Skip to content

Virginia · Nonprofit

CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC

CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC (Virginia) receives grants from 3 organizations whose IRS filings report $17,160 to it, the largest being VANGUARD CHARITABLE ENDOWMENT PROGRAM ($11,000). 1 of them have funded it in more than one year, and 100% of the money arrives through donor-advised or pass-through sponsors rather than from an institution directly.

Revenue FY2024
$29k
Funders on record
3
Grants received
$17k
Net assets
$162k
1/3 repeat funderspeak grant-dependency 23%
01What it does

What Conservancy for Tibetan Art and Culture Ctac does

Mission

The Conservancy for Tibetan Art & Culture is a 501(c)(3) nonprofit organization incorporated in the District of Columbia in 1997 under the patronage of His Holiness the Dalai Lama. CTAC supports activities dedicated to the preservation and promotion of Tibetan culture through teachings, exhibitions, symposia, grants and cultural research. Collaborating with Tibet Fund, Tibet House and other experts and scholars, CTAC aims to increase awareness of Tibet's living cultural heritage among the Tibetan communities and the general public.

As stated on its FY2024 Form 990-EZ.

Program

  1. To preserve a millennium of cultural heritage the Conservancy works in remote and sensitive areas on the Tibetan plateau to identify, document, and help protect historically and culturally significant pilgrimage sites, shrines, monasteries, nunneries, artwork and rare texts. Believing that preserving living culture is part of a broader holistic process encompassing both the economic and social needs of indigenous people, the Conservancy aims to provide culturally specific education and training programs for lay people and monastic communities in coordination with international and local development efforts

    $6,000 spentof which $6,000 as grants
    100% of program spending

The program described on its FY2024 Form 990-EZ. Program spending in total: $6,000.

02The organization over time

The organization over time

Each line starts at 100 in 2017, so what you read is the shape rather than the size: 150 means half as much again as 2017, 50 means half. The number beside each label in the key is where it ended. The shaded band is where the middle 50% of its peers' revenue would sit, given their growth.

100 = 20172017 Revenue 100 ($1k) Expenses 100 ($33k) Net assets 100 ($98k)2018 Revenue 3911 ($58k) Expenses 130 ($43k) Net assets 116 ($114k)2019 Revenue 1744 ($26k) Expenses 23 ($7k) Net assets 134 ($132k)2020 Revenue 1618 ($24k) Expenses 56 ($18k) Net assets 140 ($138k)2021 Revenue 2071 ($31k) Expenses 35 ($11k) Net assets 160 ($157k)2022 Revenue 2094 ($31k) Expenses 75 ($24k) Net assets 167 ($164k)2023 Revenue 2255 ($33k) Expenses 14 ($5k) Net assets 196 ($193k)2024 Revenue 1984 ($29k) Expenses 182 ($59k) Net assets 165 ($162k)
'17'18'19'20'21'22'23'24
Revenue (1984)Expenses (182)Net assets (165)Peer revenue range

Balance sheet

Total assets and total liabilities at each year end, in dollars. The largest one-year move in total assets was 2023 to 2024, from $193k to $162k (−16%).

$99k
$115k
$133k
$138k
$157k
$166k
$193k
$162k
'17'18'19'20'21'22'23'24
Total assetsTotal liabilities

How it's funded, over time

Each bar is one year's revenue split into where it came from, and every bar is the same height — these are shares, not amounts, so a year that raised twice as much looks the same size. Hover a bar for the split.

2017
2018
2019
2020
2021
2022
2023
2024
ContributionsProgram revenueInvestmentOther

100% of CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC’s revenue is contributions — more reliant on donations than three-quarters of its peers (78% for the typical peer).

This organization
Typical peer · 18,808 orgs

Surplus & reserves

Operating surplus or deficit each year, and months of liquidity in hand. 2 of the last 8 reported years ran a deficit.

−$31k
’17
$15k
’18
$18k
’19
$6k
’20
$19k
’21
$7k
’22
$29k
’23
−$30k
’24
03Who funds it

Who funds it, year by year

2019 → 2023: the base held at 1 funder, grant income fell $6k → $27.

