramatiques (Montréal) (CEAD) ↗
- Who funds LES BALLETS JAZZ DE MONTREAL ↗
- Who funds FESTIVAL INTERNATIONAL DU FILM SUR L'ART(FIFA) ↗
- Who funds Quartier Éphémère, centre d'arts visuels ↗
- Who funds MOMENTA BIENNALE DE L'IMAGE ↗
- Who funds LA COMPAGNIE MARIE COUINARD ↗
- Who funds CENTRE SEGAL DES ARTS DE LA SCÈNE ↗
- Who funds ATSA ↗
- Who funds GROUPE LE VIVIER ↗
- Who funds THÉÂTRE LE CLOU ↗
- Who funds THEATRE DE L'OEIL INC. ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Cole foundation/La Fondation Cole · Fondation Pierre Desmarais Belvedere · La Fondation du Grand Montréal - The Foundation of Greater Montreal · Circuit-Est · The Phyllis Lambert Foundation/La Fondation Phyllis Lambert · The Jarislowsky Foundation/La Fondation Jarislowsky · The Azrieli Foundation/La Fondation Azrieli · The Council for Business and the Arts in Canada · The Hay Foundation/La Fondation Hay · Fondation Sandra et Alain Bouchard · Fondation Sibylla Hesse · Fondation Philantra Philantra Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.