Texas · Nonprofit
THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY
THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY (Texas) receives grants from 6 organizations whose IRS filings report $50,054 to it, the largest being RODGER AND KATE GRAEF FAMILY FOUNDATION ($15,790). 0 of them have funded it in more than one year.
Against its field
THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY has grown faster than three-quarters of the 3,185 youth development nonprofits its size.
this organization peer median middle 50% of peers· 3,185 youth development nonprofits $100k–$1M, FY2025
Three funders worth looking at
Grantmakers with no record of funding this organization, ranked by how strongly the co-funder graph and the mission embeddings agree. The evidence is in section 03.
- Frank and Lydia Bergen Foundationshared fundersportfolio match
- The Lewis Prize Foundation Incshared fundersportfolio match
- Dallas Center for the Performing Arts Endowment Inclocalportfolio match
The organization over time
Each line starts at 100 in 2021, so what you read is the shape rather than the size: 150 means half as much again as 2021, 50 means half. The number beside each label in the key is where it ended. The shaded band is where the middle 50% of its peers' revenue would sit, given their growth.
How it's funded, over time
Each bar is one year's revenue split into where it came from, and every bar is the same height — these are shares, not amounts, so a year that raised twice as much looks the same size. Hover a bar for the split.
100% of THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY’s revenue is contributions — more reliant on donations than three-quarters of its peers (83% for the typical peer).
Surplus & reserves
Operating surplus or deficit each year, and months of liquidity in hand. 0 of the last 5 reported years ran a deficit.
reserve
Who funds it, year by year
2021 → 2023: the base narrowed from 2 funders to 1 funder, grant income fell $12k → $10k.
From the IRS filings of THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY’s funders (the co-funder graph). Association, not causation. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.
How concentrated its funding is
THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY leans on a few funders — its largest provides 32% of grant income and the top three 72%; half comes from just 2 funders.
the vertical line marks half of all grant income — 2 funders to its left
34% of the income these shares are computed over arrives through pass-through sponsors or from payers whose filings do not say what kind of payment it is. Concentration is still measured over all of it, because the money is real; what it does not support is a claim about how many institutions have chosen to fund THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY.
Largest funder’s share by year: 2021 58% · 2022 100% · 2023 100% — growing more concentrated.
“Effective funders” = inverse Herfindahl index (1 / Σ shareᵢ²) — the number of equal-sized funders that would give the same concentration. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.
Where its funders are
THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY draws 80% of its grant income from funders outside Texas, across 5 states in all.
In-state vs out-of-state, by year
Funder states come from each funder’s own filing. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.
Funders to approach
Grantmakers that don’t fund you yet, surfaced two ways: they back organizations that share your funders, or their grantees resemble your mission. The ones both signals agree on come first. Your 6 funders put you under-funded among the 400 organizations that share them.
- Frank and Lydia Bergen Foundationshared fundersportfolio matchMO · backs 18 organizations that share your funders · its grantees resemble your mission
- The Lewis Prize Foundation Incshared fundersportfolio matchNY · backs 29 organizations that share your funders · its grantees resemble your mission
- Dallas Center for the Performing Arts Endowment Inclocalportfolio matchTX · funds 80 organizations near you · its grantees resemble your mission
- The Carnegie Hall Corporationshared fundersNY · backs 15 organizations that share your funders
- Williamson Foundation for Musicportfolio matchits grantees resemble your mission
- Edwin Caplin Foundation 104786-000portfolio matchits grantees resemble your mission
- The Elma Music Foundation (Us)portfolio matchits grantees resemble your mission
- Arts Council of Fort Worth and Tarrant County Incportfolio matchits grantees resemble your mission
- Louis Armstrong Educational Foundatportfolio matchits grantees resemble your mission
- Los Angeles Philharmonic Associationportfolio matchits grantees resemble your mission
- Miller Theatre Advisory Board Incportfolio matchits grantees resemble your mission
- Frederick Loewe Foundation Incportfolio matchits grantees resemble your mission
From the co-funder graph (funders backing at least two comparable organizations, shrunk for grantee count, donor-advised and mega-funds excluded) and the universe embeddings. A research starting point; overlap is association, not a guarantee of fit.
Organizations like THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY
Nonprofits whose mission and program text most resemble this one, by semantic similarity over the universe of US filings — the closest peers, and often the clearest route to shared or prospective funders.
In Texas
Nationally
Read directly from this organization’s own Form 990, as neutral context.
Where the money goes
90% of spending goes to programs.
Governance
Screen this organization
A dated, signed PDF of the compliance screen for THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY: IRS status (Business Master File, Publication 78, auto-revocation), the OFAC sanctions lists, the Internal Revenue Bulletin, and California registration, with the Rev. Proc. 2018-32 §8.01 reliance elements stated element by element. Generated from the current files at the moment you download it.
Screens are triage, not determinations; a source that cannot be read reports not screened, never clear. How the screen works · on the API as GET /api/screening/{ein}?format=pdf
Questions and answers
- Who funds THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY?
- THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY (Texas) receives grants from 6 organizations whose IRS filings report $50,054 to it, the largest being RODGER AND KATE GRAEF FAMILY FOUNDATION ($15,790). 0 of them have funded it in more than one year.
- How many funders does THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY have?
- IRS filings report 6 organizations giving $50,054 in grants to THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY.
- Who is the largest funder of THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY?
- RODGER AND KATE GRAEF FAMILY FOUNDATION is the largest funder on record, with $15,790 in grants. The full list of funders is on this page.
- How can an organization like THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY find more funders?
- Start with the funders already giving here, then look at the foundations that back similar organizations in Texas. The funding by cause and by state pages list the largest funders for a given area and how to approach them.
These figures are read directly from IRS Form 990 / 990-PF e-file XML: this organization’s own return for FY2025 (financials across 2021–2025), and the filings of 6funders that report grants to it. “On record” means captured in the filings we have parsed — a funder that does not e-file, or whose grant detail is not itemized, will not appear. Filings run roughly 12–24 months behind. Trends on this page end at FY2023, the last fiscal year that has finished arriving; later years are shown and marked, and move no figure. Data on this page was exported August 27, 2026. What this page cannot tell you · view filing