· Private foundation
Stephen & Ruth Hendel Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- Under $10k21 grants · $56k
- $10k–50k9 grants · $215k
- $50k–250k3 grants · $255k
| Recipient | Amount |
|---|---|
| EUGENE O'NEILL THEATRE | $155,000 |
| THE JEWISH THEOLOGICAL SEMINAR | $50,000 |
| NXT HVN INC | $50,000 |
| UNITED JEWISH APPEAL - FEDERATION | $35,000 |
| AMERICAN JEWISH WORLD SERVICES | $35,000 |
| NEW YORK LIVE ARTS FUND | $35,000 |
| WESTCHESTER JEWISH CENTER | $33,800 |
| CENTER FOR JEWISH CULTURE & CREATIVITY | $25,000 |
| ST ANN'S WAREHOUSE | $21,400 |
| THE PLAY PRODUCTION COMPANY INC | $10,000 |
| TECTONIC THEATRE PROJECT INC | $10,000 |
| TRUSTEES OF COLUMBIA UNIVERSITY | $10,000 |
| NEW YORK THEATRE WORKSHOP | $9,550 |
| NEW YORK STAGE AND FILM | $5,558 |
| DANCE LAB NEW YORK | $5,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Dollar for dollar, its grants (FY17–25) land where the poverty rate runs at 11%, against an area that typically sits at 11%. 26% of its dollars go to grantees based in above-average-need neighborhoods. Its grants skew toward lower-need ZIPs.
How this is measured
Which US states its grants reach
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
23 repeat relationships: 14 still active in FY2025, 9 since wound down; 17 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 79% of grant dollars renewed an existing relationship; $100k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- NYNEW YORK THEATRE WORKSHOP INC2× · 2024–2025 · $22k · revenue +39%
- BFBATONGA FOUNDATION2× · 2023–2024 · $20k · revenue +17%
- YDYOUNG DANCE COLLECTIVE INC4× · 2022–2025 · $15k · revenue +26%
Funded once
- NYNEW YORK LIVE ARTS INCone grant, 2022 · $110k · revenue +4%
- EOEUGENE O'NEILL MEMORIAL THEATER CENTER INCone grant, 2022 · $95k · revenue -39%
- AJAMERICAN JEWISH WORLD SERVICESone grant, 2023 · $75k
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
Please see schedule o for the complete mission statement.berkeley repertory theatre creates ambitious theatre that entertains and challenges its audiences, provokes civic engagement, and inspires people to experience the world in new and…
Producing and developing plays and musicals.
Theatre can lead to extraordinary moments of shared imagination. it enables us to stand in anothers shoes to better understand ourselves and the world around us. it shows us who we are, who we have been, who we could be. the nt delivers on…
Mtc's work includes producing and developing new work on and off-broadway, nurturing artists throughout their careers, and positively impacting the lives of many through innovative education programs. we are committed to equity, diversity…
The mission of theatre for a new audience is to develop and vitalize the performance and study of shakespeare and classic drama. the theatre is dedicated to the language and ideas of writers - to a dialogue over centuries between…
Park avenue armory's mission is to enable a diverse range of artists to create, students to explore, and audiences to experience epic, adventurous, relevant work that cannot be done elsewhere in new york. with its soaring…
To present, in a rotating repertory, the finest latin american, spanish, and latino usa theatre and to serve as a catalyst for cultural exchange between spanish and english speaking americans.
OUR MISSION - Roundabout celebrates the power of theatre by spotlighting classics from the past, cultivating new works of the present, and educating minds for the future. OUR WORK - We produce familiar and lesser-known plays and musicals…
Develop recognition of international theater
Perform, promote and sustain classical ballet.
How this is measured
42 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 42 of the 71 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds NEW YORK LIVE ARTS INC ↗
- Who funds NXTHVN INC ↗
- Who funds EUGENE O'NEILL MEMORIAL THEATER CENTER INC ↗
- Who funds AMERICAN JEWISH WORLD SERVICE INC ↗
- Who funds NEW YORK LIBRARY ASSOCIATION ↗
- Who funds ST ANN'S WAREHOUSE INC ↗
- Who funds THE PLAY PRODUCTION COMPANY INC ↗
- Who funds UNITED JEWISH APPEAL-FEDERATION OF JEWISH PHILANTHROPIES OF NEW YORK INC ↗
- Who funds CENTER FOR JEWISH CULTURE & CREATIVITY ↗
- Who funds THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK ↗
- Who funds NEW YORK THEATRE WORKSHOP INC ↗
- Who funds THEATRE COMMUNICATIONS GROUP INC ↗
- Who funds BATONGA FOUNDATION ↗
- Who funds GEORGE STREET PLAYHOUSEINC ↗
- Who funds YOUNG DANCE COLLECTIVE INC ↗
- Who funds Tectonic Theater Project Inc ↗
- Who funds THE JEWISH MUSEUM ↗
- Who funds HENRYS HOPE FOUNDATION ↗
- Who funds WATERWELL PRODUCTIONS INC ↗
- Who funds PHILLIPS EXETER ACADEMY ↗
- Who funds HYPOKRIT FOUNDATION INC ↗
- Who funds LISMORE ROAD INC ↗
- Who funds jamel gaines creative outlet inc ↗
- Who funds ARS NOVA THEATER I INC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Shubert Foundation Inc · The Howard Gilman Foundation Inc · Jewish Communal Fund · The Lucille Lortel Foundation Inc · The Ford Foundation · The Hyde and Watson Foundation · Tides Foundation · Richenthal Foundation · Axe-Houghton Foundation · The Andrew W Mellon Foundation · Tony Randall Theatrical Fund Inc · The Bwf Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization Stephen & Ruth Hendel Foundation funds: left to right is the share of its income from government, bottom to top the share from Stephen & Ruth Hendel Foundation. Bigger dots raise more.
- Nxthvn Inc: 1% of income from government
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to Stephen & Ruth Hendel Foundation?
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Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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