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Oregon · Nonprofit

TEN FIFTEEN PRODUCTIONS

TEN FIFTEEN PRODUCTIONS (Oregon) receives grants from 5 organizations whose IRS filings report $59,844 to it, the largest being THE KINSMAN FOUNDATION ($30,000). 4 of them have funded it in more than one year.

Revenue FY2025
$241k
Funders on record
5
Grants received
$60k
Net assets
$141k
4/5 repeat funderspeak grant-dependency 7%
01What it does

What Ten Fifteen Productions does

Mission

Ten Fifteen Productions is a non-profit theatre dedicated to enriching the arts in astoria, oregon and the surrounding area through theatre, creative education and community events.

As stated on its FY2025 Form 990.

Program

  1. Ten Fifteen Productions hosts a season of self-produced community theatre. In addition to this programming, the organization offers community theatre education classes, and serves as a venue for other performing arts events in the local community.

    $155,561 spentof which $604 as grants$62,353 earned by the program
    100% of program spending

The program described on its FY2025 Form 990. Program spending in total: $155,561.

02The organization over time

The organization over time

Each line starts at 100 in 2022, so what you read is the shape rather than the size: 150 means half as much again as 2022, 50 means half. The number beside each label in the key is where it ended. The shaded band is where the middle 50% of its peers' revenue would sit, given their growth.

100 = 20222022 Revenue 100 ($61k) Expenses 100 ($46k) Net assets 100 ($19k)2023 Revenue 197 ($119k) Expenses 191 ($89k) Net assets 260 ($49k)2024 Revenue 353 ($214k) Expenses 394 ($183k) Net assets 422 ($80k)2025 Revenue 398 ($241k) Expenses 387 ($180k) Net assets 742 ($141k)
2022202320242025
Revenue (398)Expenses (387)Net assets (742)Peer revenue range

Balance sheet

Total assets and total liabilities at each year end, in dollars. The largest one-year move in total assets was 2024 to 2025, from $80k to $141k (+76%).

$19k
$49k
$80k
$141k
2022202320242025
Total assetsTotal liabilities

How it's funded, over time

Each bar is one year's revenue split into where it came from, and every bar is the same height — these are shares, not amounts, so a year that raised twice as much looks the same size. Hover a bar for the split.

2022
2023
2024
2025
ContributionsProgram revenueInvestmentOther

Government-grant reliance: 2024 3% · 2025 5%. Grants only. Government contracts and fees sit inside program revenue.

73% of TEN FIFTEEN PRODUCTIONS’s revenue is contributions — more donation-reliant than the typical peer (64% for the typical peer).

This organization
Typical peer · 19,547 orgs

Surplus & reserves

Operating surplus or deficit each year, and months of liquidity in hand. 0 of the last 4 reported years ran a deficit.

$14k
’22
$30k
’23
$31k
’24
$61k
’25
9.4
months of
reserve

Leadership and staff

The officers, directors, trustees and key employees listed on each return. Joined and no longer listed compare each filing with the year before, matching people by surname and first initial; a year after a gap, or a roster under three people, has no comparison.

Chief executive

Danyelle Tinker

Executive director

As listed on its FY2025 Form 990.

20242025
Listed79
Joined·+5
No longer listed·3
03Who funds it

Who funds it, year by year

2022 → 2023: the base broadened from 2 funders to 3 funders, grant income rose $3k → $8k.

1 of 5 of your funders are donor-advised or pass-through sponsors (tagged DAF) — 0% of grant dollars received. That money is really individual donors directing a sponsor; the institutions to cultivate are the non-DAF funders.

From the IRS filings of TEN FIFTEEN PRODUCTIONS’s funders (the co-funder graph). Association, not causation. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

How concentrated its funding is

TEN FIFTEEN PRODUCTIONS leans on a few funders — its largest provides 50% of grant income and the top three 92%; half comes from just 1 funder.

the vertical line marks half of all grant income — 1 funder to its left

50%
largest funder
92%
top three
~3
effective funders

Largest funder’s share by year: 2022 99% · 2023 62% — diversifying over time.

