Skip to content
Canadian charitiesMostly funded, not a grantmaker — see who funds it →

Montreal, QC · Charitable organization

Theatre la Chapelle Inc

Résidences de création offertes aux artistes avec services techniques; - Promotion des arts de la scène par la diffusion de spectacles à cachets garantis avec accompagnement des artistes de toutes disciplines: relève émergence artistes confirmés; - Offre de billets de spectacles à des organismes communautaires et culturels; - Offre de…

C$1k
Granted FY2024still arriving
8
Grants FY2024still arriving
1
Regions reached
C$260
Largest
01What you fundRead
02The needRead
03Your fieldRead
01What you fund
01FY2024 · 8 grants

Where the money goes

Your grants by size, and where they go.

C$150
Median grant
1
Regions reached
C$737k
Total assets
Largest grants
RecipientAmount
La Maison ThéâtreC$260
Théâtre ProspéroC$250
Théâtre de Quat'SousC$244
Danse-CitéC$150
Les Filles électriquesC$125
TangenteC$118
Festival TransAmériquesC$105
Jamais luC$100
02The need
02

Do your dollars go where the need is?

Where your grant dollars land — at home and around the world.

Your giving at home — 83% of grant dollars (C$2k). The 17% that went abroad (C$400) is mapped below.

Beyond home — 17% of all-years giving (C$400)

0 countries, by the recipient’s country on the filing.

grant dollars sentlessmore

International giving is mapped by the recipient’s country from the same T3010 filings; comparable need data isn’t available at that grain.

03Your field

The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matches that aren’t grantees — a resemblance in what they say they do, not a recommendation.

1
Le nouveau théâtre expérimental

Productions théâtrales

—
2
Compagnie Trans-Theatre

Promotion de la culture théâtrale

—
3
Dulcinée Langfelder et cie

Il se voue à la création et à la promotion de spectacle de l'art de la danse théâtrale.

—
4
La Compagnie Jean Duceppe

Production et présentation de pièces de théâtre à la place des arts

—
5
La Compagnie De Theatre Il Va Sans Dire

Production d'oeuvres théâtrales

—
6
Les Productions Musicales L'Artishow

Cours de théâtres et spectacles

—
7
Fleuve Espace-danse

Créer produire et diffuser des oeuvres chorégraphiques en danse contemporaine

—
8
Agora Des Arts

Production et diffusion des arts de la scène

—
9
La Troupe Du Theatre De Quartier

Créations médiation représentations de spectacles pour le jeune public et ateliers d'écriture

—
10
Théâtre la Catapulte

Festivals groupe d'artiste de spectacles etc.

—
11
Théâtre Connexion

Administrer un théâtre et promouvoir ainsi que produirer des artistes auteurs et interprètes indépendants régionaux nationaux et internationaux.

—
12
Usine C

Usine-C est un Centre Pluridisplinaire de création de production de diffision de danse et de spectacles qui a pour mission de promouvoir les arts de la scène.

—

For reference, the grantee most central to the portfolio’s shape is Theatre De Quat'sous Inc. and the most unlike its peers is Jamais Lu. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.

03the grantee network

11 grantees tracked through their own filings, 2017–2024.

Each one resolved to its own CRA returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.

Counted here: distinct organizations you funded across 2017–2024, not grant rows in a single year — so this will not match the grant count on the cover. 11 of the 12 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.

0
Load-bearing (≥25% of a budget)
0
Early backer (in before they grew)
11/11
Grantees still filing
0/11
Grew since you first funded

Each org by its size and your share of it — top-left is where you’re load-bearing

25%50%75%100%C$1.0Mgrantee revenue →↑ your share of their budgetLa Maison Théâtre — C$260 over 1y, 0.0% of budgetThéâtre Prospéro — C$250 over 1y, 0.0% of budgetThéâtre de Quat'Sous — C$244 over 1y, 0.0% of budgetStudio 303 — C$230 over 1y, 0.1% of budgetLa Serre Arts Vivants — C$230 over 1y, 0.0% of budgetThéâtre Denise Pelletier — C$200 over 1y, 0.0% of budgetDanse-Cité — C$150 over 1y, 0.0% of budgetLes Filles électriques — C$125 over 1y, 0.0% of budgetTangente — C$118 over 1y, 0.0% of budgetFestival TransAmériques — C$105 over 1y, 0.0% of budgetJamais lu — C$100 over 1y, 0.0% of budget
Go grantee by grantee — a decade per org, and how each moved after you funded them

A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.

The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.

Conseil des arts de M…Circuit-EstThe Cole foundation/L…La Fondation du Grand…Jewish Community Foun…Canadahelps CanadonCanadian Online Givin…
Conseil des arts de MontréalQC10.1× affinity6 shared granteesties to 6 of 6Hover any node to trace its alignments.Compare side by side →

Open a dossier: Conseil des arts de Montréal · Circuit-Est · The Cole foundation/La Fondation Cole · La Fondation du Grand Montréal - The Foundation of Greater Montreal · Jewish Community Foundation of Montreal / La Fondation Communautaire Juive de Montréal · Canadahelps Canadon · Canadian Online Giving Foundation/Fondation canadienne de dons en ligne

Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.

On method. Every financial figure here is read directly from the Canada Revenue Agency’s published T3010 data — your own annual information return and the multi-year returns of the 12 grantees we resolved across every year we hold, several hundred filings in all (a different count from the grant rows on the cover, which are one fiscal year) — each linked to its source. Grantee achievements and outcomes are each organization’s own program description on its T3010; we read these as association with sustained funding — the foundation is one of several forces — suppress low-confidence name matches rather than guess, and say so where a figure rests on a single grant or filing. Not everything on this page is a filed figure, and the difference matters. Filed is what you reported on your return. Official is another government record about an organization, such as a federal award or a charity register, joined by name where no shared identifier exists. Resolved is an identity we worked out where the filing named a recipient without a BN, kept only above a measured confidence threshold. Computed is arithmetic over those, like themes, portfolio clusters and co-funder strength. Context is a statistic about a place rather than about an organization, which is what the need overlay is: it describes the area a grantee’s address sits in, not where its work lands. Inferred is drawn by a model from text, like the partnerships read out of public news and organization websites. Each is labeled where it appears. How we build these →

Generated from your T3010 annual information return for the fiscal period ending 2024-06-30, as published by the Canada Revenue Agency in 2024. Amounts are Canadian dollars, as filed and never converted. Registered as a charitable organization under arts.

Source object 127563088:2024-06-30 · View the T3010 on the CRA register

Play a game based on Theatre la Chapelle’s filings →