Texas · Nonprofit
THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY
THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY (Texas) receives grants from 7 organizations whose IRS filings report $55,054 to it, the largest being RODGER AND KATE GRAEF FAMILY FOUNDATION ($15,790). 0 of them have funded it in more than one year.
- Revenue FY2025
- $486k
- Funders on record
- 7
- Grants received
- $55k
- Net assets
- $119k
What The Texas Supremacy of Music and Arts Conservatory does
Mission
Provides music seminars, education, programs and summer camp for underprivileged youth.
As stated on its FY2025 Form 990.
Programs
Rtc summer band camp is a summer music education program camp serving students in grades 6 through 12. Participants receive instruction from certified music educators and experienced directors throughout the dallasfort worth area. Students enhance their musical performance leadership and teamwork skills while participating in community performances cultural events and marching band showcases including regional parades and halftime exhibitions.
$226,328 spent52% of program spendingRtc power camp is a two-day educational and performance-based program designed to expose students to the hbcu band experience. Students receive hands-on training from college-level directors and instructors in areas such as instrumental music dance majorette color guard and cheer while developing discipline confidence and performance skills.
$109,347 spent25% of program spendingThe afterschool music enrichment program provides music and dance instruction for students in grades 4 through 12. The program focuses on developing foundational music skills including rhythm recognition sight-reading ear training performance techniques and music history education within the urban performing arts community.
$102,589 spent23% of program spending
The 3 programs described on its FY2025 Form 990, listed largest first by expense. Program spending in total: $438,264.
The organization over time
Each line starts at 100 in 2021, so what you read is the shape rather than the size: 150 means half as much again as 2021, 50 means half. The number beside each label in the key is where it ended. The shaded band is where the middle 50% of its peers' revenue would sit, given their growth.
Balance sheet
Total assets and total liabilities at each year end, in dollars. The largest one-year move in total assets was 2021 to 2022, from $11k to $95k (+754%).
How it's funded, over time
Each bar is one year's revenue split into where it came from, and every bar is the same height — these are shares, not amounts, so a year that raised twice as much looks the same size. Hover a bar for the split.
100% of THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY’s revenue is contributions — more reliant on donations than three-quarters of its peers (83% for the typical peer).
Surplus & reserves
Operating surplus or deficit each year, and months of liquidity in hand. 0 of the last 5 reported years ran a deficit.
reserve
Leadership and staff
The officers, directors, trustees and key employees listed on each return. Joined and no longer listed compare each filing with the year before, matching people by surname and first initial; a year after a gap, or a roster under three people, has no comparison.
Who funds it, year by year
2021 → 2023: the base narrowed from 2 funders to 1 funder, grant income fell $12k → $10k.
From the IRS filings of THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY’s funders (the co-funder graph). Association, not causation. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.
How concentrated its funding is
THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY has a broad base — no single funder exceeds 29% of grant income, and it takes 3 funders to reach half.
the vertical line marks half of all grant income — 3 funders to its left
31% of the income these shares are computed over arrives through pass-through sponsors or from payers whose filings do not say what kind of payment it is. Concentration is still measured over all of it, because the money is real; what it does not support is a claim about how many institutions have chosen to fund THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY.
Largest funder’s share by year: 2021 58% · 2022 100% · 2023 100% — growing more concentrated.
“Effective funders” = inverse Herfindahl index (1 / Σ shareᵢ²) — the number of equal-sized funders that would give the same concentration. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.
Where its funders are
THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY draws 82% of its grant income from funders outside Texas, across 6 states in all.
In-state vs out-of-state, by year
Funder states come from each funder’s own filing. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.
Against its field
THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY has grown faster than three-quarters of the 3,482 youth development nonprofits its size.
this organization peer median middle 50% of peers· 3,482 youth development nonprofits $100k–$1M, FY2025
Organizations like THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY
Organizations whose mission and program text most resemble this one, by semantic similarity over every organization in the US filings — the closest peers, and often the clearest route to shared or prospective funders.
In Texas
Nationally
Read directly from this organization’s own Form 990, as neutral context.
Where the money goes
90% of spending goes to programs.
Governance
Screen this organization
A dated, signed PDF of the compliance screen for THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY: IRS status (Business Master File, Publication 78, auto-revocation), the OFAC sanctions lists, the Internal Revenue Bulletin, and California registration, with the Rev. Proc. 2018-32 §8.01 reliance elements stated element by element. Generated from the current files at the moment you download it.
Screens are triage, not determinations; a source that cannot be read reports not screened, never clear. Screen this nonprofit · How the screen works · on the API as GET /api/screening/{ein}?format=pdf
Questions and answers
- Who funds THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY?
- THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY (Texas) receives grants from 7 organizations whose IRS filings report $55,054 to it, the largest being RODGER AND KATE GRAEF FAMILY FOUNDATION ($15,790). 0 of them have funded it in more than one year.
- How many funders does THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY have?
- IRS filings report 7 organizations giving $55,054 in grants to THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY.
- Who is the largest funder of THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY?
- RODGER AND KATE GRAEF FAMILY FOUNDATION is the largest funder on record, with $15,790 in grants. The full list of funders is on this page.
- How can an organization like THE TEXAS SUPREMACY OF MUSIC AND ARTS CONSERVATORY find more funders?
- Start with the funders already giving here, then look at the foundations that back similar organizations in Texas. The funding by cause and by state pages list the largest funders for a given area and how to approach them.
Play a game about who funds Texas Supremacy of Music and Arts Conservatory →
These figures are read directly from IRS Form 990 / 990-PF e-file XML: this organization’s own return for FY2025 (financials across 2021–2025), and the filings of 7 funders that report grants to it. “On record” means captured in the filings we have parsed — a funder that does not e-file, or whose grant detail is not itemized, will not appear. Filings run roughly 12–24 months behind. Trends on this page end at FY2023, the last fiscal year that has finished arriving; later years are shown and marked, and move no figure. Data on this page was exported October 14, 2026. What this page cannot tell you · view filing