“Effective funders” = inverse Herfindahl index (1 / Σ shareᵢ²) — the number of equal-sized funders that would give the same concentration. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

Where its funders are

100% of TEN FIFTEEN PRODUCTIONS's grant income comes from Oregon funders.

OR

In-state vs out-of-state, by year

’22
’23
Oregon out of state home

Funder states come from each funder’s own filing. $44 arriving through sponsors registered in 1 state is excluded from the map and the split above: a sponsor holds money on a donor’s behalf, so its registered address would place those dollars somewhere no donor need ever have been. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

04Its place in the field

Against its field

TEN FIFTEEN PRODUCTIONS runs a healthier operating margin than three-quarters of the 11,634 arts & culture nonprofits its size.

Operating margin25% · top quartile
Months of reserve9.4mo · above the median
Revenue growth (annualized)58% · top quartile

this organization peer median middle 50% of peers· 11,634 arts & culture nonprofits $100k–$1M, FY2025

Organizations like TEN FIFTEEN PRODUCTIONS

Organizations whose mission and program text most resemble this one, by semantic similarity over every organization in the US filings — the closest peers, and often the clearest route to shared or prospective funders.

In Oregon

Nationally

05Profile & governance

Read directly from this organization’s own Form 990, as neutral context.

Where the money goes

86% of spending goes to programs.

Program 86%Management 14%Fundraising 0%

Governance

9
board members
100%
independent
✓Conflict-of-interest policy✓Whistleblower policy✓Document retention✓Board reviewed the 990–Audited financials

Footprint & structure

Files a return copy in 1 state

OR

Screen this organization

A dated, signed PDF of the compliance screen for TEN FIFTEEN PRODUCTIONS: IRS status (Business Master File, Publication 78, auto-revocation), the OFAC sanctions lists, the Internal Revenue Bulletin, and California registration, with the Rev. Proc. 2018-32 §8.01 reliance elements stated element by element. Generated from the current files at the moment you download it.

A paid feature, included from the $75 plan up. Sign in to download.

Screens are triage, not determinations; a source that cannot be read reports not screened, never clear. Screen this nonprofit · How the screen works · on the API as GET /api/screening/{ein}?format=pdf

Questions and answers

Who funds TEN FIFTEEN PRODUCTIONS?
TEN FIFTEEN PRODUCTIONS (Oregon) receives grants from 5 organizations whose IRS filings report $59,844 to it, the largest being THE KINSMAN FOUNDATION ($30,000). 4 of them have funded it in more than one year.
How many funders does TEN FIFTEEN PRODUCTIONS have?
IRS filings report 5 organizations giving $59,844 in grants to TEN FIFTEEN PRODUCTIONS, 4 of which have funded it in more than one year.
Who is the largest funder of TEN FIFTEEN PRODUCTIONS?
THE KINSMAN FOUNDATION is the largest funder on record, with $30,000 in grants. The full list of funders is on this page.
How can an organization like TEN FIFTEEN PRODUCTIONS find more funders?
Start with the funders already giving here, then look at the foundations that back similar organizations in Oregon. The funding by cause and by state pages list the largest funders for a given area and how to approach them.

Play a game about who funds Ten Fifteen Productions →

These figures are read directly from IRS Form 990 / 990-PF e-file XML: this organization’s own return for FY2025 (financials across 2022–2025), and the filings of 5 funders that report grants to it. “On record” means captured in the filings we have parsed — a funder that does not e-file, or whose grant detail is not itemized, will not appear. Filings run roughly 12–24 months behind. Trends on this page end at FY2023, the last fiscal year that has finished arriving; later years are shown and marked, and move no figure. Data on this page was exported October 14, 2026. What this page cannot tell you · view filing