3 of 3 of your funders are donor-advised or pass-through sponsors (tagged DAF) — 100% of grant dollars received. That money is really individual donors directing a sponsor; the institutions to cultivate are the non-DAF funders.

From the IRS filings of CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC’s funders (the co-funder graph). Association, not causation. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

How concentrated its funding is

CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC leans on a few funders — its largest provides 64% of grant income and the top three 100%; half comes from just 1 funder.

the vertical line marks half of all grant income — 1 funder to its left

100% of the income these shares are computed over arrives through pass-through sponsors or from payers whose filings do not say what kind of payment it is. Concentration is still measured over all of it, because the money is real; what it does not support is a claim about how many institutions have chosen to fund CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC.

64%
largest funder
100%
top three
~2
effective funders

Largest funder’s share by year: 2019 100% · 2022 100% · 2023 100% — broadly stable.

“Effective funders” = inverse Herfindahl index (1 / Σ shareᵢ²) — the number of equal-sized funders that would give the same concentration. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

Where its funders are

100% of CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC's grant income arrives through donor-advised or pass-through sponsors, whose addresses record where the money is held rather than where the donor is. Too little is directly attributable to place on a map.

Funder states come from each funder’s own filing. $17k arriving through sponsors registered in 3 states is excluded from the map and the split above: a sponsor holds money on a donor’s behalf, so its registered address would place those dollars somewhere no donor need ever have been. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

04Its place in the field

Against its field

CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC has grown faster than three-quarters of the 14,550 arts & culture nonprofits its size.

Operating margin−102% · bottom quartile
Revenue growth (annualized)53% · top quartile

this organization peer median middle 50% of peers· 14,550 arts & culture nonprofits under $100k, FY2024

Organizations like CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC

Organizations whose mission and program text most resemble this one, by semantic similarity over every organization in the US filings — the closest peers, and often the clearest route to shared or prospective funders.

In Virginia

Nationally

05Profile & governance

Read directly from this organization’s own Form 990, as neutral context.

Public support

84%

Share of support from the public (Schedule A) — the basis for its public-charity status.

Screen this organization

A dated, signed PDF of the compliance screen for CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC: IRS status (Business Master File, Publication 78, auto-revocation), the OFAC sanctions lists, the Internal Revenue Bulletin, and California registration, with the Rev. Proc. 2018-32 §8.01 reliance elements stated element by element. Generated from the current files at the moment you download it.

A paid feature, included from the $75 plan up. Sign in to download.

Screens are triage, not determinations; a source that cannot be read reports not screened, never clear. Screen this nonprofit · How the screen works · on the API as GET /api/screening/{ein}?format=pdf

Questions and answers

Who funds CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC?
CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC (Virginia) receives grants from 3 organizations whose IRS filings report $17,160 to it, the largest being VANGUARD CHARITABLE ENDOWMENT PROGRAM ($11,000). 1 of them have funded it in more than one year, and 100% of the money arrives through donor-advised or pass-through sponsors rather than from an institution directly.
How many funders does CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC have?
IRS filings report 3 organizations giving $17,160 in grants to CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC, 1 of which have funded it in more than one year.
Who is the largest funder of CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC?
VANGUARD CHARITABLE ENDOWMENT PROGRAM is the largest funder on record, with $11,000 in grants. The full list of funders is on this page.
How can an organization like CONSERVANCY FOR TIBETAN ART AND CULTURE CTAC find more funders?
Start with the funders already giving here, then look at the foundations that back similar organizations in Virginia. The funding by cause and by state pages list the largest funders for a given area and how to approach them.

Play a game about who funds Conservancy for Tibetan Art and Culture Ctac →

These figures are read directly from IRS Form 990 / 990-PF e-file XML: this organization’s own return for FY2024 (financials across 2017–2024), and the filings of 3 funders that report grants to it. “On record” means captured in the filings we have parsed — a funder that does not e-file, or whose grant detail is not itemized, will not appear. Filings run roughly 12–24 months behind. Trends on this page end at FY2023, the last fiscal year that has finished arriving; later years are shown and marked, and move no figure. Data on this page was exported October 14, 2026. What this page cannot tell you · view filing