· Private foundation
Stephen & Ruth Hendel Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k21 grants · $56k
- $10k–50k9 grants · $215k
- $50k–250k3 grants · $255k
| Recipient | Amount |
|---|---|
| EUGENE O'NEILL THEATRE | $155,000 |
| THE JEWISH THEOLOGICAL SEMINAR | $50,000 |
| NXT HVN INC | $50,000 |
| AMERICAN JEWISH WORLD SERVICES | $35,000 |
| UNITED JEWISH APPEAL - FEDERATION | $35,000 |
| NEW YORK LIVE ARTS FUND | $35,000 |
| WESTCHESTER JEWISH CENTER | $33,800 |
| CENTER FOR JEWISH CULTURE & CREATIVITY | $25,000 |
| ST ANN'S WAREHOUSE | $21,400 |
| TECTONIC THEATRE PROJECT INC | $10,000 |
| THE PLAY PRODUCTION COMPANY INC | $10,000 |
| TRUSTEES OF COLUMBIA UNIVERSITY | $10,000 |
| NEW YORK THEATRE WORKSHOP | $9,550 |
| NEW YORK STAGE AND FILM | $5,558 |
| LISMORE ROAD | $5,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–25) land where the poverty rate runs at 11%, against an area that typically sits at 11%. 26% of your dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
22 repeat relationships — 13 still active in FY2025, 9 since wound down; 18 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 79% of grant dollars renewed an existing relationship; $103k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- NYNEW YORK THEATRE WORKSHOP INC2× · 2024–2025 · $22k · revenue +39%
- BFBATONGA FOUNDATION2× · 2023–2024 · $20k · revenue +17%
- TTTectonic Theater Project Inc2× · 2022–2023 · $15k · revenue +42%
Funded once
- NYNEW YORK LIVE ARTS INCone grant, 2022 · $110k · revenue +4%
- EOEUGENE O'NEILL MEMORIAL THEATER CENTER INCone grant, 2022 · $95k · revenue -39%
- NYNEW YORK LIBRARY ASSOCIATIONone grant, 2024 · $75k · revenue +23%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
Please see schedule o for the complete mission statement.berkeley repertory theatre creates ambitious theatre that entertains and challenges its audiences, provokes civic engagement, and inspires people to experience the world in new and…
Producing and developing plays and musicals.
Theatre can lead to extraordinary moments of shared imagination. it enables us to stand in anothers shoes to better understand ourselves and the world around us. it shows us who we are, who we have been, who we could be. the nt delivers on…
Mtc's work includes producing and developing new work on and off-broadway, nurturing artists throughout their careers, and positively impacting the lives of many through innovative education programs. we are committed to equity, diversity…
The mission of theatre for a new audience is to develop and vitalize the performance and study of shakespeare and classic drama. the theatre is dedicated to the language and ideas of writers - to a dialogue over centuries between…
Park avenue armory's mission is to enable a diverse range of artists to create, students to explore, and audiences to experience epic, adventurous, relevant work that cannot be done elsewhere in new york. with its soaring…
To present, in a rotating repertory, the finest latin american, spanish, and latino usa theatre and to serve as a catalyst for cultural exchange between spanish and english speaking americans.
OUR MISSION - Roundabout celebrates the power of theatre by spotlighting classics from the past, cultivating new works of the present, and educating minds for the future. OUR WORK - We produce familiar and lesser-known plays and musicals…
Develop recognition of international theater
Perform, promote and sustain classical ballet.
For reference, the grantee most central to the portfolio’s shape is Harlem Stage Inc and the most unlike its peers is Henrys Hope Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 39 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 7% of your grantees by number, and just 2% of your money.
The orgs you fund almost never close — 2% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
42 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 42 of the 72 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds NEW YORK LIVE ARTS INC ↗
- Who funds NXTHVN INC ↗
- Who funds EUGENE O'NEILL MEMORIAL THEATER CENTER INC ↗
- Who funds AMERICAN JEWISH WORLD SERVICE INC ↗
- Who funds NEW YORK LIBRARY ASSOCIATION ↗
- Who funds ST ANN'S WAREHOUSE INC ↗
- Who funds THE PLAY PRODUCTION COMPANY INC ↗
- Who funds UNITED JEWISH APPEAL-FEDERATION OF JEWISH PHILANTHROPIES OF NEW YORK INC ↗
- Who funds CENTER FOR JEWISH CULTURE & CREATIVITY ↗
- Who funds THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK ↗
- Who funds NEW YORK THEATRE WORKSHOP INC ↗
- Who funds THEATRE COMMUNICATIONS GROUP INC ↗
- Who funds BATONGA FOUNDATION ↗
- Who funds GEORGE STREET PLAYHOUSEINC ↗
- Who funds Tectonic Theater Project Inc ↗
- Who funds YOUNG DANCE COLLECTIVE INC ↗
- Who funds THE JEWISH MUSEUM ↗
- Who funds WATERWELL PRODUCTIONS INC ↗
- Who funds PHILLIPS EXETER ACADEMY ↗
- Who funds HENRYS HOPE FOUNDATION ↗
- Who funds jamel gaines creative outlet inc ↗
- Who funds HYPOKRIT FOUNDATION INC ↗
- Who funds LISMORE ROAD INC ↗
- Who funds ARS NOVA THEATER I INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Shubert Foundation Inc · The Howard Gilman Foundation Inc · Jewish Communal Fund · The Lucille Lortel Foundation Inc · The Ford Foundation · The Hyde and Watson Foundation · Tides Foundation · Richenthal Foundation · Axe-Houghton Foundation · The Andrew W Mellon Foundation · Tony Randall Theatrical Fund Inc · The Bwf Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Stephen & Ruth Hendel Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Nxthvn Inc — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Stephen & Ruth Hendel Foundation?
Find your warmest path to Stephen & Ruth Hendel Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.